Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Keith Haring
Figure and Fish (from The Valley Suite)

1989

About the Item

Figure and Fish (from The Valley Suite), 1989 by Keith Haring (1958-1990) Without Frame: 10" x 8.75" With Frame: 18.25" x 17.25" Signed and Dated Lower Right Edition 31/80 Lower Left "The Valley" is a group of etchings by Keith Haring with text by William S. Burroughs. The portfolio consists of sixteen etchings drawn by the artist in April of 1989, in his New York studio. The images were proofed by Maurice Payne from 10" x 9" copper plates and printed in black ink. The author copied the text by hand on sixteen sheets of tracing paper, which were photo-etched onto 10" x 9" copper plates and printed in red ink. The last page of the portfolio contains both text and image. There is a total of thirty-one sheets. All the images are Copyright ©1990-2005 The Keith Haring Foundation. The text, also titled "The Valley", is a chapter from the author’s novel, The Western Lands, Copyright ©1987 William S. Burroughs. The chapter is reprinted by the arrangement with Viking Penguin, a division of Penguin Books USA Inc. The fine art paper was created at Twinracker Handmade Paper in Brookston, Indiana. The 14"x12 1/2" sheets are white, 160 lb. 100% cotton paper. The watermark contains the initials of the artist and author. The edition was hand-printed at Wellington Studios in London, and each copy is presented in a case constructed by James Currier of Newtown, Connecticut. Each of the intaglio images has been signed by the artist. The last page of text has been signed by the author. The edition of eighty is numbered 1/80 to 80/80, with thirteen Artist’s Proofs numbered A.P. 1/13 to A. P. 13/13, four Hors Commerce numbered H.C. 1/4 to 4/4 and one Bon a Tirer. The edition is published by George Mulder Fine Arts New York in February, 1990 The Valley (Page 7) by William Burroughs the precise limitations of needs. The fish, the grifa, the nettles, the ants, the lizards and the snakes, the moss from the edge of the cliffs, the birds, everything is precisely doled out. Those who are working on instruments take precedence and are allotted extra rations. Sometimes a Corner will spend years on an instrument, preparing a single song. How else do we occupy our time? Everyday we must plan for the food of the day. This involves elaborate calculations: counting the fish, the number of moon-corn plants, the nettles, the moss. A miscalculation could mean starvation and the extinction of our line. We must believe that our line is precious, and that it must be maintained. Often the word comes: "No food today." or there may be just a meager allotment of boiled nettles.
  • Creator:
    Keith Haring (1958-1990, American)
  • Creation Year:
    1989
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 8.75 in (22.23 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Missouri, MO
  • Reference Number:
    1stDibs: LU747310039362
More From This SellerView All
  • Helicopters, Mountains, People (from The Valley Suite)
    By Keith Haring
    Located in Missouri, MO
    Helicopters, Mountains, People (from The Valley Suite) by Keith Haring (1958-1990) Without Frame: 10" x 8.75" With Frame: 18.25" x 17.25" Signed and Dated Lower Right Edition 31/80 Lower Left "The Valley" is a group of etchings...
    Category

    Late 20th Century Pop Art Figurative Prints

    Materials

    Engraving

  • Madame Butterfly
    By Larry Rivers
    Located in Missouri, MO
    Lithograph and silkscreen, 1978 23 x 31 inches (image and sheet) 28 x 36 framed Signed, dated and numbered ed. 300 lower left Printed by Styria Studios Figurative* artist Larry Rive...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Lithograph

  • Blue Profile with Pink Orb
    By Peter Max
    Located in Missouri, MO
    Color Lithograph Signed and Dated Lower Right Numbered Lower Left 22/100 Image Size: approx. 23 x 29 inches Framed Size: approx. 31 x 37.5 inches
    Category

    1970s Pop Art Figurative Prints

    Materials

    Lithograph

  • Seascape (Foot)
    By Tom Wesselmann
    Located in Missouri, MO
    "Seascape" (Foot) 1967 Screenprinted Vacuum-Formed Plexiglass In Colors Scratch-Signed, Dated and Numbered 92/101 14 1/4 x 12 15/16 x 3/4 in (36.1 x 32.9 x 2 cm). Known for his Pop-...
    Category

    1960s Pop Art Figurative Prints

    Materials

    Plexiglass, Screen

  • Bird's Eye View
    By Ronnie Cutrone
    Located in Missouri, MO
    Ronnie Cutrone (1948-2013) "Bird's Eye View" c. 1980s Color Lithograph Ed. 222/250 Signed, Numbered and Titled Image Size: 17 x 23.5 inches Framed Size: approx. 24 x 30 inches. Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art. Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...
    Category

    Late 20th Century Pop Art Figurative Prints

    Materials

    Lithograph

  • Zero Horizontal (Zero I)
    By Peter Max
    Located in Missouri, MO
    Peter Max "Zero Horizontal" (Zero I) 1973 Color Lithograph Ed. 194/300 Signed and Numbered Framed Size: approx. 32 x 25 inches Print Size: approx 20 x 26 inches Peter Max is a multi-dimensional artist focused on contemporary events. When he left art school in the 1960s he began producing, "cosmic imagery . . . that caught on right away, and before you knew it, I got an eight-page cover story in Life magazine." He explores all media, including mass media as a "canvas" for his creative expression. His decorative designs are on a Boeing 777 Continental, Dale Earnhardt's #3 Millennium race car, U.S. postage stamps and 235 U.S. border murals. He created two 155-foot murals for the U.S. Pavilion at the Seville World's Fair in Spain, 12 postage stamps for the Earth Summit in Rio de Janeiro, Brazil, and a 600-foot stage mural for Woodstock 2. He has also painted for five U.S. presidents, as well as the Beatles, Aerosmith and the Rolling Stones. After September 11th, 2001 Peter Max began a project by finishing 356 portraits of the firefighters that were lost in the attack. His portraits were then given to the victims' families. In addition, from a special request from President George W. Bush, he recently created another 356 portraits for a firefighters' memorial. Peter Max has worked with oils, acrylics, water colors, finger paints, dyes, pastels, charcoal, pen, multi-colored pencils, etchings, engravings, animation cells...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Lithograph

You May Also Like
  • Hot Dog, Colin Self. British Pop Art cold war americana bright red black etching
    By Colin Self
    Located in New York, NY
    A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...
    Category

    Early 2000s Pop Art Figurative Prints

    Materials

    Drypoint

  • Hole Punch (Jim Dine 30 Bones of My Body portfolio) tool dry point
    By Jim Dine
    Located in New York, NY
    The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Drypoint

  • Phillips Screwdriver (Jim Dine 30 Bones of My Body portfolio) tool dry point
    By Jim Dine
    Located in New York, NY
    The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Drypoint

  • ERR (Sheehan 29)
    By Robert Indiana
    Located in New York, NY
    Robert Indiana ERR (Sheehan 29), 1963 Photoengraving and Etching on off-white Rives BFK paper Hand signed, dated and annotated on lower front with artist's blind stamp from Coenties ...
    Category

    1960s Pop Art Abstract Prints

    Materials

    Engraving, Etching

  • American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) UNIQUE Proof Love Food Life
    By Robert Indiana
    Located in New York, NY
    Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...
    Category

    1980s Pop Art Abstract Prints

    Materials

    Mixed Media, Drypoint, Etching, Aquatint, Stencil

  • Picasso's Meninas - Richard Hamilton, Aquatint, Pop Art, Contemporary Art, Print
    By Richard Hamilton
    Located in London, GB
    Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Pa...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

Recently Viewed

View All