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Marc Chagall
Man with Umbrella L’homme au parapluie

1962

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  • Central Panel, from: Triptych 1974-1977
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    Located in London, GB
    FRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish/British) Title: Central Panel, from: Triptych 1974-1977, 1981 Technique: Original Hand Signed and Numbered Etching and Aquatint in Colours on Wove Paper Paper size: 64.8 x 50 cm. / 25.5 x 19.7 in. Image size: 38.8 x 29.5 cm. / 19.3 x 11.5 in. Additional Information: This etching and aquatint in colours is hand signed in pencil by the artist "Francis Bacon" in the lower right margin. It is also hand numbered in pencil from the edition of 99, in the lower left margin. The work was printed in a limited edition of 99 signed and numbered impressions with an additional 15 Hors Commerce [out of trade] impressions and 15 artist’s proofs. It was printed and published by Polígrafa, Barcelona in 1981. It is based on the painting of the same title. Note: Tryptic 1974-1977 is one of Bacon's finest triptychs. It was painted by Bacon between May and June 1974 and was made in response to the tragic death of his lover George Dyer in 1971. It was the last work the artist made before a major retrospective of his work held at the Metropolitan Museum of Art in New York in 1974. The exhibition formed the culmination of this important survey of Bacon's career from the late 1960s onwards and was immediately recognised as both a major landmark and also perhaps a turning point in Bacon's career. From 1971, Francis Bacon had been preoccupied with Dyer and the tragic manner of his suicide. Triptych 1974-77 also borrows several elements from the three earlier so-called 'Black' triptychs (In memory of George Dyer, 1971, Triptych August 1972 and Triptych May-June 1973). In each of these great three-panel paintings, the figure of Dyer is presented on the threshold of entering a dark void, either in the form of his hotel room, or silhouetted against a sequence of black rectangles. At the bottom of this central panel on a pale blue, purple and black curved continuation of this arena-like circle, there originally appeared a bizarre prone and bespectacled slug-like figure. Based on one of Edward Muybridge...
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  • Fraternity Fraternité - Portfolio with 9 Etchings by Kandinsky Miro Hayter
    By Wassily Kandinsky
    Located in London, GB
    VARIOUS ARTISTS Title: Fraternity Fraternité, 1939 Technique: Complete Set of Nine Original Hand Signed Etchings on Montval Wove Paper with the Accompanying Text and Portfolio Portfolio size: 24 x 17.5 x 2 cm. / 9.5 x 6.9 x 1 in. Additional information: Each of the works in the portfolio is hand signed in pencil by each artist. The portfolio is hand numbered in pencil “97” on the justification page. This portfolio was printed in the limited edition of 101 by Atelier 17 and Henri Hecht...
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  • The Blue Dog - Etching with Aquatint - Spanish Surrealism
    By (after) Joan Miró
    Located in London, GB
    JOAN MIRO 1893-1983 Montroig 1893- 1983 Mallorca (Spanish) Title: The Blue Dog Le chien bleu, 1959 Technique: Hand Signed and Numbered Etching with Aqu...
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  • The Automobilist, from: My Life - Russian French Berlin Autobiography Surrealism
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    This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 110, at t...
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  • Monument to Christopher Columbus and Marcel Duchamp - 13 Etchings by Artists
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    Located in London, GB
    VARIOUS ARTISTS Title: Monument to Christopher Columbus and Marcel Duchamp Monument à Christophe Colomb et à Marcel Duchamp, 1971 Technique: Complete Set of Thirteen Original Ha...
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  • Phyrné
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    Located in London, GB
    PAUL DELVAUX 1897-1995 Antheit, Huy 1897-1995 Veurne (Belgian) Title: Phyrné, 1969 Technique: Original Hand Signed and Inscribed Lithograph in Colours on Arches Wove Paper ...
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    Wonderful surrealistic etching by San Francisco artist Herbert Holden (American, 20th Century). 1983. Part of his Alienation Ave series, this etching is numbered 3/50. Signed, dated,...
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