Rider and Dancer - Original Etching
View Similar Items
Marie LaurencinRider and Dancer - Original Etching1949
1949
About the Item
- Creator:Marie Laurencin (1883-1956, French)
- Creation Year:1949
- Dimensions:Height: 14.97 in (38 cm)Width: 11.03 in (28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU464310755242
Marie Laurencin
Around 1905 Georges Braque took Marie Laurencin to the Bateau Lavoir, Picasso's famously run-down studio on Rue Ravignan. Laurencin and Braque had both studied at the Académie Humbert. Laurencin originally aimed to paint on porcelain but Braque had the full measure of his colleague's talent and persuaded her to broaden her horizons.
On Rue Ravignan Laurencin found herself in an environment where she could thrive, where painting and literature mingled freely in a state, Picasso said, of permanent cross-fertilization, and at a moment when Fauvism was about to be supplanted by Cubism. Soon Guillaume Apollinaire was devoting to her an important chapter in his The Cubist Painters: Aesthetic Meditations (Peintres Cubistes: Méditations Esthétiques). Married to a German baron she fled France during World War I and lived in Spain, where she met Picabia among others, to return to Paris in 1920.
Laurencin's first canvases are sharper in tone than her later work. From her Ravignan period she left some paintings of real quality which also record the Bateau Lavoir dwellers, famously Picasso and Fernande Olivier, his mistress. Laurencin would enlarge on this composition by grouping together Picasso, Olivier (who wrote Picasso and His Friends [Picasso et ses Amis]), the poet Marguerite Gillot, the poet Maurice Chevrier, Guillaume Apollinaire and André Salmon. The Pont Mirabeau, dear to Apollinaire, can be seen in the background. During her time at Ravignan she also produced burin engravings and woodcuts inspired by fables and romantic street songs.
Laurencin had found her style. She became a painter of doe-like girls, merging realism and fantasy like some poets of her generation. Some see Eugène Carrière's influence in her early works, yet her palette shows much more distinct shading. Laurencin created this unique palette, rich in colors chosen for their softness, the full range of which she explored, deftly and firmly stressing tonalities. Famous among her works are the following: Guitar, Child with Violin, Princess, Sirens, Portrait of Jeannot, Portrait of René Dalize, Portrait of Marcel Jouhandeau and Portrait of André Salmon. She also illustrated many books: Marie Laurencin's Fan (L'Éventail de Marie Laurencin), a collection of poems written for her by writer friends, The Attempt at Love (La Tentative Amoureuse) and The Poems of André Walter (Les Poésies d'André Walter) by André Gide, books by Jacques de Lacretelle, André Salmon, Paul Morand, Louise Faure-Favier and Alice in Wonderland by Lewis Carroll.
Laurencin also pioneered new approaches to theatre set designing, memorably so in the Cocteau and Milhaud collaboration Does (Les Biches) for the Ballets Russes in 1924, and What Do Girls Dream Of? (À Quoi Rêvent les Jeunes Filles?) for the Comédie Française in 1928, even providing themes for the ballet.
She exhibited for the first time in 1907 at the Salon des Indépendants in Paris. In 1912 she showed her work with Robert Delaunay at the Galerie Barbazanges and contributed to the decoration of the Cubist house for the Salon d'Automne. In 1937 at the Petit Palais, Laurencin provided an exemplary sample of her work, including Portrait (1904), Portrait of a Young Woman in a Pink and Black Hat, two canvases executed in 1908 and 1909 and both entitled Guillaume Apollinaire and his Friends (referring to the Picasso circle), Flowers, Two Sisters, Marie Laurencin in Blue (1936), Game of Badminton, Flower Pot, Blue Angel (1929), Young Girls with a Mandolin, Portrait of Madame C.P., Artist and Model, Portrait of Anne-Françoise Mare and Pot and Lemons. In 2002 she featured in the exhibition “Women of Montparnasse” (Elles de Montparnasse) at the Musée du Montparnasse in Paris, chronicling the emancipation of female artists between the wars. In 1994 the Fondation Pierre Gianadda in Martigny presented a retrospective of her work.
Find original Marie Laurencin prints, drawings and watercolor paintings on 1stDibs.
(Biography provided by Leighton Fine Art Ltd.)
- Back from the bakery - Etching and aquatint, HandsignedBy Mily PossozLocated in Paris, FRMily POSSOZ Back from the bakery MEDIUM : Etching and aquatint SIGNATURE : Handsigned LIMITED : 75 copies PAPER : BFK Rives vellum SIZE : 22 x 15" INFORMATIONS : Bears the blind st...Category
Early 20th Century Modern Figurative Prints
MaterialsEtching, Aquatint
- Young girl with ? - Original etching, handsignedBy Mily PossozLocated in Paris, FRARTIST : Mily POSSOZ TITLE : Young girl with ? MEDIUM : Etching and aquatint SIGNATURE : Handsigned LIMITED : 75 copies PAPER : BFK Rives vellum SIZE : 15 x 11" INFORMATIONS : Bear...Category
Early 20th Century Modern Figurative Prints
MaterialsEtching, Aquatint
- Méditation orogéniqueBy Salvador DalíLocated in Paris, FRSalvador DALI Méditation orogénique Original etching and aquatint Handsigned in pencil Limited to 80 copies On mandeure vellum 44,5 x 44 cm This etching is part of seri...Category
1980s Modern Figurative Prints
MaterialsEtching, Aquatint
- Vanity with Three Skulls - Original etching with aquatintBy Miquel BarcelóLocated in Paris, FRMiquel Barcelo Vanity with Three Skulls, 2005 Original etching with aquatint Unsigned On ivory vellum 50 x 65 cm (c. 20 x 26 in) Authenticated with the...Category
Early 2000s Modern Figurative Prints
MaterialsEtching, Aquatint
- Whorehouse Scene : Shy and Challenging Prostitutes - Original etchingBy (after) Edgar DegasLocated in Paris, FREdgar DEGAS (after) Whorehouse Scene : Shy and Challenging Prostitutes Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollar...Category
1930s Modern Figurative Prints
MaterialsEtching, Aquatint
- Whorehouse Scene : Nude Waiting on a Bed - EtchingBy (after) Edgar DegasLocated in Paris, FREdgar DEGAS (after) Whorehouse Scene : Nude Waiting on a Bed Etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great art s...Category
1930s Modern Figurative Prints
MaterialsEtching, Aquatint
- "Triade" by Marino Marini, Lithography, Triad, Figurative PrintBy Marino MariniLocated in Köln, DESet of 3 etchings and aquatints in colours by Marino Marini "Triade", 1976-1978 73,7 x 57,5 cm Copy 4/90 Edition of 125 Marino Marini (Pistoia 1901–1980 Viareggio 1980) - Hardly an...Category
1970s Modern Figurative Prints
MaterialsEtching, Aquatint
- Don't Scream, Fool - Etching after Francisco Goya - 1881/86By Francisco GoyaLocated in Roma, ITDon't Scream, Fool (No grites, tonta) is an original modern artwwork realized by Francisco Goya between 1794-1798. Plate n. 74 from "Los Caprichos". Etching with aquatint in black-...Category
1880s Modern Figurative Prints
MaterialsEtching, Aquatint
- The Skaters, Aquatint Etching by Will BarnetBy Will BarnetLocated in Long Island City, NYArtist: Will Barnet, American (1911 - 2012) Title: The Skaters Year: 1988 Medium: Etching and Aquatint, signed and dedicated in pencil Edition: Trial Proof...Category
1980s American Modern Figurative Prints
MaterialsEtching, Aquatint
- A Moving Still Life, from The Blue GuitarBy David HockneyLocated in Palo Alto, CADavid Hockney A Moving Still Life, from The Blue Guitar, 1976-1977 is a playful scene that takes its title to the full extent of its literal meaning. The center of the composition is dominated by a mannequin-like head and a table with a typical still-life arrangement, set on the surface of a large table suggested by the shading and edge lines in the bottom right. The hair of the mannequin blows out behind it, threading neatly through a mysterious red hoop...Category
1970s Modern Figurative Prints
MaterialsAquatint, Etching
$14,400 Sale Price20% Off - Oiseau dans son nid (Bird in its Nest) from Août (August)By Georges BraqueLocated in Palo Alto, CABraque Oiseau dans son nid (Bird in its Nest) from Août (August), 1958 is an exquisite work that revisits Braque’s beloved bird motif. Beautifully inspir...Category
1950s Modern Figurative Prints
MaterialsAquatint
$7,500 Sale Price28% Off - Figure - Etching by Massimo Campigli - 1969Located in Roma, ITHand signed and numbered. Edition of 100 prints. This original print shows a composition divided into some frames, similar to windows, in which Campigli represents some female figur...Category
1960s Modern Figurative Prints
MaterialsAquatint, Etching
$2,170 Sale Price20% Off