Pablo Picasso

Le Peintre et son Modele (Bloch 1133)

1963

Artist: Reuben Nakian, American (1897 - 1986) Title: Myths and Legends: Plate III, Voyage to Crete (Black) Year: 1979 Medium: Drypoint Etching with C...

Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...

This surreal botanical print by Salvador Dali is from a suite of 10 engravings called "Flora Dalinae". Growing from a vine are leaves shaped like lips an...

Poseidon is one of 16 works in a suite by the artist called "The Mythology". The suite included works depicting other Greek/Roman gods such as Hypnos, Jupiter, and Athena, as well as...

Artist: Will Barnet, American (1911 - 2012) Title: The Skaters Year: 1988 Medium: Etching and Aquatint, signed and dedicated in pencil Edition: Trial Proof...

L’Homme au Chapeau by Max Papart, French (1911–1994) Date: circa 1970 Aquatint Etching and Carborundum, signed and numbered in pencil Edition of 17/75 Image Size: 23 x 16.5 inches Si...

Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...

Loading Barges on the Thames. 1922. Etching with drypoint and aquatint. Dickins 72. 4 5/8 x 13 1/8 (sheet 9 3/8 x 15 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on 'J. Whatman' wove paper. Signed in pencil. The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford, and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...

The First Wooden Temple of Jupiter or Restoration of one of the first Temples of Jupiter Capitolinus, Rome.Dickins 47. 5 1/8 x 7 1/8 (sheet 9 3/16 x 11 5...

The Tyne. 1922. Etching and drypoint. Dickins 73. 5 7/8 x 7 7/8 (sheet 9 3/4 x 12 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping and more of a sepia coloring, printed on "J.Green & Son' cream-wove paper. Signed in pencil. The image looks down on the open Swing Bridge, from the High-Level Bridge, Newcastle upon Tyne. The boats carry timber and coal. The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...

"Painter and Model with Necklace" is an intaglio print on paper, comprised of etching, aquatint and drypoint technique. The image size is 11.5 x 14.75 inches and the framed size meas...

La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...