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Rembrandt van RijnChrist Crucified Between Two Thieves Etching, Drypoint, 1641, Framed1641
1641
About the Item
Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and then enhanced with drypoint, the composition shows Christ at the center, illuminated from above as though he himself is the light illuminating the scene. He is flanked on either side by the two thieves, and below groups of huddled figures mourn and observe. The print is noted for its especially intricate iconography, and may represent the exact moment of Christ's death. Rembrandt may have been inspired by the text from Matthew 27:46-54 when Christ cried out, “My God, my God, why hast Thou forsaken Me?” Rembrandt drew heavily on biblical sources in his work, as well as being influenced by other Baroque contemporaries. The nature of the media meant it was possible for Rembrandt to make continuous alterations (which he did over a several-year period), adding further etching and dry points, changing the composition of the picture, and making the final image darker and more chaotic. Medium is Etching and Drypoint in black ink on cream laid paper; third state of three
1641; posthumous impression ca. 1820
Image Size: 5 1/4" x 3 3/4"
Frame Size: 15 3/4" x 14 1/2"
Overall Good Condition: Some wrinkles in upper corners, light discoloration and foxing
Presented in a gold-finish wood frame and mounted to 100% rag cream matboard and protected behind glass; framed to conservation standards using archival materials.
Ref: Bartsch 79 i/ii; Hind 173; Biorklund-Barnard 41-2; Usticke 79 i/iii; New Hollstein 196 i/iii.
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1641
- Dimensions:Height: 5.25 in (13.34 cm)Width: 3.75 in (9.53 cm)
- Medium:
- Movement & Style:
- Period:1640-1649
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: G12706g-11stDibs: LU605317817042
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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