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Rembrandt van Rijn
The Flight into Egypt, Crossing over a Creek

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  • Allegorical Figure, Holding a Ball
    By Giorgio Mantovano Ghisi
    Located in Chicago, IL
    Provenance: Edouard Schultze (Lugt 906) References: Bartsch 34 Boorsch & Lewis 38 Notes: A fine impression of this engraving. Boorsch and Lewis state that this work dates from “the mid-1560s” and suggest that it was after a work by Giulio Romano...
    Category

    16th Century Old Masters Figurative Prints

    Materials

    Engraving

  • Venus and the Rose (2nd State)
    By Giorgio Mantovano Ghisi
    Located in Chicago, IL
    Engraving after Luca Penni
    Category

    16th Century Old Masters Prints and Multiples

    Materials

    Engraving

  • The Hunchbacked Fiddler (3rd State)
    By Adriaen van Ostade
    Located in Chicago, IL
    The Hunchbacked Fiddler (3rd State), 1654 Etching 266 x 113 mm.; 6 1/2 x 4 7/16 inches Watermark: Fleur-de-lys in a Crowned Shield References: Godefroy 44 III/VI Hollstein 44 III/VI Pelletier, Adrian van Ostade...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Etching

  • The Large Village Fair
    By Cornelis Dusart
    Located in Chicago, IL
    The Large Village Fair, 1685 Etching 268 x 377 mm.; 10 1/2 x 13 1/4 inches Watermark: Arms of Amsterdam Provenance: H. Freiherr von und zu Aufsess (Lugt 2749) M. Menge (Lugt 1893a). References: Hollstein 16 Notes: A fine, early impression (before spots on the sky) of one of Dusart’s most powerful and fanciful works. Concerning the provenances of this etching: Hans von und zu Aufsess (1801-1872) was a great book lover and also a major collector of Old Master prints. He was one of the founders, in 1852, of the Germanisches Museum in Nürnberg and was that museum’s director until 1862. Mas Menge (died in 1945) was a famous violinist and also a major collector of Old Master prints and drawings.
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Etching

  • Les Plaisirs du Bal [before 1st State] (The Pleasures of the Ball)
    By (After) Jean-Antoine Watteau
    Located in Chicago, IL
    Les Plaisirs du Bal (before 1st State), 1730 The Pleasures of the Ball Pure etching only by Gérard Jean-Baptiste Scotin II (born Paris 1698) 495 x 640 mm.; 19 3/8 x 25 1/8 inches ...
    Category

    18th Century Old Masters Figurative Prints

    Materials

    Etching

  • Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
    By Giovanni Benedetto Castiglione
    Located in Chicago, IL
    Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Laid Paper, Etching

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  • The Spectacle Seller
    By Adriaen Jansz van Ostade
    Located in Middletown, NY
    Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
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  • Street in Smyrna
    By Marius Bauer
    Located in Storrs, CT
    Street in Smyrna. 1889. Etching. Wisselingh 34. 7 x 5 1/4 (sheet 12 7/8 x 8 7/8).Edition 100, number 49. A rich, tonal impression printed on Strasbourg cream laid paper on the full s...
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  • Breaking up of the Agamemnon, No 1
    By Sir Francis Seymour Haden, R.A.
    Located in Storrs, CT
    Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
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  • Jan Uytenbogaert, The Goldweigher
    By Rembrandt van Rijn
    Located in Boston, MA
    Bartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.
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  • One Can't Tell Why - Proof from the Disasters of War
    By Francisco Goya
    Located in New York, NY
    Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
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  • Disparate Pobre (Two Heads are Better Than One) – Trial Proof
    By Francisco Goya
    Located in New York, NY
    Francisco de Goya y Lucientes (1746-1828), Disparate Pobre (Two Heads are Better Than One) – Trial Proof, with burnished aquatint, drypoint and engraving, c. 1812; plate 11 from Los...
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