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The Homeward Star

The Homeward Star

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Giovanni Battista Piranesi - View of the Cave known as Bergantino - Etching by G. B. Piranesi - 1762

View of the Cave known as Bergantino - Etching by G. B. Piranesi - 1762

Giovanni Battista Piranesi - Ruins of an Ancient Tomb - G. B. Piranesi - 1762

Ruins of an Ancient Tomb - G. B. Piranesi - 1762

Unknown - Landscape - Etching - 18th Century

Landscape - Etching - 18th Century

Giuseppe Vasi - Chiesa di S. Marcello - Etching by Giuseppe Vasi - Late 18th Century

Chiesa di S. Marcello - Etching by Giuseppe Vasi - Late 18th Century

Giuseppe Vasi - Monastero e Chiesa dei SS. Domenico - Etching by G. Vasi - Late 18th Century

Monastero e Chiesa dei SS. Domenico - Etching by G. Vasi - Late 18th Century

Giuseppe Vasi - Palazzo Pontificio - Etching by Giuseppe Vasi - Late 18th Century

Palazzo Pontificio - Etching by Giuseppe Vasi - Late 18th Century

Giuseppe Vasi - Ponte Milvio - Etching by Giuseppe Vasi - Late 18th Century

Ponte Milvio - Etching by Giuseppe Vasi - Late 18th Century

Giuseppe Vasi - Sedale e Chiesa di S. Spirito - Etching by Giuseppe Vasi - Late 18th Century

Sedale e Chiesa di S. Spirito - Etching by Giuseppe Vasi - Late 18th Century

Giuseppe Vasi - Chiesa di S. Venanzio - Etching by Giuseppe Vasi - Late 18th Century

Chiesa di S. Venanzio - Etching by Giuseppe Vasi - Late 18th Century

Giuseppe Vasi - Chiesa di S.Maria in Vallicella - Etching by Giuseppe Vasi - Late 18th Century

Chiesa di S.Maria in Vallicella - Etching by Giuseppe Vasi - Late 18th Century

Giuseppe Vasi - Monastero e Chiesa dell'Immacolata- Etching by Giuseppe Vasi - Late 18th Century

Monastero e Chiesa dell'Immacolata- Etching by Giuseppe Vasi - Late 18th Century

Giuseppe Vasi - Chiesa e Monastero di S. Maria Annunziata - Etching by G.Vasi -Late 18th Century

Chiesa e Monastero di S. Maria Annunziata - Etching by G.Vasi -Late 18th Century

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Samuel Palmer (b.1805)
The Homeward Star

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Breaking up of the Agamemnon, No 1
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
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The Gothic Spirit
By John Taylor Arms
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The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
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Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
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Relics (Speakeasy Corner).
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McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame. According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time." The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street. During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...
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