Head Figurative Prints

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 63 (Plate 63), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 98 (Plate 98), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Metamorphosis is a lithograph realized in the 1950s by Jaen Boullet (1921-1970). Signed on the plate. Good conditions wth slight foxing The artwork is depicted by strong strokes i...

Ex-Libris - Rethyistvan is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate Good conditions exc...

Ex Libris Still Life is an Artwork realized in 1920 s., by the Czech Artist Ruda Kubicek (1891-1983) Woodcut B./W. print on paper. Signed on plate on the left corner.  The work is ...

This artwork titled "Three Questions #VII" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and number...

This artwork titled "Three Questions #I" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbered...

This artwork titled "Three Questions #V" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbered...

One of 7 copies. Justyna DORZAK (b. 1992), In 2011 she graduated from the State Secondary School of Fine Arts. Graduate of the Academy of Fine Arts in Katowice. Diploma in the lithog...

Visconti and Sforza Families is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the govern...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident...

Big head from Ecce Homo is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 15 from the porfolio Ecce Homo published between 1922/1923,edition of...

Nude of Woman is an Etching realized by Leo Guida in 1971s. Good condition, proof artist. No signature. Artist sensitive to current issues, artistic movements and historical techn...

The Limbos - Hell Plate -11 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri.  Not signed, as issued.  Good...

An original etching from "Le Chef- d’Œuvre Inconnu" by Pablo Picasso, created in 1927 and published in 1931. It is hand signed and numbered 7/99 in red brush from the edition of 9...

This artwork titled "Mock Battle" 1956 in an original color lithograph on paper by noted French/American artist Jean Charlot, 1898-1979. It is hand signed and dedicate in pencil by the artist. the image size is 17.75 x 12 inches, framed size is 28.75 x 22 inches. It is custom framed in a wooden gold frame, with off white matting and silver color spacer. It is in excellent condition. Examples of this particular work are held in the Smithsonian American Art Museum, Washington, The Metropolitan Museum of Art, New York, The De Young Museum, San Francisco, The Philadelphia Museum of Art, Philadelphia, and the Portland Art Museum, Portland. About the artist: Jean Charlot was an artist, teacher, scholar, critic, poet, and playwright. He studied at the École des Beaux Arts, and served in the French Army from 1918 to 1920. After the war he moved to Mexico, where he had relatives, and joined a group of other young artists in the Mexican Mural Renaissance of the 1920s. Charlot's fresco mural in the Preparatoria Nacional was the first of many he completed. While in Mexico, he wrote numerous articles on art, among them the first on the Mexican printmaker José Guadalupe Posada, and worked as an archeologist and illustrator with the Carnegie expedition to Chichen Itza...

Woman is an Original Vintage Offset and Lithograph Poster realized by Emilio Greco in 1973. Good condition on a white paper. Signed and dated by the artist on the lower left corner...

Uses and Customs - Alsacienne is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gover...

Ancient Roman Fresco Portraits, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate. ...

Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...

Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...

Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions. The etching belongs to ...

"Military" is a beautiful print in the etching technique, realized by Anselmo Bucci (1887-1955) in 1910s. In good conditions. The artwork represents the war scenery and an only per...

Lunar Poet  is a Contemporary Artwork realized in Italy by  Guelfo Bianchini  (Ancona, 1937) in 1978 . Colored Etching on paper.  Hand-signed  in pencil on the lower right corner: ...

Limited edition. ANNA HALAREWICZ (born in 1983) graduated from the School of Fine Arts in Wroclaw on the drawing faculty. She received her Masters with distinction in Graphic Design ...

Artist: Jean-Louis Forain (French, 1852-1931) Title: Loin du Front Year: 1918 Medium: Lithograph Edition: Numbered 85/300 in pencil Paper: Wove Sheet size: 15 x 22.25 inche...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma Navarre paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the album, Dessins de Henri-Matisse, 1925. Published...

Fugitive Mother Carrying her Child, Hong Kong 1952 is a vintage poster realized after a photo by Werner Bischof. The state of preservation of the artwork is good. Signed, Titled an...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Bloom Year: 2014 Medium: Digital Print, signed in marker Edition: 5/200 Size: 13 x 9.5 in. (33.02 x 24.13 cm)

Caretas de Papel 1974s is a splendid print in etching technique engraved by the Enrique Marin (1935-2020). The state of preservation of the artwork is excellent. Sheet Dimension: ...

Anatomy Studies is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized...

Bardot Blur Cherry Pink 2022 by BATIK Signed and numbered by the artist on front limited to only 5 this size Paper size 44 inches height x 40 inches width / 112 x 101 cm Paper Ty...

Shown with her hands folded across her lap with a jar of honey held within them, the woman in the brimmed hat looks off to the side in this fairly naturalistic portrait by famed Cubi...

Etching, Drypoint and Pochoir, 1977. Sheet 19 from the series Les Caprices de Goya de Dalì. Printed by J.J.J. Rigal after Goya with drypoint revisions by Dalí in his own hand between 1973 and 1977. Edition 85/200. Red. Michler-Löpsinger 866a (from b). Inscribed Dalì and Goya in pencil and with the artist's signature, title and number on the plate. On bold chamois-colored BFK Rives The Spanish master Francisco Goya created the work “Los Caprichos...

Artist: Harold James Cleworth Title: Compact Medium: Lithograph, signed and numbered in pencil Edition: 16/150 Image: 27 inches (diameter) Size: 36 x 32 in. (91.44 x 81.28 cm)

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

Sibilla (Sibyl) is an artwork realized by the italian Contemporary artist Leo Guida (1992 - 2017) in 1975s. Original black and white etching on paper. Hand Signed on the lower ri...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Faces is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 1...

Mr.Monkey Painter Set Off is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Manesq...

Figures is an Etching realized by Mino Maccari in the Mid-20th Century. Handisigned in the lower right part. Numbered. Edition 4/12. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...

Artist: Marc Chagall Title: Woman Circus Rider Portfolio: Derriere le Miroir: 10 Ans d'Edition Medium: Lithograph Date: 1956 Edition: 2000 Frame Size: 21" x 27 1/2" Sheet Size: 14" x...

Roby Dwi Antono Epic Fight Deluxe Edition, 2021 Fine art print on Canson Aquarelle 310gsm paper with deckled edge 30 × 42 in 76.2 × 106.7 cm Edition of 50 Published by ThinkSpace Si...

Christ is a woodcut print realized by Augusto Monari in the Early-20th Century. Good conditions. The artwork is depicted through confident strokes in...

Uses and Customs - Antique Christian Art is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the...

Ex Libris - Mantero - Melanconico-Allegro is an Etching print created by Michel Fingesten. Hand Signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a C...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

Bardot Blur Baby Pink 2022 by BATIK Signed and numbered by the artist on front limited to only 5 this size Paper size 44 inches height x 40 inches width /...

Bardot Blur Purple 2022 by BATIK Signed and numbered by the artist on front limited to only 5 this size Paper size 44 inches height x 40 inches width / 112 x 101 cm Paper Type : ...

Figures is an artwork realized by an artist of the last 20-th century.  Lithograph, 50 x 35 cm. Edition 129/150. Dated, hand signed lower side. Good conditions!

This exquisite etching by Marie Laurencin (1883–1956), titled La Ronde (The Round Dance), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), originates from the 1926 edition published by Au Sans Pareil, Paris, and printed by Lacouriere, Paris, 1926. La Ronde reflects Laurencin's poetic vision and her lyrical treatment of form and femininity, embodying the grace and delicacy that defined her distinctive style during the height of the Parisian avant-garde. Executed as an etching on velin d'Annonay, des freres Montgolfier paper, this work measures 7.5 x 5.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the fine craftsmanship of Lacouriere, Paris. Artwork Details: Artist: Marie Laurencin (1883–1956) Title: La Ronde (The Round Dance), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin) Medium: Etching on velin d'Annonay, des freres Montgolfier paper Dimensions: 7.5 x 5.5 inches (19 x 14 cm) Inscription: Unsigned and unnumbered as issued Date: 1926 Publisher: Au Sans Pareil, Paris Printer: Lacouriere, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), published by Au Sans Pareil, Paris; printed by Lacouriere, Paris, 1926 Notes: Excerpted from the album (translated from French), XX examples on tank velin, with a double sequence of engravings, including one in the first state. These examples, reserved for Friends of the publisher and printed in their name, are numbered from I to XX; XXXV examples; LX examples on Holland Van...

The Bigamist (Il Bigamo) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and...

Uses and Customs - Roman is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

Figures is a Linocut realized by Mino Maccari in the 1960s. Hand-signed in the lower right part. Numbered. Edition,13/48. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16...