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Unknown
The Attack

1900

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  • Oxcart with 5 Men and 1 Ox
    By Yosha Zuko Fuzu
    Located in Florham Park, NJ
    Yosha Zuko Fuzu Meiji 33 (1900) Woodblock with Original Hand-Coloring Writer: Kosugi Onson, Imaizumi Teisuke Publisher: Yoshikawa Hanshichi The Japanese litters and palanquins...
    Category

    Early 1900s Academic Figurative Prints

    Materials

    Watercolor, Woodcut

  • Transport with 5 People and 2 Parasols
    By Yosha Zuko Fuzu
    Located in Florham Park, NJ
    Yosha Zuko Fuzu Meiji 33 (1900) Woodcut with Original Hand-Coloring Writer: Kosugi Onson, Imaizumi Teisuke Publisher: Yoshikawa Hanshichi The Japanese litters and palanquins a...
    Category

    Early 1900s Academic Figurative Prints

    Materials

    Woodcut

  • The Plan
    Located in Florham Park, NJ
    Samurai Warriors Meiji 33 ( 1900) Woodblocks Original Hand-Color Woodblock printing flowered in the Edo Period in Japan, mid to late 19th century, and is still considered an ...
    Category

    Early 1900s Academic Figurative Prints

    Materials

    Watercolor, Woodcut

  • Oxcart with 3 Men
    By Yosha Zuko Fuzu
    Located in Florham Park, NJ
    Yosha Zuko Fuzu Meiji 33 (1900) Woodblock with Original Hand-Coloring Writer: Kosugi Onson, Imaizumi Teisuke Publisher: Yoshikawa Hanshichi The Japanese litters and palanquins...
    Category

    Early 1900s Academic Figurative Prints

    Materials

    Watercolor, Woodcut

  • Templum Iovis Romae (Temple of Jove)
    Located in Florham Park, NJ
    Beautifully hand-colored lithograph illustrating Roman architecture.
    Category

    1750s Figurative Prints

    Materials

    Watercolor, Lithograph

  • Chrysanthemum Yellow B
    By Keika Hasegawa
    Located in Florham Park, NJ
    100 Chrysanthemums Keika Hasegawa Kyoto, Japan Meji Era (ca. 1895) Japanese Woodblock Printed in Color with some Touching by Hand Keika Hasegawa was active from 1893-1905. His most famous work is 100 Chrysanthemums, a glorious celebration of Japan’s most famous flower. As the Imperial Seal...
    Category

    Late 19th Century Academic Prints and Multiples

    Materials

    Woodcut

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  • The United States
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    19th Century chromolithograph, The United States (Vanity Fair), under the pseudonym of Ape
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  • John II, Count of Hainaut Holland & Zeeland (1247-1304)
    Located in Sydney, NSW
    18th Century (c1740) etching/engraving , John II, Count of Hainaut Holland & Zeeland (1247-1304)
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    19th Century Academic Figurative Prints

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  • Innamorati
    By Emilio Greco
    Located in Ljubljana, SI
    Innamorati (eng. Lovers). Original drypoint, 1982. Edition of 90 signed and numbered impressions on Arches paper. Emilio Greco is one of the greatest sculptors, engraver and medalist of modern time. He is best known for his monumental bronze sculptures of the human figure. The sculptures and figures in graphics, primarily female nudes and portraits, tended to be refined, with elongated forms in the Italian...
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    1980s Academic Figurative Prints

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  • Calendula Flowers: An 18th Century Hand-colored Botanical Engraving by B. Besler
    Located in Alamo, CA
    A hand-colored copper plate engraving depicting "Calendula prolifera; Calendula lutea flore pleno; Calendula lute medioruffa" flowers from Basilius Besler's landmark work, Hortus Eys...
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    Early 18th Century Academic Still-life Prints

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  • Plums: George Brookshaw's Framed Hand-colored 19th C. Aquatint
    By George Brookshaw
    Located in Alamo, CA
    George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
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    Early 19th Century Academic Figurative Prints

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    Aquatint

  • Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored Aquatint
    By George Brookshaw
    Located in Alamo, CA
    George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
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    Early 19th Century Academic Figurative Prints

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