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The Palace - Original Lithograph - Late 19th century

Late 19th Century

Reims The Cathedral in Flames is a Lithograph realized by Charles jouas in 1914. Good condition on a yellowed paper. Titled and dated on the upper margin, Editor and gallery on the...

Getting Rest is aLithograph realized by Paul Hermann in 1905 ca. Good conditions except for some foxings. Signed on plate. The artwork is depicted in a well-balanced composition.

Annabella is a Lithograph realized by Henry Bataille (1872-1922). Good condition on a yellowed paper included a white cardboard passpartout (32.5x50 cm). Monogrammed on the lower left corner, on the right side the list of the protagonists of the opera Annabella. Félix-Henri "Henry" Bataille (4 April 1872, in Nîmes – 2 March 1922, in Rueil-Malmaison) was a French dramatist and poet. His works were popular between 1900 and the start of World War I. Bataille's parents died when he was young. He attended the École des Beaux-Arts and Académie Julian to study painting, but started writing when he was 14. Henry wrote plays and poems, but after the success of his second play, La Lépreuse, he became a playwright exclusively. Bataille's early works explored the effects of passion on human motivation and how stifling the social conventions of the times could be. For example, Maman Colibri, is about a middle-aged woman's affair with a younger man. Later, Bataille would gravitate towards the theatre of ideas and social drama. Bataille was also a theorist of subconscious motivation. While he did not use his theories in most of his own works, he influenced later playwrights such as Jean-Jacques Bernard...

Non, mon chéri, j'ai eu trop peur le mois dernier is a Litograph retouched in watercolour realized by Hermann Paul for the magazine Rire n. 49 on 9 jannuary 1904. Monogrammed on t...

Le loup et le Chien is a Lithograph realized by Paul Hermann in 1905 ca. Good conditions except for some foxings. Hand-singed. Numbered. edition, 1/5 The art work is depicted in ...

L'Inspecteur Général "Revizor" is a litograph realized by Hermann Paul in 1897-98, for the Theatre Magazine "L'Art et la Scène". Signed on Plate. Edition Grande Imprimerie Centrale,...

Strong and vibrant color lithograph by the American artist, Benton Murdoch Spruance. Edition size in pencil lower left margin 7/40. Titled in pencil middle margin and signed in penc...

Strong and vibrant color lithograph by the American artist Benton Murdoch Spruance. Edition size in pencil lower left margin Titled in pencil middle margin and signed in pencil lower...

Strong and vibrant color lithograph by the American artist, Benton Murdoch Spruance. Edition of 30 penciled left bottom margin. Titled in pencil middle margin and signed in pencil lo...

Strong and vibrant color lithograph by the American artist Benton Murdoch Spruance. Edition size in pencil lower left margin. Titled in pencil middle margin and signed in pencil lowe...

Fritz Scholder (1937-2005) "Custer's Last Fight" Lithograph Ed. 54/75 Signed and Numbered Site Size: approx 22 x 30 inches Framed Size: approx. 35 x 41.5 inches Born in Breckenridge, Minnesota, Fritz Scholder became a prominent Indian portrait, figure, and genre painter in Arizona. His father was part Indian, and Fritz Scholder chose to focus his art work on this part of his lineage and to express both an appreciation and disdain for Indian customs, traditions, and daily existence. He studied at the University of Kansas, Wisconsin State University, and with Wayne Thiebaud at Sacramento College in California. He earned an Master of Fine Arts Degree from the University of Arizona. A long-time resident of Scottsdale, Arizona, he has filled a number of artist-in-residence positions including Dartmouth College and the Oklahoma Summer Arts Institute. In his work, he frequently showed the harsh, realistic side of Indians' lives and deaths including the affects of alcohol and other dissipations, but some of his depictions are humorous such as Indians on horseback carrying umbrellas. His brush-work is generally swift, and the tone often sombre and surreal. A major influence on his work was the contemporary British artist, Francis Bacon, from whom Scholder adapted ironic distortions into his canvases. In Scottsdale, he lived in an adobe-walled oasis of palm trees and oleander, amid skulls and skeletons. In the garden, several of Mr. Scholder's sculptures feature skull-like heads. In the library, an 18th-century skull engraved with witchcraft symbols shared shelf space with books printed before 1500. And the porch had been converted into a skull room, complete with Mexican Day of the Dead...

Lithographic poster allegorical genre original vintage 1986 - Fernand Leger - Title "Adieu New York" abstract style. Rare 1986