Vairo Mongatti

Still Life - Etching by V. Mongatti - 1980s

1980s

Blue Rose is a contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching Hand-signed on the lower right. Numbered on the lower left. Edition V/X Giacomo Porzano...

Blue Rose is a contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching. Hand-signed on the lower right. Numbered on the lower left. Edition 8/50 Giacomo Porza...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Still Life is a artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard, in an attractive portfolio. Signed on pl...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Created in 2006, this etching and aquatint on wove paper is hand-signed by Edward Ruscha (1937, Nebraska - ) in pencil in the lower right margin and is numbered from the edition of 3...

Rosie Emerson Aria I Limited Edition Print Photopolymer Etching on Heavyweight Southbank 310 gsm Paper Edition of 20 Paper size: 56 x 38 cm Image size: 24 cm round (Please note that ...

Rosie Emerson Ebony and the Swans Hand painted Photopolymer Etching on 300 gsm Somerset Satin Printmaking paper Edition of 5 +1 AP Paper size: 66 x 66 cm Image size: 60 cm round Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Ebony and the Swans is a limited edition photopolymer etching by Rosie Emerson, this print has a mysterious and enchanting nature to it given composition and tonal colours. Rosie Emerson is an award winning contemporary artist from the Dorset, working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new from Artemis to the modern day super model. Inspired by her love of museums, architecture, theatre, silhouettes, shrines and rituals, she uses dramatic lighting, hand made costumes, set and prop making alongside printmaking and painting to create genre defying prints. Her Screen-prints are delicately embellished with bronze powders and more unusual materials including charcoal powder, ash and saw dust. These textural prints shift the focus of printmaking from precision and replication to the creation of unique, hand-finished prints. Career highlights include being Artist in residence at Somerset House, Exhibitions at the RWA, Bristol and the Southbank Centre. A Finalist for the Young Masters Prize and shortlisted for the Rise Art Print Award, Emerson was also commissioned by Hackney WickED Arts Festival to create a new Guinness World record and create the world’s largest Cyanotype photograph. Her work is widely collected and exhibited both in the UK, as well as internationally, through galleries, art fairs and museums. She has also been commissioned by brands including Sony, Triumph Underwear, Redbull, P&O Cruises, Toms, and Annoushka jewelry...

Signed, titled and numbered #15/30. This is one in a series of prints related to letters and notes from a teen age friend. The other prints in the series are Chocolat Kisses and The ...

Aaron Fink (American, b. 1955) Etching on paper titled "Untitled (Colored Pipe)," Depicting an abstracted pipe with bright pink smoke floating from the bowl. Hand signed in pencil and dated 1987 along the lower right; numbered 25/50 along the lower left. Provenance: Distinguished corporate collection, Minnesota. Unframed; 22.5 X 30 inches Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers...

Bold, dark etching with a skeleton by an unknown artist (20th Century). The ribcage, spine, and hips of a skeleton are laying down in front of some furniture. A small table sits on either side, with a large patterned blanket...