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British Post Office Greetings Telegrams (1935-1978), after various artists

1935-1978

dated, inscribed and signed ‘1987/ The Hand/ of/ Vitality/ Deborah/ Schneedbeli/ Morrell’ (on the reverse) bodycolour, card and paper mache 18 ⅞ x 12 ¾ in. (4...

From glorious observations of the everyday to the surreal, Julie Fleming-Williams’ work is as eclectic as it is engaging. Julie has exhibited at the Royal Academy and her paintings h...

George Lawrence Bulleid (1858-1933) A young beauty pencil and watercolour 3 ⅛ x 2 ⅜ in. (7.9 x 6 cm.) frame 9 ⅜ x 8 ¼ in. (23.9 x 20.9 cm.)

This work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

The Octopussy with signature on the suckers, and the artist's thumbprint (on the reverse) screenprint on earthenware, with underglaze paint 37 cm. (14 ½ ) diam. 6.1 cm. (2 ⅜ in....

'Death's head moths under a full-moon' work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter). Kintsugi is a 15th-Century practice invented in Japan, and means 'to join with gold'. The practice is a reminder to embrace flaws, and celebrate the missteps of life, recognising that when seemingly catastrophic events happen, beauty and good can still result. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

A fine impression with large full margins published by Associated American Artists.

A fine impression with full margins with minor discolouration published by Associated American Artists with their information label attached.

A fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...

A fine impression of this popular Benton image with good margins.

"Compositione" by Marino Marini is part of the catalogue "Marino Marini Druckgraphik" Catalogue edited in 1976, Haus der Kunst Munich Book with 1 color ...

Marino Marini- From Color to Form VII Color lithograph on Arches paper (with watermark), 1969. Printed by Mourlot, Paris, published by Société Internationale d'Art XXe Siècle, Paris,...