Viola Burley Leak

Motif, Orange Blue, African American Artist Viola Leak Woodcut Silkscreen Print

1982

Motif (Abstract) in orange abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak...

Motif (Abstract) in orange, blue and gold abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak...

Motif (Abstract) in lavender purple. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak...

Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and printmaker. Born in 1928, Tilson served in the Royal Air Force (1946–49), after which he studied in London at St Martin's School of Art (1949–52) under Leon Kossoff and Frank Auerbach. He later attended the Royal College of Art in London, where he won the prestigious Rome Prize. The artist represented the United Kingdom in the 32nd Venice Biennale in 1964, which famously included the works of Robert Rauschenberg, Jasper Johns, Claes Oldenburg, and Jim Dine. He returned to London in 1957, and from 1958 to 1963 he taught at St Martin's School of Art, and subsequently taught at the Slade School of Fine Art, University College London and The School of Visual Arts, New York and the Hochschule fur Bildende Künste, Hamburg. In 1961 he exhibited at the Paris Biennale. During the 1960s Tilson became one of the leading figures associated with the British Pop Art...

Silkscreen screenprint with woodblock and silver leaf Hand signed and numbered. In vibrant color of blue and silver on heavy paper with an almost painting type texture to it. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and printmaker. Born in 1928, Tilson served in the Royal Air Force (1946–49), after which he studied in London at St Martin's School of Art (1949–52) under Leon Kossoff and Frank Auerbach. He later attended the Royal College of Art in London, where he won the prestigious Rome Prize. The artist represented the United Kingdom in the 32nd Venice Biennale in 1964, which famously included the works of Robert Rauschenberg, Jasper Johns, Claes Oldenburg, and Jim Dine. He returned to London in 1957, and from 1958 to 1963 he taught at St Martin's School of Art, and subsequently taught at the Slade School of Fine Art, University College London and The School of Visual Arts, New York and the Hochschule fur Bildende Künste, Hamburg. In 1961 he exhibited at the Paris Biennale. During the 1960s Tilson became one of the leading figures associated with the British Pop Art...

there is a companion piece on a silver paper. A depiction of a ballet dancer, superimposed upon canceled dance class checks. Joanne Seltzer was born in Philadelphia, Pennsylvania a...

Seven Deadly Sins Suite ((pride, greed, wrath, envy, lust, gluttony, and sloth) Year: 1991 Medium: Image print: 4-color silkscreen, 1-color woodblock...

From the "Paintings" Series. Published by Gemini G.E.L., Los Angeles. Woodcut and lithograph screenprint and collage on Arches 88 Paper. Hand signed, dated '84 and numbered 45/60 (th...

Grayson Perry (British, b. 1960) Sponsored by You, 2019 Medium: Colour etching Dimensions: 68.9 x 101.4 cm (27 1/8 x 39 15/16 in) Edition of 68: Hand signed and numbered Condition: Mint

Dana Schutz (American, born 1976) Back Surgery in Bed, 2014 Medium: Woodcut on wove paper Sheet dimensions: 71.8 x 53 cm Image dimensions: 63.5 x 45.7 cm E...

Pioneering female illustrator Gwenda Morgan creates an exuberantly complex image of a squad of broom-riding - pointed-hatted witches with black cats in tow. They fly through an inky black moonlit sky and are witnessed by only a rooftop owl. With the simple means of black and white, Morgan has rendered a highly charged composition that pluses with electricity. The whole image is on the cusp of being abstract while being representational. It is brilliantly designed with great attention to detail and is evocative of a sorcerer's malignant powers. Unframed. not signed Printed from the original block as part of the suite of 8 prints that accompanied the limited edition book Diary of a Land Girl, Whittington Press, 2000. The suite of prints was included with the first 50 copies of the book, and a further 8 suites were printed, from which this print comes. Gwenda Morgan (1 February 1908 – 1991) was a British wood engraver. She lived in the town of Petworth in West Sussex. Early life Morgan was born in Petworth, her father having moved there to work at the ironmongers, Austen & Co, of which he later became proprietor. He was the son of a Welsh-born military farrier. Education Following school in Petworth and at Brighton and Hove High School, Morgan, studied at Goldsmiths' College of Art in London from 1926. From 1930 she attended the Grosvenor School of Modern Art in Pimlico where she was taught and strongly influenced by the principal, Iain Macnab. The Grosvenor School was a progressive art school and the championing of wood engraving and linocuts fitted with its democratic approach to the arts. Works Morgan was commissioned to illustrate a number of books published by private presses. For the Samson Press she produced the frontispiece for Duke Hamilton...

David Hostetler's Crowd woodcut inspired a painting commission that opened David's vision to pursue this imagery in paintings and monoprints. It has a ...