Metropolitan Museum of Art
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Francis BaconMetropolitan Museum of Art1975
1975
About the Item
- Creator:Francis Bacon (1909 - 1992, British, Irish)
- Creation Year:1975
- Dimensions:Height: 62.5 in (158.75 cm)Width: 43.25 in (109.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Fe, NM
- Reference Number:1stDibs: LU1282352683
Francis Bacon
Born in Dublin, Ireland, in 1909, prominent British painter and printmaker Francis Bacon created controversial art until his death in 1992.
Despite the fact that he did not receive formal training, Bacon gained instantaneous recognition in 1945 after an exhibition at Lefevre Gallery in London that included his 1944 triptych Three Studies for Figures at the Base of a Crucifixion. Bacon's figures can be described as distorted, fleshy masses in anguish; these shocking and unsettling images are his representation of the evils and the devastation of the human condition. Bacon's oil paintings simultaneously repel and intrigue the viewer with their bold, grotesque figures. This paradox remains consistent with his prints, which he based on a selection of 35 of his own paintings dating from 1965 to 1991. Bacon worked with skilled printers to create his relatively small body of etchings and lithographs that total only about 40 editions.
In 2008 and 2009, a major retrospective of Bacon's paintings traveled to the Tate Britain, London, England (September 11, 2008–January 4, 2009), to the Museo Nacional del Prado, Madrid, Spain (February 3–April 19, 2009) and to the Metropolitan Museum of Art, New York (May 20–August 16, 2009). Bacon's works are permanently part of public collections around the world, including the Astrup Fearnley Museum of Modern Art, Oslo, Norway; Birmingham Museum & Art Gallery, Birmingham, England; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Museum of Modern Art, New York; and elsewhere.
Find a collection of Francis Bacon paintings and prints on 1stDibs.
(Biography provided by Marlborough Graphics)
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Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. 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$11,589 Sale Price38% Off