Ian Hamilton Finlay

Les Femmes de la Revolution

1992

Agnes Martin "Praise" 1976 Offset lithograph on Dalton Natural Bond paper 11 x 11 inches ed. 1000 Framed

Ian Hamilton Finlay and Gary Hincks Les Femmes de la Revolution, After Anselm Kiefer, 1992 Offset Lithograph 27 1/2 x 32 in (69.9 x 81.3 cm) Edition of 250

Barchman Green Portfolio, 1986 Suite of five etchings 31 x 22 1/2” each ed. 25 Framed

Fred Sandback Untitled, 1976 Aquatint 21 1/2 x 25 3/4 ed. 35

Matt Magee Memorandum, 2022 Lithograph 65 x 49 in (165.1 x 124.5 cm) JPHB 5286

Peter Halley Untitled Number 2, Cell with Conduit and Smokestack, 1991 Lithograph 22 3/4 x 29 3/4 inches ed. 40 Framed

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

ABOUT THIS PIECE: Since 2008 fine art photographer Jonathan Chritchley has regularly been invited to attend the Classic Yacht Regattas on the legendary Cote d’Azur in France, working...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His fav...

Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Engineer often brought him to the lab. The daily experimentations happening around him, both personal and scientific, would later inform his work. While his parents wanted him to follow more straightforward career paths, he was the first in his family to eschew their expectations and pursue art and music instead. Malghan went on to receive an MFA in Photography from Savannah College of Art and Design - Hong Kong. Here he experimented in a darkroom, bleaching film, adding watercolor to glass plates, thinly cross-sectioning fruits and vegetables until they formed abstractions, beginning his exploration into the repurposing of materials. In his twenties, Malghan was diagnosed with Leukemia, the treatment of which resulted in avascular necrosis, a bone disease that eventually required numerous surgeries and three hip replacements. His experience through illness and recovery not only led him to photography, but also informs his manipulation of raw, often overlooked materials in order to reorient our understanding of beauty, pleasure, and purpose. Malghan has been exhibited across the country and has lectured in Hong Kong, India, the University of Texas, the University of Notre Dame - Maryland, and UMLAUF Sculpture & Design Museum. He most recently has been commissioned by The Walters Art Museum, and his work is in the private collections of Johns Hopkins University, the University of Texas, and Georgetown University...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...