Vintage David Hockney Exhibition Poster Ashmolean Museum 1981
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Vintage David Hockney Exhibition Poster Ashmolean Museum 19811981
1981
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- Vintage Hockney poster National Gallery (The Artist’s Eye)By David HockneyLocated in New York, NYOriginal exhibition poster produced on the occasion of David Hockney’s 1981 exhibit for the series The Artist’s Eye at the National Gallery. As Hockney’s ...Category
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- David Shapiro: Rene Ricard vintage poetry tombstone print "carved in stone"By Rene RicardLocated in New York, NYThe title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in st...Category
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- Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black whiteBy Howard HodgkinLocated in New York, NYAbstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...Category
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