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Jacques Chereau
Hand Colored Vue d'optique of the Hotel des Invalides Dining Room in Paris

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  • "Inside of a House in Nootka Sound" (Canada) from Captain Cook's 3rd Voyage
    By John Webber
    Located in Alamo, CA
    "The Inside of a House in Nootka Sound" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. This engraving is presented in a Koa wood frame and a white mat. There are occasional tiny faint spots, but the print is otherwise in very good condition. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed form the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats. They would make a wonderful grouping for a display of 2, 3 or 4 prints. Please see listings: LU117324682432, LU117324684022, LU117324684062. A discount is available for a grouping depending on the number of items included. Nootka Sound is on the west coast of Vancouver Island, British Columbia, Canada. It was explored by Captain Cook in 1778 after he discovered Hawaii during his 3rd voyage. He originally named it King George's Sound, but did record Nootka Sound, which he thought was its native name. Hawaii was originally called The Sandwich Islands in honor of The Earl of...
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  • Four 19th Century Hand Colored Engravings Depicting English Royal Residences
    By Charles Wild
    Located in Alamo, CA
    Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
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    1810s Academic Interior Prints

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  • Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
    By Luigi Mayer
    Located in Alamo, CA
    "Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
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  • The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
    By Alexander Voet
    Located in Alamo, CA
    A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
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    1630s Old Masters Interior Prints

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  • Loggie di Rafaele nel Vaticano: 18th Century Hand-colored Engraving by Volpato
    By Giovanni Volpato
    Located in Alamo, CA
    This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...
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    Late 18th Century Old Masters Interior Prints

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  • "Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
    By Willem van Swanenburg
    Located in Alamo, CA
    This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
    Category

    Early 1600s Old Masters Interior Prints

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  • Interiors IV : Hotel Paradise Cafe
    By Peter Milton
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    “INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
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