Joni Frankel Diskint Rose

The 21st Floor-A View of the World Trade Center in the Skyline

c. 1990

La Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/II P...

Landscape with Window and Chair Mezzotint on wove paper, 2000 Signed in pencil lower right (see photo) Edition: 150 (93/150) (see photo) Special Presentation Print for the Print Club of Albany, 2000 Condition: Mint Image/Plate size: 4 1/2 x 3 1/2 inches Sheet size: 7 x 5 1/2 inches From the Print Club of Albany: "Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image." From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium. Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons. Works by the artist are in the following public collections: • Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor* • Albertina Museum, Vienna, Austria* • Albright-Knox Art Gallery, Buffalo, NY • Arkansas State University Permanent Collection, State University, AR • Art Institute of Chicago, Chicago, IL • Art Museum of Western Virginia, Roanoke, VA • Art Students League of New York, New York, NY • Bates College Museum of Art, Lewiston, ME • Berkshire Museum, Pittsfield, MA • Bibliothèque nationale de France, Paris* • Boston Athenæum, Boston, MA • Bowdoin College Museum of Art, Brunswick, ME* • British Museum, London, England* • Brooklyn Museum of Art, Brooklyn, NY* • Butler Institute of American Art, Youngstown, OH • Canton Art Institute, Canton, OH • Carnegie Museum of Art, Pittsburgh, PA • Century Association, New York, NY • Cleveland Museum of Art, Cleveland, OH* • Columbus Museum of Art, Columbus, OH • Coos Art Museum, Coos Bay...

Gaiety Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right Edition: 114, regular ed...

The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...

In the Salon Lithograph on tan wove paper, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 20" in pencil lower left (see photo) Condition: Excellent Image size: 13-7/8 x 10-1/2 inches Sheet size: 19 x 14 1/4 inches Provenance: Estate of the Artist Borghi & Co., New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...

Artist: Harry McCormick, American (1942 - ) Title: McSorley's Old Ale House Medium: Serigraph, signed and numbered in pencil Edition: 250, AP Size: 26 in. x 40 in. (66.04 cm x 101.6...

JACK SILVERMAN SIGNED SERIGRAPH, "NAVAJO LATE CLASSIC CHIEF BLANKET C.1900" Historical image of an Navajo Chiefs blanket by Jack Silverman (American, 1940-2017) Screen print on Arches 140 pound watercolor cold press paper. Edition of 89/100 Paper on a mat board on canvas and on stretcher. Image 39.5"H x 41.5"W Stretcher, 40"H x 42"W x 1"D Some slight age wear to edges and a few minor rubs to paper Jack was born in Chicago, Illinois, on March 5, 1940. Jack’s family moved to Palm Springs, California, in 1950. Jack graduated from the Northwestern Military and Naval Academy in Lake Geneva, Wisconsin, in 1958. After graduation, Jack joined the Army Security Agency and spent the next few years in Sinop, Turkey, where he monitored Russian Submarines from P2V aircraft. Jack returned to the United States when his Mother died in 1960. He attended College and was reactivated by the military during the “Berlin Crisis” and spent a year at Ft. Devens, Massachusetts. Jack continued his education, ultimately ending up at the University of Southern California. He left college deciding to pursue the family movie theater business in Chicago. Jack was a natural showman and promoter, and loved marketing and selling the movies. He left Chicago and the family business in the late 1960s after his father’s death. Jack moved to Zihuatanejo, Mexico, and lived on a boat for a few years. In 1971 he moved to Aspen where he would begin his passion and pursuit of Native American culture and art of the Southwest. Jack traveled extensively throughout the Southwest, studying and buying art from the Pueblo Indians, ultimately putting together one of the world’s great collections of Native American weaving and pottery. He depicted his collection in a series of serigraphs, art cards and other print work that he sold around the country and online. Jack developed the Silverman Museum as a vehicle to share his love for the Indian culture. He published; “Pueblo Treasure” and “Pueblo Indian Pottery...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Original World War Two, U. S. Military poster: ME TRAVEL? … NOT THIS SUMMER, VACATION AT HOME. Artist Albert Dorne. This is the large format printing (26" x 37") of this poster...

Original United States Food Administration vintage poster. This is what GOD gives us United States Food Administration. Artist A. Hendee. This is what GOD gives us What are you giving so that others may live? Eat less --wheat --meat --fats --sugar Send more to Europe or they will Stave. A bounty of freshly harvested food is shown in the image. One of the more beautiful posters produced by the United States Food Administration for the war effort. World War 1 posters...

Original Pull down your shades! Rare original World War II poster. Save up to 10% on fuel. Isn't that the truth. Created for the U. S. Government Window Shade Institute. The original poster issued by the US Government. The purchase comes with a certificate of authenticity. Conservation linen backed and ready to frame. Very good condition with original U.S. Government issued poster fold marks restored. The poster indicates that 30% of all heat loss is through windows. Your cloth window shades...