Skip to main content

American Modern Interior Prints

to
13
90
10
11
1
54
41
3
49
27
11
13
Overall Height
to
Overall Width
to
926
378
136
134
52
38
33
31
25
15
14
13
6
1
62
36
26
23
21
13
10
9
7
6
4
4
4
3
3
3
3
3
3
3
1
86
13
2
3
8
2
3
2
3
8
3
22
9
7
5
5
47
28
13
11
11
Style: American Modern
Bernard Sanders, (Nude Woman with Orb)
Located in New York, NY
Sander's figures are captivating. Here a women stands facing right, just touching, and holding still, a globe shape, on a flat surface. It was difficult getting the color to show p...
Category

Early 20th Century American Modern Interior Prints

Materials

Drypoint, Etching

Andy Warhol - Halston Women's Wear Advertising Campaign Poster
Located in London, GB
Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...
Category

1980s American Modern Interior Prints

Materials

Paper

Andy Warhol - Halston fragrance and cosmetics Advertising Campaign Poster
Located in London, GB
Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...
Category

1980s American Modern Interior Prints

Materials

Paper

Andy Warhol - Halston Men's Wear Advertising Campaign Poster
Located in London, GB
Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...
Category

1980s American Modern Interior Prints

Materials

Paper

Bambalina (Are ornaments, decorations mere backdrop for true Christmas story)
Located in New Orleans, LA
Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery Francisco Souto was born in Venezuela. He received a BFA from Herron School ...
Category

Early 20th Century American Modern Interior Prints

Materials

Mezzotint

Andy Warhol - Halston Women's accessories Advertising Campaign Poster
Located in London, GB
Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...
Category

1980s American Modern Interior Prints

Materials

Paper

Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category

Early 2000s American Modern Interior Prints

Materials

Color

Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category

Early 2000s American Modern Interior Prints

Materials

Color

Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category

Early 2000s American Modern Interior Prints

Materials

Color

Chicago Scene Modernist Architectural Lithograph, Nevada Artist
Located in Surfside, FL
Jim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...
Category

1980s American Modern Interior Prints

Materials

Lithograph

Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension. Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category

Early 20th Century American Modern Interior Prints

Materials

Etching, Drypoint

Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago! There's an initial 'S' in the plate...
Category

Early 20th Century American Modern Interior Prints

Materials

Etching, Drypoint

The Balcony (Venetian Gateway).
Located in Storrs, CT
The Balcony (Venetian Gateway). 1931. Etching. Fletcher catalog 237 state iii. 8 1/16 x 5 1/16 (sheet 12 5/8 x 10 1/16). Edition 110 (plus 34 trial proofs)...
Category

1930s American Modern Interior Prints

Materials

Etching

New Orleans Go Greyhound original vintage travel poster
Located in Spokane, WA
Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...
Category

1960s American Modern Interior Prints

Materials

Offset

Original Le Voci dei Juke-Box San Remo Teatro vintage poster
Located in Spokane, WA
Le Voci dei JUKE-BOX. Original Teatro Della Palme, Citta di San Remo vintage poster. Conservation linen backed in very good condition, ready to frame. Fold marks restored. Sunda...
Category

1950s American Modern Interior Prints

Materials

Lithograph

Toast
Located in San Francisco, CA
This artwork titled "Toast" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 98/300 in pencil by the artist. The image size is 23.75 x 9.5 inches, framed size is 30.25 x 16.25 inches. The artwork is in excellent condition, the frame is slightly damaged, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category

Late 20th Century American Modern Interior Prints

Materials

Screen

II Cup of Joe
Located in San Francisco, CA
This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category

Late 20th Century American Modern Interior Prints

Materials

Screen

American Nude from ¢ Life
Located in Washington, DC
Artist: Tom Wesselmann Medium: Lithograph in colors Title: American Nude Portfolio: 1¢ Life Year: 1964 Edition: 2000 Framed Size: 20 3/4" x 28 1/2" Signed: No
Category

1960s American Modern Interior Prints

Materials

Lithograph

THE RUG WEAVER
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category

1910s American Modern Interior Prints

Materials

Woodcut

Liberté Egalité Fraternité (France : Liberty) - Screenprint Handsigned
Located in Paris, FR
Shepard Fairey (Obey Giant) Liberté égalité fraternité (Liberty Equality Fraternity) Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,...
Category

2010s American Modern Interior Prints

Materials

Screen

Original "You Help Build The B-29 (bomber)" vintage poster
Located in Spokane, WA
Original. You Help Build the B-29 vintage poster. Linen-backed World War II poster. Restored original fold marks. This original vintage US Army Offi...
Category

1940s American Modern Interior Prints

Materials

Offset

The Print Shop
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...
Category

1910s American Modern Interior Prints

Materials

Lithograph

Black wave - Screenprint Handsigned
Located in Paris, FR
Shepard Fairey (Obey Giant) (1970-) Black Wave Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,6 in) Excellent condition
Category

2010s American Modern Interior Prints

Materials

Screen

The Silent Pie
Located in Middletown, NY
Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...
Category

Early 20th Century American Modern Interior Prints

Materials

Handmade Paper, Etching

The Grolier Club Library (Sketch), Demonstration Print
Located in Middletown, NY
Etching on light yellow cream laid paper with deckle edges, full margins. Inscribed in the image "Library of the Grolier Club, Demonstration Plate, Drawn, Etched and Printed in a Li...
Category

Mid-20th Century American Modern Interior Prints

Materials

Laid Paper, Etching

Angel of Hope and Strenght - Screenprint Handsigned
Located in Paris, FR
Shepard Fairey (Obey Giant) Angel of Hope and Strenght Screenprint Handsigned in pencil by the artist Dated 2020 Numbered /550 Size 61 x 46 cm (c. 24 x 18 in) Excellent condition
Category

2010s American Modern Interior Prints

Materials

Screen

Andy Gill, Anti-Hero - Screenprint Handsigned
Located in Paris, FR
Shepard Fairey (Obey Giant) Andy Gill, Anti-Hero Screenprint Handsigned in pencil by the artist Dated 2020 Numbered /400 Size 61 x 46 cm (c. 24 x 18 in) Excellent condition
Category

2010s American Modern Interior Prints

Materials

Screen

Card Players (16/100), 1959 Framed Figurative Lithograph Print, Interior Scene
Located in Denver, CO
Lithograph by Kenneth Miller Adams (1897-1966) titled "Card Players 16/100" circa 1959. Interior scene with several male figures sitting around a table enjoying a card game. Presented in a black frame with archival materials, outer dimensions measure 25 ⅝ x 31 ¼ x 1 ⅛ inches. Image sight size is 18 ½ x 24 ¼ inches. Print is clean and in good condition - please contact us for a detailed condition report. Provenance: Private Collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: Kenneth Adams was born in Kansas, and first started his art career in Topeka during 1913. He studied with artist, G.M. Stone, who became the basis for his formal education that began three years later at the Art Institute of Chicago. Adams served in WWI, and when he was discharged, he moved to New York City to study at the Art Students League. Soon after completing courses there, Adams moved abroad to study Italian and French art. In 1924, Adams was back in Kansas, where his friend Andrew Dasburg encouraged him to move to New Mexico. Adams settled in Taos, and remained there for the next twelve years. He was the youngest and last member of the Taos Society...
Category

1950s American Modern Interior Prints

Materials

Lithograph

Blue Hydrangea, oversize lithograph, classical architectural elements
Located in Brooklyn, NY
Blue Hydrangea - image bled to plate size ~ 39 x 29 - printed on 100% cotton rag - edition 3/5 Architectural elements
Category

Early 2000s American Modern Interior Prints

Materials

Archival Ink, Archival Paper, Rag Paper, Lithograph

Points of Departure II: Nijinsky Variations
Located in Middletown, NY
Points of Departure II: Nijinsky Variations Robert E. Townsend, 1996 Resist-ground etching and engraving on BFK-Rives paper, 24 x 38 inches (618 x 965 mm), full margins. Signed, ti...
Category

1990s American Modern Interior Prints

Materials

Engraving, Etching

Heinrich Glintenkamp, (Woman at Piano - Bach)
By Heinrich Glintenkamp
Located in New York, NY
An American painter, printmaker, and illustrator. His work was featured in "The Masses" and at the Metropolitan Museum of Art and Pennsylvania Academy of the Fine Arts. This wood en...
Category

Mid-20th Century American Modern Interior Prints

Materials

Woodcut

Gaiety Burlesk
Located in Fairlawn, OH
Gaiety Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right Edition: 114, regular ed...
Category

1930s American Modern Interior Prints

Materials

Etching

"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism
Located in New York, NY
"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism. Silk screen on paper, 15” x 20". Numbered 15/20 lower left. Pencil si...
Category

1930s American Modern Interior Prints

Materials

Paper, Screen

Interiors VII: The Train from Munich
Located in Middletown, NY
Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category

1990s American Modern Interior Prints

Materials

Charcoal, ABS, Engraving, Etching

Les Belles et la Bête: Before the Hunt
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category

1970s American Modern Interior Prints

Materials

Archival Paper, Engraving, Etching

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
Located in Middletown, NY
Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category

1980s American Modern Interior Prints

Materials

Engraving, Etching

Les Belles et La Bête I: The Rehearsal
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category

1970s American Modern Interior Prints

Materials

Archival Paper, Engraving, Etching

William P. Hicks, Circus
Located in New York, NY
William P. Hicks has drawn everything about the circus that will fit in the plate. The main figure is an aerial act with a woman balancing on rope held by a figure on the floor. Ther...
Category

1930s American Modern Interior Prints

Materials

Etching

Adele and the Ladies (Rochester's fashion conscious ward in Jane Eyre)
Located in New Orleans, LA
Adele, the 10 year-old girl who may be the daughter of Rochester and Celine in "Jane Eyre" is being scrutinized by three women. One is seated on an ornate sofa...
Category

Early 20th Century American Modern Interior Prints

Materials

Wool, Engraving

Armin Landeck, Window on 14th Street
Located in New York, NY
The reference number on this work is Kraeft 103. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a more atmospheric drypoint technique to engraving while working at Stanley William Hayter's New York Atelier 17, in the 1940s. This print combines the forceful engraved diagonals with the softer drypoint lines. This is a view from the artist's window at the Delmonico Hotel, 3 East 14th Street...
Category

Mid-20th Century American Modern Interior Prints

Materials

Engraving, Drypoint

William Rose, (Cubist Figure)
By William Rose
Located in New York, NY
William Rose was a hugely successful film and poster artist in the 1930s and 40s. This (Cubist Figure) seems to be an artist at work. Her hands are busy with a project on the surface...
Category

Mid-20th Century American Modern Interior Prints

Materials

Lithograph

Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category

1920s American Modern Interior Prints

Materials

Etching

Alfred Bendiner, Sweet Innocence
Located in New York, NY
No matter the seriousness of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner, but in this instance the negative space is exploited amazingly...
Category

1930s American Modern Interior Prints

Materials

Lithograph

Geno Pettit, Seated Figure
Located in New York, NY
Seated Figure by Geno (sometimes Genoi) Pettit, made in 1945, is a wonderfully 'moderne' image. The woman is wearing a roman-inspired blouse or dress and is shown against a yellow/green, chartreuse background. There is the feeling she is about to lead an ancient procession at any moment! Pettit and her husband, Guy McCoy...
Category

Mid-20th Century American Modern Interior Prints

Materials

Screen

Remington Noiseless
Located in New Orleans, LA
The Remington Noiseless No. 6 had a black iron dome covering the moving parts and suppressing noise. It is presented in a light that suggests a mo...
Category

Late 20th Century American Modern Interior Prints

Materials

Mezzotint

From the Ponte Vecchio
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category

1930s American Modern Interior Prints

Materials

Etching, Aquatint

Bernard Sanders, Head of Girl
Located in New York, NY
For a print that's nearly one hundred years old it feels very contemporary. Signed in pencil; titled in lower margin in pencil.
Category

Early 20th Century American Modern Interior Prints

Materials

Drypoint

Le Mais (Corn on the cob) in woven basket)
Located in New Orleans, LA
Maize by Scholnyk is a mezzotint of ears of corn in a woven basket. This impression is #25 of an edition of 80. Schkolnyk was born in Paris, France in 1953 and currently resides in...
Category

1890s American Modern Interior Prints

Materials

Mezzotint

Doe Bow (Christmas Bow Features Santa's Reindeer, Word Play)
Located in New Orleans, LA
A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax origi...
Category

2010s American Modern Interior Prints

Materials

Intaglio

Bernard Sanders, Man at Piano
Located in New York, NY
For a print that's nearly one hundred years old it feels very contemporary. Signed and titled in pencil. Besides the etching I think there is some false biting that adds tone here.
Category

Early 20th Century American Modern Interior Prints

Materials

Etching

Sunlight on Stone, Caudebec-en-Caux.
Located in Storrs, CT
Sunlight on Stone, Caudebec-en-Caux. 1931. Etching. Fletcher catalog 241 state ii. 14 1/4 x 7 1/2 (sheet 16 1/2 x 11 5/8). French Church Series #31. Edition 164 (+ 28 trial proofs). Illustrated: Print Collector's Quarterly 21 (1934): 140. A rich impression with plate tone printed by Henry E. Carling on 'Dard...
Category

Mid-20th Century American Modern Interior Prints

Materials

Etching

(Four Women at Hat Store)
Located in New York, NY
This is such an interesting image. Are there 'Four women'? Is the head on the upper right from a hat store or is she another person in the scene. And what a...
Category

Mid-20th Century American Modern Interior Prints

Materials

Etching

Sleeping Car
Located in New Orleans, LA
Associated American Artists published "Sleeping Car" by James Hendershot. This image shows a rail car filled with passengers and conductors. This exhibit...
Category

Late 20th Century American Modern Interior Prints

Materials

Lithograph

Bernard Sanders, (Fantastic City)
Located in New York, NY
This extravagant subject is a clear exception in the oeuvre of Bernard Sanders. Signed in pencil; interestingly signed in the plate at the upper right ...
Category

Early 20th Century American Modern Interior Prints

Materials

Etching

Bernard Sanders, Dancers
Located in New York, NY
Sander's interiors are always intriguing. This work also reads as a stage with a dance; it recalls the Porch of the Maidens at the Erectheum at the Acropolis in Athens. There of cour...
Category

Early 20th Century American Modern Interior Prints

Materials

Drypoint

Bernard Sanders, (Interior with Five Men)
Located in New York, NY
The always fashionable Bernard sanders draws a mysterious spaces with well-dressed gentlemen. Signed in pencil.
Category

Early 20th Century American Modern Interior Prints

Materials

Drypoint

Portrait of Albert Schweitzer.
Located in Storrs, CT
Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....
Category

1950s American Modern Interior Prints

Materials

Etching, Drypoint

Man By a Radiator.
Located in Storrs, CT
Man By a Radiator. 1912. Etching. Hausberg catalog 247 state iii/iv. Only 2 impressions in this state. 16 x 8 7/8 (sheet 8 x 10 3/8). Vertical printing fold. Printed by the artist on...
Category

Early 20th Century American Modern Interior Prints

Materials

Drypoint, Etching

American Modern interior prints for sale on 1stDibs.

Find a wide variety of authentic American Modern interior prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add interior prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Robert A. Birmelin, Carol Wax, John Taylor Arms, and Shepard Fairey. Frequently made by artists working with Etching, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern interior prints, so small editions measuring 2.01 inches across are also available. Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $9,500, while the average work sells for $650.

Recently Viewed

View All