Ted Davies

New York Stock Exchange, the Gold Room

Unique engraving on laid paper with hand-coloring by Tileman van der Horst (Dutch, active 18th century) illustrating a three-quarters, cross-section, and...

Early 20th century signed etching by Axel Herman Haig (1835-1921), an architectural watercolorist and etcher. Finding employment with noted Gothic Revival architecture William Burge...

Antique lithograph from Le Garde-Meuble, Ancien et Moderne, a French Decorative Arts and Decor periodical. Lithography by Queton after E. Maincent. Published by E. Maincent Rue de Lancry, 2. Paris, c. late 19th century Desire Guilmard...

Giclee print of lithograph from “Portrait Gallery of Distinguished American Citizens with Biographical Sketches and Fac-Similies of Original Letters”, by William H. Brown (1808-1883). These group of images were taken from silhouettes cut by Brown, one of the most famous and best practitioners of the now almost lost art of silhouette cutting. The series of lithographs...

Giclee print after William H. Brown (1803-1883) lithograph from “Portrait Gallery of Distinguished American Citizens with Biographical Sketches and Fac-Similies of Original Letters”....

Giclee print of lithograph from “Portrait Gallery of Distinguished American Citizens with Biographical Sketches and Fac-Similies of Original Letters”, by William H. Brown (1808-1883)...

Flirtage is a wonderful wood-cut original print by Ferdinand Florentin Froment, d'après A. Forestier. A woman crouching on her chair, is receiving some flatterings from a man on he...

Color Reduction woodcut from 4 blocks with 4 silk screen colors and embossing on white Rives BFK paper Edition 28/30, Unframed MassArt welcomed artist Winfred Rembert for the 2014 Master Print Series, an artist in residency project during which, an established artist transforms an idea into physical artwork, and invites students to collaborate in the art-making process. A self-taught artist, Winfred Rembert records a painful chapter of American history in autobiographical paintings, created on hand-tooled and dyed leather, which explore the lives of African Americans in Jim Crow-era Georgia. After taking part in civil rights demonstrations, he survived a lynching only to be sent to prison to do hard labor on a chain gang. Another inmate taught him leatherworking and Rembert began depicting his past in engaging compositions and vibrant color. In many scenes, Rembert offers a raw view of racism, inequality, and violence while celebrating his community’s resilience in the face of such overwhelming injustice. Winfred Rembert also participated in the Adderley Lecture series, which features distinguished artists, historians, and writers and was established in 1995 in memory of Tyrone Maurice Adderley. Past Adderley lecturers have included Chakaia Booker, Melvin Edwards...

GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

Japan: circa 1770. Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining...

Here we go again is an original hand colored wood engraving from a January 1878 Harpers Weekly. Here we see Thomas Nast's ever enduring interpretation of Santa Clause modeled from Clement Moore's Visit from Saint Nicholas. Drawing inspiration from his native German Saint Nicholas, Nast helped the American people believe in a Santa Clause who kindness and generosity brought with it elves, reindeer pulling sleds, Santas workshop, using chimneys...