Timothy Hursley

Timothy Hursley, Dominance Room, Salt Wells Villa, Fallon, Nevada, 1987/1990

1987/1990

Timothy Hursley was born in 1955 in Detroit, Michigan, where he apprenticed in architectural photography with Hungarian photographer Balthazar Korab beginning in 1972. His apprenticeship continued until he moved to Little Rock, Arkansas in 1980, where he started his own studio, The Arkansas Office. From 1982 to 1987, Hursley made architectural photographs in New York of Andy Warhol’s last Factory on Madison Avenue at 34th Street. Eleven of Hursley's Factory photographs...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...

In his "Symphony (TP)," 2002, Keiji Shinohara flattens a sunset landscape to its most essential visual elements in the tradition of Japanese woodcut, while updating the medium with t...

Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...

Archival pigment print on hahnemühle Fine Art Paper (matt finish). Contemporary Photography, Photomontages, Interior Spaces, New life Work Title : "Entrance VIII" Artist : Suzanne Moxhay...

Hand Coloured Photopolymer Gravure with Chine Colle on Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, Butterfly. Work Title : "Candle" Artist : Suzanne Moxhay...

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Abandoned place, Urbex, Nature. Work Title : "Room with Armchair" Artist : Suzanne Moxhay (UK, Born 1976) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H30 x W25 cm H47 xW42 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...

Archival pigment print on hahnemühle Fine Art Paper. Contemporary Photography, Romantic imagery, Interiors Photographs, Plants, Window, Staircase Work Title : "Rockery" Artist : Suza...

Archival pigment print on hahnemühle Fine Art Paper. Contemporary Photography, Photomontages, Interior Photography. Work Title : "Entrance 3" Artist : Suzanne Moxhay The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image W32xH42 cm, and W42xH52 cm with white borders. Edition of 40 - Year : 2016 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...

Work : Original limited Edition Print, Edition of 40. The work is not framed. * * Frame is for illustrative purposes only. Artwork will shipped carefully rolled and packaged in a tu...