Items Similar to Bernicla rufficollis... (Red Breasted Goose)
Want more images or videos?
Request additional images or videos from the seller
1 of 5
John GouldBernicla rufficollis... (Red Breasted Goose)1862-73
1862-73
About the Item
JOHN GOULD (1804-1881)
Birds of Great Britain
Drawn and lithographed by John Gould, Elizabeth Gould,
H.C. Richter, W. Hart, Dr. Sharpe, and J. Wolfe
Published by John Gould
Printed by Hullmandel and Watson
London, 1862-73
Hand-colored lithographs. 14.75” x 21.5”
367 Plates
John Gould was the most prolific ornithological artist of the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became the gardener at Ripley Castle, where he learned the art of taxidermy, which would be so useful in his future career. In 1927 he was appointed taxidermist of the new Zoological Society of London, and married Elizabeth Coxen. She soon became an invaluable aide, a gifted artist and an expert in transferring their drawings to lithographic stone.
Unable to find a publisher at first, Gould resolved to publish his works himself. Illustrating over 3000 birds and animals in over 40 volumes, his works became very successful and he realized quite a fortune. But even the most industrious artist/craftsman could not do this alone. In addition to his artistic and scientific accomplishments, Gould was a sound businessman. He hired-and inspired-the best illustrators of the day to record the specimens that came from around the world.
Gould's pride in Birds of Great Britain was matched by its public success. The list of 468 subscribers included the nobility and scientific luminaries of Europe and America. Nor has it reputation dimmed. The illustrations to Birds of Great Britain are considered Gould's high water mark in publishing. The coloring is richer with a rounder style. Gould's special haunt for observing these birds was on the banks of the river Thames, at Taplow, Cliveden and Cookhem. He would travel twenty-five miles from London by train and spend many hours engrossed in his sketching. As this was not far from his boyhood home, it seems fitting that it was his last fully-completed work and his happiest and most satisfying achievement.
Reference: Nature into Art. Handayde Buchanan. Mayflower Books. New York, 1979.
John Gould’s Birds. Chartwell Books, Inc. New Jersey, 1981
- Creator:John Gould (1804 - 1881, British)
- Creation Year:1862-73
- Dimensions:Height: 22 in (55.88 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Clean, crisp image. Beautiful original hand-coloring. Framed to museum specifications using archival matting, backing, hinging. Glazed with ultra-violet filtering Plexiglas.
- Gallery Location:Florham Park, NJ
- Reference Number:
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
1stDibs seller since 2014
161 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Florham Park, NJ
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Mucuna Bennetti (Jade Vine Red, New Guinea Creeper)By Paul Jones b.1921Located in Florham Park, NJPaul Jones. (1921-1997) Flora Magnifica. London, 1976. Edition of 506. Lithographs. The portraits of flowers by Paul Jones are quite impressive with dramatic backgrounds and ...Category
1970s Academic Prints and Multiples
MaterialsLithograph
- Acanthus KelchBy Walter GropiusLocated in Florham Park, NJARCHIV FUR ORNAMENTALE KUNST. W. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...Category
Late 19th Century Academic Prints and Multiples
MaterialsLithograph
- DalmationBy Diana ThorneLocated in Florham Park, NJDiana Thorne’s Dogs: An Album of Drawings. Diana Thorne. Julian Messner, Inc. New York, 1944. 24 Drawings in Lithography. “In drawing them,” she writes, “I have tried to ma...Category
1940s Academic Prints and Multiples
MaterialsLithograph
- Initial Letters: "O"By Owen JonesLocated in Florham Park, NJONE THOUSAND AND ONE INITIAL LETTERS Owen Jones (1806-1889) Day & Sons London, 1864 Chromolithographs One Thousand and One Initial Letters playfully describes an artistic endeavo...Category
Mid-19th Century Academic Prints and Multiples
MaterialsLithograph
- Initial Letters "W" (Alphabet)By Owen JonesLocated in Florham Park, NJONE THOUSAND AND ONE INITIAL LETTERS Owen Jones (1806-1889) Day & Sons London, 1864 Chromolithographs One Thousand and One Initial Letters playfully describes an artistic e...Category
Mid-19th Century Academic Prints and Multiples
MaterialsLithograph
- Thye Countess MontijoBy Samuel SidneyLocated in Florham Park, NJThe Book of the Horse Samuel Sidney London, 1873 Cassell Petter & Galpin Chromolithography 10.75” x 8.25” Man’s fascination with the horse has spanned many centuries. Admir...Category
Late 19th Century Academic Prints and Multiples
MaterialsLithograph
You May Also Like
- Tetbury Church - Signed Lithograph, Royal Art, Royal Heritage, Cotswolds, BritishLocated in Knowle Lane, CranleighTetbury Church by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with ...Category
1990s Academic Landscape Prints
MaterialsLithograph
- Overlooking Wadi, Saudi Arabia - Signed Lithograph, Royal Art, Mountains, AsirLocated in Knowle Lane, CranleighOverlooking Wadi, Asir Province, Kingdom Of Saudi Arabia by His Majesty King Charles III, (created when he was HRH The Prince of Wales) - ...Category
Early 2000s Academic Landscape Prints
MaterialsLithograph
- Windsor Castle - Signed Lithograph, Royal Art, Royal Homes, Windsor Castle, BritishLocated in Knowle Lane, CranleighWindsor Castle by HM King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artwo...Category
1990s Academic Landscape Prints
MaterialsLithograph
- Hong Kong from HMY Britannia - Signed Lithograph, Royal Art, Union Jack,Located in Knowle Lane, CranleighHong Kong From HMY Britannia by HM King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated ...Category
Early 2000s Academic Landscape Prints
MaterialsLithograph
- Glengairn, Aberdeenshire - Signed Lithograph, Royal Art, Scotland, BritishLocated in Knowle Lane, CranleighGlengairn, Aberdeenshire, January by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been ...Category
Early 2000s Academic Landscape Prints
MaterialsLithograph
- Balmoral - Signed Lithograph, Royal Art, Royal Homes, Balmoral Castle, BritishBy Charles (Prince of Wales)Located in Knowle Lane, CranleighBalmoral by His Majesty King Charles III (formerly known as HRH Prince Charles, The Prince of Wales) - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HRH The Prince of Wales for over 25 years. Anna Hunter, gallery owner, wrote a handwritten letter to the Prince asking him if he would consider making signed lithographs from his beautiful watercolours which could be sold in aid of his charities. The gallery subsequently worked with the Prince for over 10 years publishing some 18 different editions and raising over £4million for the Prince’s Charitable Foundation. Lithographs were made from the Prince’s original watercolours under the guidance of Stanley Jones – a celebrated printmaker who had previously worked with Henry Moore for 30 years, and with Elizabeth Frink, David Hockney and others. Each one is hand-signed. “…One thing I have discovered in the course of my painting efforts is that Balmoral Castle...Category
1990s Academic Landscape Prints
MaterialsLithograph