Blanche Lazzell

The Seine Boat

1928

Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...

Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...

This white-line woodcut was made circa 1919. The edition size is unknown. Image size 12 x 11 1/16" (30.5 x 28 cm). Signed "E-Mars" in pencil on the mount. Mount 16 5/8 x 14 1/2." Ethel Mars was born in Springfield, IL. She attended Cincinnati Art Academy meeting fellow artists/printmakers Edna B. Hopkins and Maud Hunt Squire (who later became her lifelong companion). In 1905 Mars and Squire moved to Paris and quickly became active members in the vibrant Parisian art community. They were known to visit Gertrude Stein and Alice Toklas, and it is said that Ethel Mars and Maud Hunt Squire inspired Stein’s prose Miss Furr and Miss Skeene. At the outset of WWI Mars and Squire left Paris and settled in Provincetown, MA., a magnet for creative minds. Other artists arrived in Provincetown, among them were Blanche Lazzell, B. J. O. Nordfeldt, Ada Gilmore and Mildred McMillen. These were the original group of artists to make White Line Woodcut prints...

Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...

Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...

Richard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...

Ohio-born Walter DuBois Richards (1907-2006) was educated at the Cleveland School of Art. He re-located to New York around 1933 where he had a successful career as a commercial artis...

More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...

Really a wood engraving rather than a woodcut, Henry R. Diamond's Whaler is majestic. It is signed and titled in pencil.

This print is signed and titled in pencil. A native of Tennessee and a physician, Pittman began to make prints in 1936 in Trenton, New Jersey. However, scene of his home state remain...

Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.

In the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...