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Charles Meryon
Le Rue des Toiles a Bourges

1863

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  • La Tour de L’Horloge (The Clock Tower, Paris)
    By Charles Meryon
    Located in New York, NY
    Charles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with engraving. Reference: Schneiderman 23, Delteil 28. Third state (of 10). On very thin Jap...
    Category

    1850s Realist Landscape Prints

    Materials

    Engraving, Etching

  • Le Bourg de Batz
    By William Strang, R.A., R.E.
    Located in New York, NY
    William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
    Category

    1910s Realist Landscape Prints

    Materials

    Drypoint, Etching

  • La Fumee du Bateau
    By Jean-Francois Raffaelli
    Located in New York, NY
    Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...
    Category

    1910s Realist Landscape Prints

    Materials

    Drypoint, Etching

  • Haarlem
    By James McBey
    Located in New York, NY
    James McBey (1883-1959), Haarlem, etching, 1910, signed in ink bottom right margin and numbered XXXV bottom left [also signed, titled and dated July 1910 in the plate]. Reference: Hardie and Carter 61, only state, edition of 40, 4 3/4 x 6 7/16, the sheet 6 1/4 x 8 inches. Printed on old laid paper, with a partial crest watermark, with margins. In good condition, a paper loss upper right corner (away from image), slight soiling in margins, archival mounting. A fine impression, with a light veil of plate tone. At the age of 26 McBey left his bank job (which he had had for 15 years!) and traveled to Holland, where from July to September of 1910 he created a number of etchings depicting the Dutch landscape. McBey had studied Rembrandt’s prints, and the influence of the Master is evident in etchings such as Haarlem; Haarlem also is reminiscent of Whistler’s Thames etchings...
    Category

    1910s Realist Landscape Prints

    Materials

    Etching

  • Printemps Breton
    By Jean-Emile Laboureur
    Located in New York, NY
    Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
    Category

    1920s Realist Landscape Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

  • A Douelan
    By Adolphe Beaufrère
    Located in New York, NY
    Adolphe-Marie Beaufrère (1876-1960) A Douelan, etching, 1923, signed in pencil and numbered (21/50) [also initials and date in the plate]. Reference: Morane 23-07, BN Laran 175. Seco...
    Category

    1920s Realist Landscape Prints

    Materials

    Etching

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    By Telemaco Signorini
    Located in Roma, IT
    Signed the plate with the artist's monogram “TS”lower left. Inscription “C. Lovera imp” lower right. Very rare print from “L'Art in Italia”, 1871.Original Prints. Image Dimensions : ...
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    1870s Realist Landscape Prints

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  • 1804 St George's Chapel Windsor Castle print
    By Frederick Nash
    Located in London, GB
    From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some other...
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    Early 1800s Realist Landscape Prints

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    Aquatint, Etching

  • 1804 St George's Chapel Windsor Castle print
    By Frederick Nash
    Located in London, GB
    From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
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  • The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
    By Theodore Roussel
    Located in London, GB
    THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Corner of Cheyne Walk, Chelsea Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...
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  • The Street, Chelsea - 1880s etching by Whistler follower Theodore Roussel
    By Theodore Roussel
    Located in London, GB
    THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Street, Chelsea Embankment Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed 15...
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  • Bonn, Bethovenhaus (Bonn, the House of Bethoven)
    By Josef Eidenberger
    Located in San Francisco, CA
    This artwork titled "Bonn, Bethovenhaus" c. 1970 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dedicated and resigned a second time in pencil by the artist. The plate mark (image) size is 12 x 9.10 inches, framed size is 21.65 x 17.65 inches. Custom framed in a dark wood frame, with green matting. It is in excellent condition. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...
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