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David Smith-Harrison
Orchard II

1988

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  • The Slot #9
    By Stephen McMillan
    Located in San Francisco, CA
    Artist: Stephen McMillan – American (1949- ) Title: The Slot #9 Year: 1981 Medium: 3 plate aquatint etching Sight size: 36 x 24” Sheet size: 41.5 x 29.5 inches on Arches paper Signat...
    Category

    1980s Realist Landscape Prints

    Materials

    Paper, Aquatint

  • Somme, Coucher de Soleil
    By Roger Hebbelinck
    Located in San Francisco, CA
    Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...
    Category

    Mid-20th Century Realist Landscape Prints

    Materials

    Aquatint

  • La Vilaine, France
    By Roger Hebbelinck
    Located in San Francisco, CA
    Artist: Roger Hebbelinck (Belgian, born 1912) Title: La Vilaine Year: Circa 1965 Medium: Color etching with aquatint Edition: Numbered 30/350 in p...
    Category

    Mid-20th Century Realist Landscape Prints

    Materials

    Aquatint

  • Landscape with Pond
    By Roger Hebbelinck
    Located in San Francisco, CA
    Artist: Roger Hebbelinck (Belgian, born 1912) Title: Landscape with Pond Year: Circa 1960 Medium: Color etching with aquatint Edition: Numbered 43/3...
    Category

    Mid-20th Century Realist Landscape Prints

    Materials

    Aquatint

  • Schallaburg Castle
    By Luigi Kasimir
    Located in San Francisco, CA
    Artist: Luigi Kasimir Austrian (1881-1962) Title: Schallaburg Castle, Austria Year: circa 1930 Medium: Color Etching Sight size: 17 x 22.25 inches Sheet Size: 20 x 25 inches Framed Size:26.5 x 31.5 inches Signature: Signed lower right by the artist Edition: unknown Condition: See below This artwork titled "Schallaburg Castle c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower right. The plate mark (image) size is 17 x 22.25 inches, paper size is 20 x 25 inches, matted size is 24 x 29 inches, framed size is 26.5 x 31.5 inches. It is custom matted with a brown inner mat, gold liner and cream-colored outer mat. The wood frame is black with a faint gold inner edge. The print is in fair-to-good condition. It is attached to the mat with archival tape. It bears the residue of a previous backing on the reverse, but that does not at all show on the front of the print. The surface of the print is in very good condition with strong colors. There are small losses to the corners of the print, far from the image. The mat is in good condition. The frame is in fair condition with some pits, mostly on the lower and upper bars. I have included pictures of the reverse of the print as well as the flaws on the frame. I can ship the print with the frame or without the frame. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
    Category

    1930s Realist Landscape Prints

    Materials

    Paper, Etching

  • Raleigh Tavern, Williamsburg, VA
    Located in San Francisco, CA
    This artwork titled "Raleigh Tavern, Williamsburg, VA" c. 1970 Is an original etching on paper by noted American artist Leonard H. Mersky, 1917-1994. It is signed, titled and numbered 13/300 in pencil by the artist. The size of the plate mark (image) is 7 x 8 inches, framed size is 15.15 x 16.15 inches. The artwork is in excellent condition, the frame is in good condition, it has minor dents. About the artist. Born in Boston in 1917, Leonard Mersky...
    Category

    Late 20th Century Realist Landscape Prints

    Materials

    Etching

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  • Communipaw, NY; January Thaw
    By Thomas Moran
    Located in Middletown, NY
    A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...
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  • The Thames, 1894 - Victorian aquatint etching of London by Joseph Pennell
    By Joseph Pennell
    Located in London, GB
    JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...
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  • Hong Kong
    By Richard Haas
    Located in New York, NY
    Richard Haas Hong Kong, 1990 Etching and Aquatint on wove paper Hand Signed, numbered and dated on the front Frame included; held in the original vintage hand made wood frame done by PSG This impressive, framed lithograph of Hong Kong is by Richard Haas - the world's foremost architectural muralist and trompe l'oeil artist whose prints and paintings are held and exhibited in many private, public and institutional collections. It is framed and ready to hang. Haas - who, aside from his many artistic distinctions, was profiled several years back by the prestigious CBS News...
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  • Puck Corner, SOHO, New York signed & numbered 10/100 by top architectural artist
    By Richard Haas
    Located in New York, NY
    Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front 19 3/5 × 16 1/2 inches Unframed in white matting; ready to be re-framed and hung. Puck Corner refers to the famous Puck building located on the corner of Broome and Broadway in SoHo, Manhattan: "The Puck Building is a historic building located in the Nolita neighborhood of Manhattan, New York City. This New York City Landmark is located at the northwestern corner of Manhattan's NoLIta neighborhood, bordered by SoHo and the NoHo section of Greenwich Village. The building was the longtime home of Puck magazine, which gave the building its name; Founded in St. Louis in 1871, the magazine moved into the building in 1887 and remained there until it ceased publication in 1918. Other famous tenants include Spy Magazine and the Manhattan Center of Pratt Institute. Since 2004, the building has been used by New York University for the Wagner Graduate School of Public Service and the department of sociology. In 2011, REI opened a 35,000-square-foot store...
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  • L’Hiver a Paris ou La Neige a Paris
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  • WESTERN PEAKS
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