Earl Marshawn Washington

Industry

1928

Bird's Eye View Of The Great Suspension Bridge Print on paper Description: The Brooklyn Bridge was a cultural phenomenon when it was first built, inspiring artists, entrepreneurs, ...

Bethlehem Steel, 1939, by Earl Marshawn Washington (b. 1962) Woodcut relief on paper 9 x 12 inches unframed (22.68 x 30.48 cm) Signed on bottom left In...

Equestrian Statue by Donatello- Padua near Venice, 1907, by Max Weber (1881-1961) Ink wash and blue chalk on paper 4 x 5 inches unframed (10.16 x 12.7 cm) 10 ¾ x 12 ⅞ inches framed...

Fishers, ca. 1960, by Reuven Rubin (1893-1974) Lithograph on paper 19 × 13 ⅜ inches unframed (48.26 x 33.985 cm) Signed on bottom right inscribed (330110 #01 x8345) on reverse bottom...

Downcast Figure by Kather Kollwitz (1867-1945) Etching on paper 11 ½ x 6 ¾ inches unframed (29.21 x 17.145 cm) 20 x 15 inches framed (50.8 x 38.1 cm) Description: In this etching,...

Moses With the Ten Commandments by Sir Jacob Epstein (1880-1959) Pencil and watercolor on paper 22 x 16 ⅝ inches unframed (55.88 x 42.24 cm) 28 ½ x 23 inches framed (72.39 x 58.42 cm) Signed on bottom left Description: In this figurative watercolor painting, Jacob Epstein depicts Moses holding two tablets, one in each arm, that are inscribed with the ten commandments. This is a visualization of the traditional biblical story in which Moses goes to Mount Sinai and has the ten commandments revealed to him by God which he inscribed onto two tablets and keeps in the Ark of the Covenant...

Tree & Handkerchief. Original color aquatint and etching, 1978. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to Surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control...

Stars. Original color lithograph, 1975. Edition of 16 signed and numberes impressions on Arches paper. Metka Krašovec is one of the most important painters in contemporary Slovenian ...

Original color aquatint and etching, 1978. Edition of 100 signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He...

Original color silkscreen, unknown year. Jean-Michel Folon was a Belgian contemporary artist, illustrator, painter and sculptor. During his diverse artistic career, Folon experimente...

Titled Ledoux, color limited edition lithograph. Hand signed by artist in pencil to right hand corner, 101/150 to left. 19.5" X 14" print view area. This is done in a Postmodernist, Memphis Milano style. Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art. Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan. In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments. In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Giancarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Galerie Maeght}. In 1975, the philosopher Jacques Derrida devoted a long essay, "+R: Into the Bargain", to Adami's work, using an exhibition of Adami's drawings as a pretext to discuss the function of "the letter and the proper name in painting", with reference to "narration, technical reproduction, ideology, the phoneme, the biographeme, and politics". The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. There were four retrospective exhibits of Adami's work between 1985 and 1998. They were held in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires. In 2010, the Boca Raton Museum of Art devoted a special exhibit to Adami's Post Modern paintings and drawings. Derriere le Miroir, the editor was Aimé Maeght. Derrière le Miroir is a French art magazine created in 1946 and published until 1982...

Lithograph by artist Tony Khawam, high quality archival ink on bond paper 11”x14” bevel cut matte mounted on white matte board with options to choose between white or black frame 16x...