Tim Southall

Tim Southall, Winter Queens, Black and white limited edition print

2021

Floating by Elaine Marshall [2014] limited_edition etching and aquatint Edition number 28 Image size: H:21 cm x W:20 cm Complete Size of Unframed W...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...

After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...

Dogs on a Beach By Tim Southall [2017] Limited Edition Etching Edition number 75 Image size: H:15 cm x W:20 cm Complete Size of Unframed Work: H:25 cm x W:30 cm x D:0.1cm Sold Unfram...

Mudlarking By Tim Southall [2021] Limited Edition Etching Image size: H:15 cm x W:20 cm Complete Size of Unframed Work: H:25 cm x W:30 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look At low tide on a stormy day in London, people rummage around in the muddy shores of the River Thames. Dominating the scene is the formidable Tower Bridge. These ‘mudlarkers’ are searching for scraps and broken bits of history - rummaging in the muddy shore of the river. Who knows what treasures will be discovered. Originally a mudlark was someone who scavenged in river mud for items of value, a term used especially to describe those who scavenged this way in London during the late 18th and 19th centuries. The practice of searching the banks of rivers for items continues in the modern era, with newer technology such as metal detectors...

Aspen Trail- Fall, color etching,John Hogan, yellows, gold, landscape forest hand pulled limited edition color etching 22 x 30 paper size 18 x 24 image size unframed edition signed ...

Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching. François Houtin was...

Signed, titled and numbered from the edition of 30. Imaginary topiary and garden scene, with incredibly fine line work in one of Houtin's earliest etchings. François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed prints...

Signed, titled and numbered in pencil, from the edition of 40. Surrrealistic, imaginary character with flowing robes. François Houtin was born in Crao...

Signed, titled and numbered in pencil, 3/50. Imaginary topiary and garden scene, with incredibly fine line work in the etching. François Houtin was born in Craon en Mayenne, France...

Signed, titled and numbered by the artist, edition of 50. Imaginary topiary and garden scenes, with incredibly fine line work in the etching in this image of a suspended garden. Others in this series are available. François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed...