Harold Altman

"Three Benches, " Original Color Lithograph signed by Harold Altman

1997

"Chairs" is an original color lithograph by Harold Altman. It is an artists proof signed in the lower right hand corner. The print is of a park landscape with various chairs spread a...

Leave it to artist Harold Altman to capture the beauty of nature as we delight in a "Quiet Afternoon". This work is an original color lithograph, number 28 out of an edition of 285, ...

"Season's Greetings" is an original lithograph by Mark Mille. The artist signed the piece lower right and wrote the edition number (25/40) in the lower left. It features a winter river scene...

"Round the Bend" is an original color lithograph by Helen Rundell, signed in pencil in the lower right. The image features a country road on the light edge, leading into the distance...

"New Hampshire Green" is an original color lithograph by Helen Rundell, signed in the lower right corner and numbered in the lower left. The piece features a massive old tree next to...

"Ebb Tide" is an original color lithograph by Helen Rundell, signed in the lower right corner. It depicts a light sea green rowboat with red oars stranded on a rocky shore at low tid...

Original color lithograph, unknown year. Edition of E.A. (artist’s proof) signed and numbered impression on Arches paper. Ivan Generalić was a Croatian artist and a pioneer of naive ...

Daniele Fissore was a great Italian self-taught artist. He is know as the artist of greenery and seas, as well as telephone booths, picnics and heroes of the Risorgimento. His graphi...

Rooster. Original lithograph in colors, 1963. Edition of 40 signed and numbered impressions on Arches paper. Ivan Rabuzin was a Croatian naive painter a...

Two flowers. Original lithograph in colors, unknown year. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Ivan Rabuzin wa...

Titled Ledoux, color limited edition lithograph. Hand signed by artist in pencil to right hand corner, 101/150 to left. 19.5" X 14" print view area. This is done in a Postmodernist, Memphis Milano style. Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art. Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan. In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments. In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Giancarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Galerie Maeght}. In 1975, the philosopher Jacques Derrida devoted a long essay, "+R: Into the Bargain", to Adami's work, using an exhibition of Adami's drawings as a pretext to discuss the function of "the letter and the proper name in painting", with reference to "narration, technical reproduction, ideology, the phoneme, the biographeme, and politics". The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. There were four retrospective exhibits of Adami's work between 1985 and 1998. They were held in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires. In 2010, the Boca Raton Museum of Art devoted a special exhibit to Adami's Post Modern paintings and drawings. Derriere le Miroir, the editor was Aimé Maeght. Derrière le Miroir is a French art magazine created in 1946 and published until 1982...

Original offset colored lithograph travel poster titled “Holland” by the Dutch artist, Paul Erkelens. Signed in the print lower right and dated 1945. Published by Dejong & Company,...