Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Jan Frans van Bloemen (Orizzonte)
"Conversation Outside Castle, " an Etching by Jan Frans van Bloemen

1700s

About the Item

"Conversation Outside Castle" is an original etching by Jan Frans van Bloemen. It depicts a number of figures just outside the majestic walls of a castle. These groups of figures are engaged in their own conversations. 9" x 6 3/4" art 21 5/8" x 19 3/8" frame Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749) was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition. Van Bloemen predominantly painted classical landscapes, taking his inspiration from the Roman Campagna. His landscapes, with their recession through a series of planes, soft, warm lightning and classical and religious subject matter, drew on the examples of artists such as Claude Lorrain and Gaspard Dughet. His paintings are exquisitely imbued with that "difficult-to-define pastoral ambience" which helped to make him such a great painter in the eyes of his contemporaries. The technique and subjects of the work of Jan Frans van Bloemen are also related to painters such as Jan Asselijn, Thomas Wyck, Willem Romeyn and Willem Schellinks. His painted vedute fall into the category of the vedute that combine reality with imaginary elements. His landscapes have an Arcadian lushness, with mountains, streams, distant hamlets, and small inhabitants painted with imprecise pittura di tocco ('painting of touch') using small dotting and spirited brush-strokes.
More From This SellerView All
You May Also Like
  • Four Framed Hogarth Engravings "Four Times of the Day"
    By William Hogarth
    Located in Alamo, CA
    The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
    Category

    Mid-18th Century Old Masters Landscape Prints

    Materials

    Engraving, Etching

  • 18th Century Etching of "Chiesa di S. Lucia" in Rome by Giuseppe Vasi
    By Giuseppe Vasi
    Located in Alamo, CA
    This 18th century etching is entitled "Chiesa di S. Lucia alle Botteghe Oscure" by Giuseppe Vasi was published in Rome in 1747 in Vasi's 'Magnificenze di Roma Antica e Moderna', whic...
    Category

    Mid-18th Century Old Masters Landscape Prints

    Materials

    Etching

  • The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
    By Luigi Rossini
    Located in Alamo, CA
    "Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
    Category

    1820s Old Masters Figurative Prints

    Materials

    Etching

  • Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    "Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
    Category

    Early 18th Century Old Masters Figurative Prints

    Materials

    Etching, Engraving, Drypoint

  • Piranesi Etching of Ancient Roman Architectural Objects, "A sua Eccellenza"
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    "A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
    Category

    1770s Old Masters Figurative Prints

    Materials

    Etching

  • Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
    Category

    1760s Old Masters Figurative Prints

    Materials

    Etching

Recently Viewed

View All