Storm Tree
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Jane Martin VonBosseStorm Treec. 1962
c. 1962
About the Item
- Creator:Jane Martin VonBosse (1931 - 2011, American)
- Creation Year:c. 1962
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521601293
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
696 sales on 1stDibs
Typical response time: 2 hours
Associations
International Fine Print Dealers Association
More From This SellerView All
- Standard Oil Building.By Joseph PennellLocated in Storrs, CTStandard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $875. 26 Broadway" is the home of the Standard Oil...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching
- Skyline, New YorkBy Martin LewisLocated in Storrs, CTSkyline, New York. 1919. Etching and drypoint. McCarron 36. 8 7/8 x 10 3/8 (sheet 12 1/4 x 14 . 11 recorded impressions (intended edition 50. Lewis states that he destroyed 6 of the ...Category
1920s American Modern Abstract Prints
MaterialsDrypoint, Etching
Price Upon Request - Open Action.By Kerr EbyLocated in Storrs, CTPublished edition, not trial proof Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...Category
1920s American Modern Landscape Prints
MaterialsEtching
- From the Weather Bureau. New York, New York.By Stow WengenrothLocated in Storrs, CT"From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...Category
1940s American Modern Landscape Prints
MaterialsLithograph
- Royal Insurance Building of Canada. (Royal Globe Insurance Company Building)By Louis Conrad RosenbergLocated in Storrs, CTRoyal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing. Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed. The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...Category
1920s American Modern Landscape Prints
MaterialsDrypoint
- Approaching StormBy Armin LandeckLocated in Storrs, CTApproaching Storm, Manhattan. 1937. Drypoint. Kraeft 65. 9 1/8 x 8 3/8 (sheet 15 3/4 x 14 7/8). Edition 100. Provenance: Estate of David Llewellyn Re...Category
1930s American Modern Landscape Prints
MaterialsDrypoint
$2,250 Sale Price25% Off
You May Also Like
- 'Field' original abstract linocut in black by Wisconsin artist Schomer LichtnerBy Schomer LichtnerLocated in Milwaukee, WI'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4.5 x 6 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...Category
Late 20th Century American Modern Landscape Prints
MaterialsBlack and White, Paper, Linocut
- Quartier de la Maison BlancheBy John MarinLocated in New York, NYA superb, dark impression of this extremely scarce, early etching on Japan paper. Edition of approximately only 12. Signed and titled in pencil.Category
Early 1900s American Modern Abstract Prints
MaterialsEtching
- Carolyn McArthur, (New York City Park)Located in New York, NYThis is a modernist view of a New York City park. It's interesting because we're given so much detail and yet it's drawing style also keep things hidden. Really I think it's about Cu...Category
1930s American Modern Abstract Prints
MaterialsIntaglio
- WavesBy Richard FlorsheimLocated in New York, NYRichard Florsheim created this color lithograph entitled “Waves” in 1973 in an edition of 50 pieces. Printed by Mourlot Press, Paris, this impression is signed and inscribed “3/50” – the third print of fifty. It is in good condition with full original color. The printed image size is 16 3/8 x 23.75 inches and the paper size is 19.75 x 26.50 inches. RICHARD ABERLE FLORSHEIM...Category
1970s American Modern Abstract Prints
MaterialsLithograph
- Glowing CityBy Richard FlorsheimLocated in New York, NYRichard Florsheim created this color lithograph entitled “Glowing City” in 1969 in an edition of 250 pieces. Published by Associated American Artists and printed by Mourlot Press, Pa...Category
1960s American Modern Landscape Prints
MaterialsLithograph
- Jet ApproachesBy Richard FlorsheimLocated in New York, NYRichard Florsheim created this color lithograph entitled "Jet Approaches" in 1962 in an edition of 50 pieces. This impression is signed and inscribed “2/50” – the second print from fifty. It is in good condition with full original color. There is a gentle paper crease in the upper left corner – outside of the image. The Image size is 16.96 x 22 inches and the paper size is 19.25 x 26 inches. RICHARD ABERLE FLORSHEIM...Category
1960s American Modern Abstract Prints
MaterialsLithograph