John Stobart

New Orleans - Robert E. Lee Leaving the Crescent City in 1880

One of Their Pets (Two Farm Boys and Cow at The Watering Hole) By Joseph Vorst (1897-1947) Signed Lower Right Edition 1/50 Lower Left Unframed: 8.5" x 11" Framed: 16" x 18.5" German-born Joseph Vorst came from Essen (born June 19, 1897). His teacher was the leading German impressionist Max Liebermann (1847-1935), who was the champion of French impressionism in Berlin. He had traveled to Barbizon and Paris to see paintings by Manet first hand, including In the Conservatory, which made its way to Berlin. Later Vorst's home town of Essen would acquire a collection of modern art in 1921, which became the Museum Folkwang, one of the earliest of its kind. Most likely to escape the Nazis, Vorst made his way to Missouri; we know that he was a member of the American Artists Congress and he signed the famous "Call" in 1936 at the group's first congress, the left-wing organization that stood up to combat fascism. Surely he would have known Joe Jones...

Missouri Arrival (Flood) c. 1940 By Joseph Vorst (1897-1947) Signed Lower Right Unframed: 11" x 8.25" Framed: 18.5" x 15.5" German-born Joseph Vorst came from Essen (born June 19, 1897). His teacher was the leading German impressionist Max Liebermann (1847-1935), who was the champion of French impressionism in Berlin. He had traveled to Barbizon and Paris to see paintings by Manet first hand, including In the Conservatory, which made its way to Berlin. Later Vorst's home town of Essen would acquire a collection of modern art in 1921, which became the Museum Folkwang, one of the earliest of its kind. Most likely to escape the Nazis, Vorst made his way to Missouri; we know that he was a member of the American Artists Congress and he signed the famous "Call" in 1936 at the group's first congress, the left-wing organization that stood up to combat fascism. Surely he would have known Joe Jones...

John Stobart "St. Louis, A View Through the Arches of the Eads Bridge" 1979 Color Lithograph 32.5 x 37.5 inches framed Signed in Pencil and Numbered 221/75...

John Stobart "St. Louis, Gateway to the West" Color Lithograph 30 x 42 inches framed Signed in Pencil and Numbered 434/750

John Stobart "The Statue of Liberty in a Panorama of New York City in 1886" Color Lithograph approx 32 x 43 inches framed Signed in Pencil and Numbered 914/950 A marine painter of ...

Andrew Wyeth "Dogwood" 1983 Collotype Ed. 115/300 Signed and Numbered Lower Right Image Size: 21 x 28 3/4 inches Framed Size: approx. 29 x 36.5 inches A painter of landscape and figure subjects in Pennsylvania and Maine, Andrew Wyeth became one of the best-known American painters of the 20th century. His style is both realistic and abstract, and he works primarily in tempera and watercolor, often using the drybrush technique. He is the son of Newell Convers and Carolyn Bockius Wyeth of Chadds Ford, Pennsylvania, and was home-schooled because of delicate health. His art instruction came from his famous-illustrator father, who preached the tying of painting to life--to mood and to essences and to capturing the subtleties of changing light and shadows. The Wyeth household was a lively place with much intellectual and social stimulation. Because of the prominence of N.C. Wyeth, persons including many dignitaries came from all over the country to visit the family. Andrew's sisters Carolyn and Henriette became noted artists as did his brother-in-law, Peter Hurd. The non-art oriented brother, Nathaniel Wyeth...

Excellent condition and matted with archival materials. An excellent addition to any New York or WPA collection.

Wall Street 2 - plate size 25.5 x 36 - printed on 100% cotton rag - edition 3/5 monochromatic city-scape w/ Architectural elements Cubist and abstract assemblage photographic character

Wall Street 2 - plate size 25.5 x 36 - printed on 100% cotton rag - edition 3/5 monochromatic city-scape w/ Architectural elements Cubist and abstract assemblage photographic character

Road to Gayhead (Martha's Vineyard) Lithograph, 1935 Signed, dated. editoned & titled in pencil Printer: George Miller, New York A famous view of Martha's Vinyard Illustrated: Adams, Fig. 10.14, Page 234 Edition: 40 Printed chine collee Annotated: "For Gene" Reference: Lumsdaine & O'Sullivan 293 Incorporated in 1870. Aquinnah is the center of the Wampanoag Tribe of Gay Head Aquinnah. A Federally recognized Native American People. It is located at the tip of Martha's Vinyard. The Wampanoag Tribe of Gay Head Aquinnah became a federally acknowledged tribe on April 10, 1987 through the Bureau of Indian Affairs. The Tribe is preserving its history, culture and language. The town was called Gay Head until 1997 when the Tribe won the right to change the name of the town back to the original Wampanoag name. The smallest town on the Island at 5.4 miles of land area. The drive to Aquinnah is beautiful. You will notice that the three down-Island towns, Vineyard Haven, Oak Bluffs...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

Hidden Pond Lithograph, 1958 Signed in pencil lower right of image Annotated: Ed/40 in pencil by the artist lower left Edition: 40 Provenance: Baldwin-Wallace College, Berea, OH (acc...