Julian Opie

Untitled (Cityscape) -- Print, Lithograph, Landscape, Pop Art by Julian OPie

1996

Deconstructing Seurat (turquoise green), 2004 Michael Craig-Martin A pair of screenprints in colours, on wove Each signed, dated and numbered verso from the edition of 40 Published ...

Deconstructing piero (pink), 2004 Michael Craig-Martin A pair of screenprints in colours, on wove Each signed, dated and numbered verso from the edition of 40 Published by Alan Cris...

England as Seen from Lockdown in Islington, 2021 Grayson Perry Pigment print on 300gsm cotton panama Signed on the accompanying label From the edition of 150 Co-published by Victoria Miro...

See-saw, Margery Daw, 1994 Paula Rego Etching with aquatint and hand-colouring, on velin Arches Signed and numbered from the edition of 50 From Nursery Rhymes Printed by Culford P...

DH in Hollywood, 1979–1985 Howard Hodgkin Soft-ground etching printed in black, with hand colouring in orange-red, brown, and green watercolour and red and blue oil pastel , on off...

How Many Miles to Babylon, 1989 Paula Rego Etching with aquatint, on velin Arches Signed and inscribed ‘A/P’, apart from the edition of 50 From Nursery Rhym...

A classic Rosenquist pop art composition with gold, turquoise, purple, pink, blue, green and yellow. Characteristically surreal and graphic, Rainbow incorporates bold geometric forms with painterly washes of color and airbrush texture. Rosenquist's signature gleaming metallic chrome texture can be seen on an inverted fork behind the glass of a golden window. Paper 25.25 x 30.25 in. / 64 x 77 cm Image 17 x 21.5 in. / 43 x 54.5 cm Lithograph with screenprint on cream-coloured Hodgkinson handmade Wookey Hole paper. Edition of 75 with 8 color trial proofs: this impression 8/8. Signed and dated 1972 lower right in pencil; titled, numbered 8/8 and labeled Color Trial Proof lower left in pencil. This graphic, colorful scene is based on Rosenquist’s 1962 oil painting of the same name, collected in the Museum Ludwig in Cologne. The artist used real glass and wood to construct windows for the original painting – here, house siding is abstracted to bold, black horizontal lines, and the window glass is printed in dark gold ink. At the top of the composition, a window with shutters pushed open is colored in turquoise, with sharp black shadows. The left-hand window pane is shattered, and to the right, the outline of an oversized...

Artist: Peter Alexander (1939) Title: Sitka Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed and n...

Artist: Peter Alexander (1939) Title: San Blas II Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed...

Artist: Red Grooms (1937) Title: Truck I (VEL 105; Knestrick 77) Year: 1979-1980 Medium: Lithograph, screenprint, rubber stamp impressions on Arches paper Edition: 36, plus 11 artist...

Artist: Peter Max (1937) Title: Composition Red & Green Year: 1980 Edition: H.C. 12; aside from the edition of 165 Medium: Lithograph on Arches paper Size: 22 x 26 inches Condition: ...

Artist: Peter Max (1937) Title: Two Sages Year: 2000 Edition: 421/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.25 x 8.25 inches Condition: Excellent Inscription...