Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Kiyoshi Saitō
"Nara" Japanese Townscape

1962

About the Item

Landscape print of small Japanese city, Nara (A). Signature and seal lower right. Mat board covers the margins which may have date, title and edition. Non-glare glass makes inspection and photography difficult. Visible Area: H 15 in. x W 20.5 in. Artist Biography: Kiyoshi Saito was born in Fukushima prefecture in 1907. At the age of five he moved to Otaru in Hokkaido, where he would come to serve as an apprentice to a sign painter. Saito became infatuated with art after studying drawing with Gyokusen Narita and moved to Tokyo in 1932 to study Western-style painting at the Hongo Painting Institute. He began experimenting with woodblock prints and exhibiting his works with Nihon Hanga Kyokai in 1936. Saito mainly worked in oil painting until his invitation from Tadashige Ono to join the Zokei Hanga Kyokai in 1938, at which time Saito made the woodblock print his primary medium. He worked with the Asahi Newspaper Company in 1943, where he met Koshiro Onchi. This chance encounter led to an invitation to Ichimokukai and membership to Nihon Hanga Kyokai in 1944. Saito’s printmaking career was put on hold due to the war. During the occupation, he sold his first print in an exhibit with fellow artists Un’ichi Hiratsuka and Hide Kawanishi. In 1948, Saito exhibited at the Salon Printemps, an event sponsored by Americans for Japanese Artists. At the Sao Paulo Biennale of 1951, Saito won first place for his print Steady Gaze. In competition with Japanese oil painting and sculpture, this was a turning point for Japanese printmakers: for the first time in Japanese history, prints overtook painting. This achievement roused the Japanese art establishment. In 1956, Saito was sponsored by the State Department and the Asia Foundation to travel and exhibit around the United States and Europe. As a sosaku hanga artist, Saito’s prints are self-drawn, self-carved and self-printed. His early works are distinguished by an attention to realism and three-dimensionality. As his style evolved, his prints became flattened and two-dimensional, featuring strong and refined designs with color and texture. Kiyoshi Saito passed away in 1997.
  • Creator:
    Kiyoshi Saitō (1907 - 1997, Japanese)
  • Creation Year:
    1962
  • Dimensions:
    Height: 22 in (55.88 cm)Width: 27.5 in (69.85 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Houston, TX
  • Reference Number:
    Seller: AL0000.4151stDibs: LU55133057491
More From This SellerView All
  • Edo Landscape Japanese Woodblock Print
    By Utagawa Hiroshige (Ando Hiroshige)
    Located in Houston, TX
    Edo Meisho woodblock print of a famous Japanese coastal dock. This woodblock is most likely apart of the series "One Hundred Famous Views of Edo." The woodblock print is printed on r...
    Category

    1850s Edo Landscape Prints

    Materials

    Woodcut

  • Boat with Houses Landscape Woodblock Print (Possibly Woodstock School of Art)
    Located in Houston, TX
    Small black and white woodblock print depicting boat with houses. Possibly from the Woodstock School of Art. Inscribed and signed by artist. ...
    Category

    Mid-20th Century Expressionist Landscape Prints

    Materials

    Woodcut

  • Nihon Embankment in Yoshiwara Japanese Woodblock Print
    By Utagawa Hiroshige (Ando Hiroshige)
    Located in Houston, TX
    Woodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper. The p...
    Category

    1850s Edo Figurative Prints

    Materials

    Woodcut

  • Saruwaka-machi District and Kinryûzan Temple Seen from Matsuchiyama
    By Utagawa Hiroshige (Ando Hiroshige)
    Located in Houston, TX
    Three women in the Saruwaka-machi District with a view of Kinryûzan Temple seen from the famous landmark Matsuchiyama. The woodblock print is from the series "Famous Places in Edo". ...
    Category

    1850s Edo Figurative Prints

    Materials

    Woodcut

  • Two Landscape Print Studies
    By Carol Gray
    Located in Houston, TX
    Two prints of landscape studies framed in a single frame together. Images are signed by the artist in the lower right corner. Framed in a gold frame with a purple matte. Artist Bio...
    Category

    Late 20th Century Impressionist Landscape Prints

    Materials

    Lithograph

  • "Under the Street Lamp" Imp. Etching
    By Martin Lewis
    Located in Houston, TX
    Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
    Category

    1920s Naturalistic Figurative Prints

    Materials

    Etching, Laid Paper

You May Also Like
  • Shift Change, Social Realist Woodblock Print by Mike Goscinsky
    Located in Long Island City, NY
    Shift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...
    Category

    1990s American Modern Landscape Prints

    Materials

    Woodcut

  • Jonah
    By Sadao Watanabe
    Located in Santa Monica, CA
    SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
    Category

    1950s Modern Figurative Prints

    Materials

    Stencil, Woodcut

  • Walter DuBois Richards, The Lobster Float
    By Walter DuBois Richards
    Located in New York, NY
    Ohio-born Walter DuBois Richards (1907-2006) was educated at the Cleveland School of Art. He re-located to New York around 1933 where he had a successful career as a commercial artis...
    Category

    1930s American Modern Landscape Prints

    Materials

    Woodcut

  • VILLAGE SCENE / TOWN FESTIVAL
    By Herbert Gurschner
    Located in Santa Monica, CA
    HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
    Category

    1920s Modern Figurative Prints

    Materials

    Woodcut, Linocut

  • Stevan Dohanos, Backyard
    By Stevan Dohanos
    Located in New York, NY
    Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...
    Category

    1930s American Modern Landscape Prints

    Materials

    Woodcut

  • Albert Abramovitz, Mission, California
    By Albert Abramovitz
    Located in New York, NY
    Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.
    Category

    1940s American Modern Figurative Prints

    Materials

    Woodcut

Recently Viewed

View All