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Period: 1910s
Medium: Woodcut
[Paysage, femme transportant un paquet à travers les champs]. 1910-1920.
Located in PARIS, FR
Elizabeth Christie Austen BROWN
Angleterre 1869 † 1942
[Paysage, Femme transportant un paquet à travers les champs à la tombée de la nuit]. 1910-1920.
Gra...
Category
1910s Woodcut Landscape Prints
Materials
Woodcut
WINTERSONNE
By Erich Heckel
Located in Portland, ME
Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
Category
1910s Woodcut Landscape Prints
Materials
Drypoint, Woodcut
Quincaillerie by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
Quincaillerie by Ludovic-Rodo Pissarro (1878 - 1952)
Wood engraving
10.4 x 12.6 cm (4 ¹/₈ x 5 inches)
Initialled in the plate, signed lower right, Ludovic Rodo and numbered, 1
Exhib...
Category
1910s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Willow Border
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963)
WILLOW BORDER, ca 1915-20 Color woodcut. Signed Wm. S. Rice and titled in pencil, both very lightly. Image 10 x 9 inches. On fibrous paper. Sheet...
Category
1910s Other Art Style Woodcut Landscape Prints
Materials
Woodcut
Bougival
Located in Fairlawn, OH
Bougival
Woodcut, 1914
Signed and numbered in pencil
Edition 30, this numberd 22
Printed on laid Van Gelder Zonen paper
Published by Henri Kanweiler, Paris
Printed by Paul Birault, Paris
Bougival is located west of Paris, on the left bank of the River Seine.
This woodcut was inspired by Vlaminck's 1905 Fauvist masterpiece of the same title in the collection of the Detroit Institute of Art.
An impression of this image is in the Yale Univeristy Art Gallery,
Condition: Very slight sun staining, otherrwise very good
Image/block size: 13 1/4 x 16 1/4 inches
Sheet size: 19 1/8 x 22 1/8 inches
Reference: Walterskirchen 11b
Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905.
Life
Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano His father taught him to play the violin.[3] He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.] When Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur, which now houses the Cneai,[6] for a year before Derain left to do his own military service. In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night.
Vlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism.
In 1911, Vlaminck traveled to London and painted by the Thames. In 1913, he painted again with Derain in Marseille and Martigues. In World War I he was stationed in Paris, and began writing poetry. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters. From 1925 he traveled throughout France, but continued to paint primarily along the Seine, near Paris. Resentful that Fauvism had been overtaken by Cubism as an art movement Vlaminck blamed Picasso "for dragging French painting into a wretched dead end and state of confusion". During the Second World War, Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. Vlaminck wrote many autobiographies.
Vlaminck died in Rueil-la-Gadelière on 11 October 1958.
Artistic career
Two of Vlaminck's groundbreaking paintings, Sur le zinc (At the Bar) and L'homme a la pipe (Man Smoking a Pipe) were painted in 1900.
For the next few years Vlaminck lived in or near Chatou (the inspiration for his painting houses at Chatou), painting and exhibiting alongside Derain, Matisse, and other Fauvist painters. At this time his exuberant paint application and vibrant use of colour displayed the influence of Vincent van Gogh. Sur le zinc called to mind the work of Toulouse-Lautrec and his portrayals of prostitutes and solitary drinkers, but does not attempt to probe the sitter's psychology—a break with the century-old European tradition of individualized portraiture. According to art critic Souren Melikian, it is "the impersonal cartoon of a type. In his landscape paintings, his approach was similar. He ignored the details, with the landscape becoming a vehicle through which he could express mood through violent colour and brushwork. An example is Sous bois, painted in 1904. The following year, he began to experiment with "deconstruction," turning the physical world into dabs and streaks of colour that convey a sense of motion. His paintings Le Pont de Chatou (The Chatou Bridge), Les Ramasseurs de pommes de terre (The Potato Pickers...
Category
1910s Fauvist Woodcut Landscape Prints
Materials
Woodcut
THE THAW
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 - 1963)
THE THAW c 1915-20
Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...
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1910s American Modern Woodcut Landscape Prints
Materials
Color, Woodcut
Fountain of Sea Horses, Rome — Early 20th Century
Located in Myrtle Beach, SC
Rudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...
Category
1910s American Modern Woodcut Landscape Prints
Materials
Woodcut
River Reflections
Located in Fairlawn, OH
River Reflections
Color woodcut, c. 1910
Unsigned
Provenance: Dow Family Album, Cincinnati
Condition: Excellent
Image size: 2 1/2 x 4 inches
Sheet size: 3 1/8 x 4 7/8”
A color varian...
Category
1910s American Modern Woodcut Landscape Prints
Materials
Woodcut
Blossom Time in Tokyo
By Helen Hyde
Located in Fairlawn, OH
Signed by the artist in pencil on the image
Reference:
Tim Mason and Lynn Mason, Helen Hyde (Washington, D.C.: Smithsonian Institution Press, 1991), 115, reproduced in color p. 68.
Category
1910s Woodcut Landscape Prints
Materials
Woodcut
Wind Blown Poplars
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963)
WIND BLOWN POPLARS c. 1915-20
Color woodcut, Signed and titled in pencil. 9 x 12”. On thin paper.
Remnants of o...
Category
1910s American Impressionist Woodcut Landscape Prints
Materials
Woodcut
Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)
Located in New York, NY
Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)”
1919, Woodcut.
Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...
Category
1910s Bauhaus Woodcut Landscape Prints
Materials
Woodcut
Desert - Original Woodcut by Marcel Gaillard - 1918
Located in Roma, IT
Desert is a beautiful black and white xylograph on ivory colored paper, by the French landscapist Marcel Gaillard (1886 -1947).
This original print, representing an oriental buildin...
Category
1910s Modern Woodcut Landscape Prints
Materials
Woodcut
Russian Forest
Located in London, GB
KARL SCHMIDT-ROTTLUFF 1884-1976
Rottluff, Germany 1884 - 1976 Berlin (German)
Title: Russian Forest Russisches Wald, 1918
Technique: Original H...
Category
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Materials
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Piazza d'Armi, Rome - Original Woodcut Print - 1913
Located in Roma, IT
Piazza d'Armi is a very rare xylograph realized by Arturo Martini, one of the 20th-century masters in this technique. Title and signature printed on the lower margin.
Passepartout included : 45 x 55 cm
Image Dimensions : 22.5 x 29 cm
Arturo Martini (1889-1947) was an Italian sculptor. He studied ceramics in Faenza and sculpture in Treviso. His copious artistic production is characterized by immediate plasticity, halcyon inventiveness, and thorough mastery of all technical processes: stone, bronze, terracotta...
Category
1910s Modern Woodcut Landscape Prints
Materials
Woodcut
GARDEN IN SNOW
By Edvard Munch
Located in Santa Monica, CA
EDVARD MUNCH (1863 – 1944)
GARDEN IN SNOW, II 1913 (WO 467: Sch. 418)
Woodcut, 13 ½” x 16 7/8” signed in pencil.
Generally very good condition. Irregular sheet of simili-japan ...
Category
1910s Expressionist Woodcut Landscape Prints
Materials
Woodcut
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