Oskar Kokoschka

Kürbis (Pumpkin)

1972

Oskar Kokoschka Genfer Seelandschaft, 1972 color lithograph, ed. of 150 22 1/4 x 30 in. (56.5 x 76.2 cm)

AYCOCK, Alice The World Above/The World Below According to the Pattern of the Rose Apple Tree 21/45, 1990 Silksreen print (Acquerelio 400 gm grey) 39 1/4 x 27 1/2 inches (unframed)

Alex Katz Twilight I, 1978 silkscreen, edition of 50 42 x 33 in. (106.7 x 83.8 cm)

etching edition of 46 + 12 AP image: 12 3/8 x 9 in. (31.4 x 22.9 cm) sheet: 21 1/4 x 15 in. (54 x 38.1 cm) framed: 20 3/4 x 16 3/4 in. (52.7 x 42.5 cm) Printed on Somerset White pape...

Lowell Nesbitt Iris, 1974 Aquatint, edition of 50 42 x 30 in. Lowell Nesbitt was born in Baltimore, Maryland in 1933. Nesbitt’s prints, paintings, and sculptures incorporate imagery...

John Beerman Landscape with Sunset I, 1994 monoprint 16 x 22 1/2 in. (40.6 x 57.2 cm)

Large format lithograph with architectural study, partly coloured. Signed at lower right. Edition 65/100(?).

“Trees and Fields” lithograph commissioned for the Print Club of Cleveland by Peter Takal Peter Takal’s original lithograph “Trees and Fields” is an accomplished work of art created in 1957. This lithograph bears the stamp “The Print Club of Cleveland” on verso. This impression is signed by Takal in pencil. “Trees and Fields” is a fine example of the art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...

Marcel Mouly (French 1918 - 2008) “Jerusalem” lithograph on woven paper with deep saturated colors in excellent condition. Well framed with acr...

Wild Roses, 2010 Lithograph/etching/woodcut 28 3/8 × 38 3/8 in 72.1 × 97.5 cm This print combines etching, lithography, and woodcut to create a great variet...

Bird's Eye View Of The Great Suspension Bridge Print on paper Description: The Brooklyn Bridge was a cultural phenomenon when it was first built, inspiring artists, entrepreneurs, ...

Fine print from the 1960's London. Embackment in London, by the Thames. City side with Houses of Parliamant looking west. Fine piece of history. Banham made many works of Central London...