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Pamela Bachman
'Wisconsin State Fair 1891' framed poster signed by Pamela Bachman

1983

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  • 'Wisconsin State Fair 1891' Framed Poster, Signed
    By Pamela Bachman
    Located in Milwaukee, WI
    Born in Milwaukee, WI in 1959, Pamela Bachman is a contemporary Wisconsin artist creating folk art acrylic and oil paintings, as well as silkscreen folk art prints. This poster, prod...
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    1980s Folk Art Landscape Prints

    Materials

    Offset

  • "Reflection, " Original Color Lithograph signed by Harold Altman
    By Harold Altman
    Located in Milwaukee, WI
    "Reflection" is an original color lithograph by Harold Altman. The artist signed the piece in the lower right, titled and dated it lower center, and wrote the edition number (24/285)...
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    1990s Realist Landscape Prints

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    Lithograph

  • "Red, Yellow, Blue & Green, " Color Woodcut & Monotype signed by Carol Summers
    By Carol Summers
    Located in Milwaukee, WI
    "Red, Yellow, Blue & Green" is an original color woodcut by Carol Summers. The artist signed the piece in the lower left. This woodcut depicts four color fields. The edition number i...
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    2010s Landscape Prints

    Materials

    Monotype, Woodcut

  • "Farewell, " Sunset Landscape Woodcut by Carol Summers
    By Carol Summers
    Located in Milwaukee, WI
    "Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...
    Category

    1990s Landscape Prints

    Materials

    Woodcut

  • "Parc Montsouris, " Original Color Lithograph Park View signed by Harold Altman
    By Harold Altman
    Located in Milwaukee, WI
    "Parc Montsouris" is an original color lithograph by Harold Altman. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (28/285) in t...
    Category

    1990s Pointillist Landscape Prints

    Materials

    Lithograph

  • "Arroyo, " Original Woodcut and Monotype signed by Carol Summers
    By Carol Summers
    Located in Milwaukee, WI
    "Arroyo" is an original woodcut and monotype by Carol Summers. The artist signed the piece. It is from an edition of 120 and depicts an abstract landscape in blues and greens. 14 1...
    Category

    1980s Abstract Expressionist Landscape Prints

    Materials

    Monotype, Woodcut

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    Thanksgiving by Colette Raker, French/American (1938) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 450 Image Size: 25.5 x 33 inches Size: 28 x 36.5 in. (71....
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  • Israeli Folk Art Hebrew Naive Judaica Bible Exodus Lithograph Shalom of Safed
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