17th Century Landscape Prints
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Period: 17th Century
Rare Hand Colored "Cabane Des Hold" - 1st Ed "Description de l’Univers" C. 1683
Located in Soquel, CA
Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281
This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island.
This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683.
Presented in an cream colored mat.
Text on verso shown in images.
Mat Size: 11.5"H x 9.07"W
Paper Size: 8.25"H x 5.44"W
Image Size: 5.63"H x 3.75"W
Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...
Category
Realist 17th Century Landscape Prints
Materials
Paper, Ink, Gouache
Edinburgh, Scotland: An Original 17th C. Hand-Colored Engraved Sea Chart
By Captain Greenvile Collins
Located in Alamo, CA
This hand-colored sea chart is entitled "Edinburgh Firth" from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England" by Captain Greenville Collin...
Category
17th Century Landscape Prints
Materials
Engraving
La distribution des récompenses - Etching by Jacques Callot - 1633
Located in Roma, IT
Signed on plate “Callot fecit, Frad excudit” lower right. Very good condition except some light discoloration. Wonderful artist proof, on antique laid paper. Second state of three, d...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
David Loggan Clare College Cambridge engraving 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Clare College Cambridge...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
The Beheading of the King of England; Enthauptung des Königs in England
Located in Middletown, NY
The execution of Charles I (1600-1649) at Whitehall, January 30th 1649, in front of the Banqueting House. The executioner holding the head of Charles up to the crowd below.
Engravin...
Category
Old Masters 17th Century Landscape Prints
Materials
Engraving, Laid Paper
"Paulownias and Chrysanthemums " By Sakai Hōitsu
Located in Clinton Township, MI
Lithograph Measures 31.5 x 29 inches.
Good condition, slight crease (pictured on third image).
Category
17th Century Landscape Prints
Materials
Lithograph
David Loggan Trinity College Cambridge Bishop's Hostel engraving 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
The Bishop's Hostal, Trinity College Cambridge...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
St. Paul's Cross
By James Stow
Located in Middletown, NY
London: Robert Wilkinson, c1620
Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm), narrow margins. In good condition with some age-related toning and edge wear, including two small horizontal tears which appear at the right and left center sheet edges. There is a vertical edge tear on the the lower sheet edge which is expertly repaired with a tab of paper tape mounted to the verso, and a soft horizontal fold, as issued. Plate created circa 1620, however printed later, likely early 19th century.
Dr. John King preaching at St. Paul's Cross for James I, his Queen, Charles Prince of Wales...
Category
English School 17th Century Landscape Prints
Materials
Engraving, Handmade Paper
Altra veduta della Chiesa di ... - Etching by G.B. Falda - Late 1600
Located in Roma, IT
Altra veduta della Chiesa di S. Ignatio de Papa della Compa di Giesu nel Rione della Pigna is an etching realized in the Late 17th Century by Giovan Battista Falda.
Good condition e...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
The Queen of Great Britain arriving in Portsmouth 25 May 1662 & The Arrival in L
Located in Middletown, NY
Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...
Category
Old Masters 17th Century Landscape Prints
Materials
Engraving, Laid Paper
Chiesa dedicata a S. Gregorio... - Etching by G.B. Falda - Late 1600
Located in Roma, IT
Chiesa dedicata a S. Gregorio Papa de Monaci Camaldolesi sul' Monte Celio is an etching realized in the Late 17th Century by Giovan Battista Falda.
good condition except for some fo...
Category
17th Century Landscape Prints
Materials
Etching
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 17th Century Landscape Prints
Materials
Engraving
Map of Northumberland by Joannem Janssonium 17th century
Located in London, GB
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Category
17th Century Landscape Prints
Materials
Engraving
Cambridgeshire map 17th century engraving by Kip after Saxton
Located in London, GB
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William Kip (active 1598 - 1610) after Christopher Saxton (1540 - 1610).
Map o...
Category
17th Century Landscape Prints
Materials
Engraving
Harbour with a Round Tower
Located in Middletown, NY
1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...
Category
French School 17th Century Landscape Prints
Materials
Etching, Handmade Paper
"Harbour Scene, " Engraving Landscape signed by Claude Gellee (Le Lorrain)
Located in Milwaukee, WI
"Harbour Scene" is an engraving by Claude Gellee (Le Lorrain). The artist signed the piece in plate lower left.
7 3/4" x 9 5/8" art
18 1/8" x 20 1/4" frame
Biography
Claude Lorra...
Category
Old Masters 17th Century Landscape Prints
Materials
Engraving
Cambridgeshire map 17th century engraving by John Speed
By John Speed
Located in London, GB
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John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving with later hand colouring
39 x 53 cm
A beautifully coloured map of Cambridgeshire, with an antique description...
Category
17th Century Landscape Prints
Materials
Engraving
"Le Bouvier (The Cowherd), " Landscape Etching by Claude Gelle Le Lorrain
Located in Milwaukee, WI
"Le Bouvier (The Cowherd)" is an original etching by Claude Lorrain. It depicts a shepherd with a herd of cows. This etching is also in the collections of the Met and the Louvre. It ...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"Les Chevres (The Goats), " Etching Landscape by Claude Gelle Le Lorrain
Located in Milwaukee, WI
"Les Chevres (The Goats)" is an original etching by Claude Lorrain. It depicts two pairs of goats and a shepherd watching over them. This etching is also in the collections of the Me...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
Clare College, Cambridge 1690 aerial view engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 17th Century Landscape Prints
Materials
Engraving
"L'Apparition (The Vision), " an etching by Claude Lorrain
Located in Milwaukee, WI
"L'Apparition (The Vision)" is an original etching by Claude Lorrain (Claude Gellee). This print depicts a religious vision near the edge of a river. The publisher is Mannocci #5 and...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"La Fuite en Egypte (The Flight into Egypt), " Etching by Claude Lorrain
Located in Milwaukee, WI
"La Fuite en Egypte (The Flight into Egypt)" is an original etching by Claude Lorrain (Claude Gelee). This piece depicts the biblical story of Mary, Joseph, and the infant Jesus goin...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"Le Patre et la Bergere (The Herdsman & Shepherdess), " Etching by Claude Gellee
Located in Milwaukee, WI
"Le Patre et la Bergere (The Herdsman & Shepherdess)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the British Museu...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"Scene de Brigands, " Landscape Etching signed by Claude Gellee (Le Lorrain)
Located in Milwaukee, WI
"Scene de Brigands" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Louvre and the Art Institute of Chicago. Publisher: Mannocci #11.
5" x 7...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 17th Century Landscape Prints
Materials
Engraving
"La Tempete (The Tempest)" an Etching
Located in Milwaukee, WI
"La Tempete" is an original etching by Claude Lorrain (Claude Gellee). This is Claude's earliest dated etching (1630). The work depicts a storm-tossed sea with ships on the verge of ...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"Le Point de Bois (Rebecca & Eliezer), " etching by Claude Gellee (Le Lorrain)
Located in Milwaukee, WI
"Le Point de Bois (Rebecca & Eliezer)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Mannocci ...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"La Danse Sous Les Arbes (The Country Dance), " Etching
Located in Milwaukee, WI
"La Danse Sous Les Arbes (The Country Dance)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Ma...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"Shepherd and Shepherdess Conversing in a Landscape "
Located in Milwaukee, WI
"Shepherd and Shepherdess Conversing in a Landscape (Berger et Bergere Conversant)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolita...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
"Le Temps, Apollon et les Saisons (Time, Apollo and the Seasons)"
Located in Milwaukee, WI
"Le Temps, Apollon, et les Saisons (Time, Apollo, and the Seasons)" is an etching by Claude Gellée (Le Lorrain). This etching is the Fifth state (A). This state is also in collections in Paris (BN, L, PP) and Washington; Mannocci cat. no. 43. The inscription reads: "Apollo in atto di obedire al tempo. La Primavera a cominciare il ballo. Lestate no manca del suo calore. L'aurunno colsuo licore / Seguita. Linvernno tiene la sua staggione, Claudio Gillee inven.Fec.Roma 1662 con licenza de super."
A powerful example of Claude's staging of landscape in the classical manner is the etching "Time,
Apollo, and the Seasons," done in 1662 after Poussin's painting of 1624-1636, "Dance to the Music of Time...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
Landscape with a Cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998.
Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category
Renaissance 17th Century Landscape Prints
Materials
Etching
University of Oxford Oxonia Illustrata 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Old Masters 17th Century Landscape Prints
Materials
Engraving
Map of Northumberland by Joan Blaeu
Located in London, GB
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Category
17th Century Landscape Prints
Materials
Engraving
Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625.
Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...
Category
Old Masters 17th Century Landscape Prints
Materials
Laid Paper, Engraving, Etching
Frontispiece with stepped fountain.
Located in Middletown, NY
Dujardin, Karel. Frontispiece with stepped fountain; a stone wall with water spout pouring water into a rectilinear basin, from which a second spout pour...
Category
Old Masters 17th Century Landscape Prints
Materials
Handmade Paper, Etching, Laid Paper
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 17th Century Landscape Prints
Materials
Engraving
The Divinity School, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
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Category
Realist 17th Century Landscape Prints
Materials
Engraving
Fountains of Rome
Located in Middletown, NY
A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...
Category
Old Masters 17th Century Landscape Prints
Materials
Engraving, Etching, Laid Paper
Two men standing ankle-deep in a body of water, rocky outcrop ... hilltop
Located in Middletown, NY
Etching on light, fibrous, laid Japon paper, 5 3/16 x 6 1/4 inches (132 x 158 mm), full margins. Scattered moderate foxing throughout, very minor printing creases (innate), and one s...
Category
Old Masters 17th Century Landscape Prints
Materials
Handmade Paper, Etching
Jeux de boules - Near the City Gate
Located in Middletown, NY
Etching on cream laid paper, 6 7/8 x 10 7/8 inches (175 x 275 mm), thin margins. Some minor surface soiling and paper tape residue in four areas along the top sheet edge, verso, othe...
Category
Old Masters 17th Century Landscape Prints
Materials
Laid Paper, Etching
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
Rycote House, Oxfordshire engraving by Henry Winstanley
Located in London, GB
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Henry Winstanley (1644 - 1703)
Rycote House, Oxfordshire
Engraving
19 x 44 cm
...
Category
17th Century Landscape Prints
Materials
Engraving
Frontispiece with tomb in a rocky landscape.
By Allaert van Everdingen
Located in Middletown, NY
Etching on cream laid paper, 4 7/8 x 6 1/4 inches (123 x 160 mm), full margins. In good condition with some age tone around the sheet edges and an inscription in pencil on the verso.
Category
Flemish School 17th Century Landscape Prints
Materials
Laid Paper, Etching
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Located in Paonia, CO
Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
Il tempio del Sole
Located in Middletown, NY
Etching on hand made cream laid paper, 2 7/8 x 6 1/4 inches (72 x158 mm), 1/4 inch margins. In very good condition with minor edge wear. Adhered with adhesive along the left top shee...
Category
Old Masters 17th Century Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
The little waterfall (Der kleine wasserfall), from Four Landscapes.
Located in Middletown, NY
Etching with engraving on cream laid paper, 7 x 10 3/4 inches (184 x 273 mm), thin margins. Printing anomaly in the lower left quadrant with associated fold. Scattered handling wear...
Category
Old Masters 17th Century Landscape Prints
Materials
Laid Paper, Engraving, Etching
Antique Map - Map of Greece - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Antique Map of Greece - Graecia Vniversa is an antique map realized in 1650 by Johannes Janssonius (1588-1664).
The Map is Hand-colored etching, with coeval watercoloring.
Good co...
Category
Modern 17th Century Landscape Prints
Materials
Etching
Map of Oxfordshire by Joan Blaeu with college crests
Located in London, GB
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Category
17th Century Landscape Prints
Materials
Engraving
"La Tempete (The Tempest)" an Etching
Located in Milwaukee, WI
"La Tempete" is an original etching by Claude Lorrain (Claude Gellee). This is Claude's earliest dated etching (1630). The work depicts a storm-tossed sea with ships on the verge of ...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
Antique Map - Gallia - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Antique Map - Gallia is an antique map realized in 1650 by Johannes Janssonius (1588-1664).
The Map is Hand-colored etching, with coeval watercoloring.
Good conditions with slight ...
Category
Modern 17th Century Landscape Prints
Materials
Etching
Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
Located in Chicago, IL
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva.
A fine impression of the rare 3rd state (of seven) of this m...
Category
Old Masters 17th Century Landscape Prints
Materials
Etching
The Flight into Egypt 17th century engraving after Rubens by Lucas Vorsterman
By Peter Paul Rubens
Located in London, GB
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Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640)
The Fligh...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
Ireland: A Framed 17th Century Hand-colored Map by Jan Jannson
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Hibernia Regnum Vulgo Ireland" by Johannes Janssonius's (Jan Jansson), published in Amsterdam in 1640. This highly detailed map depicts the Emerald Isle with an extensive display of towns, roads, mountains, rivers, lakes and county borders, etc. It includes two decorative cartouches on the left. The title cartouche includes the Irish harp and the second, in the upper left, includes a lion wearing a crown on the left, a unicorn on the right and a coat-of-arms in the middle, which includes another Irish harp. A distance scale is seen in the lower right, augmented with two putti. The map is embellished with three sailing ships and a sea monster. Western portions of Scotland and England...
Category
Old Masters 17th Century Landscape Prints
Materials
Engraving
Cambridge map 17th century engraving after John Speed
By John Speed
Located in London, GB
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Pieter van den Keere (1571 - circa 1646) after John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving
8 x 12 cm
A beautifully coloured map of Cambridgeshire, with an antique description of the county to the reverse. The map, along with many others, was published in Speed's atlas, 'The Theatre of the Empire of Great Britaine', first published in 1611. This particular miniature edition of the 'Theatre' was published in miniature by George Humble in 1627, entitled 'England Wales Scotland and Ireland Described and Abridged With ye Historic Relation of things worthy memory from a farr larger Voulume. Done by John Speed.’ Speed's original map was likely engraved for this edition by Peter van den Keere. van den Keere's maps soon came to be known as "Miniature Speeds".
John Speed was an English cartographer, chronologer and historian. The son of a citizen and Merchant Taylor in London, he rose from his family occupation to accept the task of drawing together and revising the histories, topographies and maps of the Kingdoms of Great Britain as an exposition of the union of their monarchies in the person of King James I and VI. He accomplished this with remarkable success, with the support and assistance of the leading antiquarian scholars of his generation. He drew upon and improved the shire maps of Christopher Saxton, John Norden and others, being the first to incorporate the hundred-boundaries into them, and he was the surveyor and originator of many of the town or city plans inset within them. His work helped to define early modern concepts of British national identity. His Biblical genealogies were also formally associated with the first edition of the King James Bible...
Category
17th Century Landscape Prints
Materials
Engraving
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
Asia Declineatio: A 17th Century Hand-colored Map of Asia by Justus Danckerts
Located in Alamo, CA
This is a scarce 17th century beautifully hand-colored copperplate engraved map of Asia entitled “Exactissima Asiae Delineatio in Praecipuas Regiones Caerterasque Partes divisa et de...
Category
Old Masters 17th Century Landscape Prints
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Landscape Prints
Materials
Engraving
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