20th Century Landscape Prints

Artist: Salvador Dali Medium: Heliogravure Title: A Caucus Race and a Long Tale Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet ...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Parallèlement, Illustré de lithographies originales ...

Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like ...

’Flowers’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Very good. 9 out of 10. Colour of print may not be accurate when...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

George Stauch (American b. 1900), " The Wedding" Edition 270/300, Abstract Color Lithograph signed in pencil, 20 x 24, Late 20th Century Colors: Blue, White, Red, Brown, Y...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.65 x 11.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Lake Biwa, sunset in Yabase is an original modern artwork realized by Utagawa Hiroshige (1797 – 12 October 1858) in 1920s. Woodcut Print Oban Yokoe Format. Reprint of of the Taisho...

The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...

This artwork titled "The City 's Conscience" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 45/495 in black ink by the artist. The artwork size is 24 x 17.5 inches, framed size is 29.5 x 23 inches. Custom framed in a wooden black and gold frame, with fabric liner. It is in excellent condition. About the artist: Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting. Biography He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975. In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture. Accomplishments Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...

Howarth, Albany. VALLEY OF THE TIBER. Etching, not dated. Edition size not known. Signed in pencil lower right. 13 3/4 x 10 1/2 inches (plate), 19 5/8 x 14 3/4 inches (sheet). In ex...

This artwork titled "Blue Bird' c.1990 is a dye sublimation print on aluminium by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and number...

Artist: Raoul Dufy, French (1877 - 1953) Title: The Band Year: 1949 Medium: lithograph, signed in the plate Size: 19 x 29.5 inches Frame Size: 25.5 x 36 inches Printed by Baynard Pr...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

Any work by Tobias Musicant is terrific. These New Jersey-made, mid-century near abstractions are generally scarce. The pieces I know are master works of American Modernism. Cubist c...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...

André Masson, French (1896 -1987) - Pompeii I, Year: 1953, Medium: Lithograph and Chine Colle, signed and numbered in pencil, Edition: EA, Image Size: 12.5 x 9.25 inches, Size: ...

André Masson, French (1896 -1987) - Le mythe de Sisyphe, Year: 1962, Medium: Lithograph on Japon, signed in pencil, Image Size: 9 x 7 inches, Size: 10.75 x 8.25 in. (27.31 x 20.9...

New York, circa 1940 Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins. Minor mat to...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Harold Altman was born in New York City in 1924. He attended the Art Students League, the Black Mountain College, the Academie de la Grande Chaumiere in Paris, and was a graduate of ...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

John McNulty, Irish/American (1949 - ) - Horizon II, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 in. x 22 in. (48.26 cm x 55.88...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 155, 1965. Publ...

André Masson, French (1896 -1987) - Le soleil passe au dessus de la fontaine, Medium: Lithograph on thin wove paper, unsigned, Image Size: 9.75 x 12.75 inches, Size: 11 x 13.25 in...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 14.69 x 12.87 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Fernand Léger The roofs, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25.9 ...

After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...

Marc Chagall The Bay of Angels Artist: Marc Chagall Medium: Lithograph Title: The Bay of Angels Portfolio: 1960 Mourlot Lithographe I Year: 1960 Editio...

Full Moon Etching by Robin Tanner (1904-1988), signed by the artist in pencil. Very good, strong impression with excellent contrast. From the edition issued in 1977. Robin Tanner’...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.625 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

Lithograph on vélin bouffant d'Alfa paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Dur Désir de Durer, illustré par Marc Chagall, ...

Medium: Lithograph on grand vélin Renage paper Year: 1954 Paper Size: 12.25 x 9.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Pascin, 1954. Publishe...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 107-109. Published by Aimé Maeght, Édi...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

"Griders" is Craig McPherson's rainy night scene showing the view from his former studio in Washington Heights in NYC. The image is the companion pi...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...

"Weather Eye" - 1989 Lithograph on Paper 1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...

Tony Bennett Title: San Francisco Golden Pavilion Lithograph Signed and Marked PP  2/10 ( Printers Proof ) Paper Size: 30" x 24" inches Image Size : 25" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Paysage". The original painting was completed in 1937. ...

Original vintage poster: The Chateaux of the Loire, Go By Train, artist J. Jacquelin, size: 24" x 39", year: 1956. Original vintage European travel poster...

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...