Items Similar to "Daphnis et Chloe - The Lovers, " an Original Lithograph by Pierre Bonnard
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Pierre Bonnard"Daphnis et Chloe - The Lovers, " an Original Lithograph by Pierre Bonnard1902
1902
About the Item
"Daphnis et Chloe - The Lovers" is an original lithograph by Pierre Bonnard. This lithograph is a rare proof for the illustrated edition of Daphnis et Chloe. There were two proofs, one in black and one in blue. The black proof is currently owned by the Metropolitan Museum of Art.
5 1/4" x 5 3/8" art
17 3/8" x 15" frame
Bonnard was born in Fontenay-aux-Roses. He led a happy and careless youth as the son of a prominent official of the French Ministry of War. At the insistence of his father, Bonnard studied law, graduating and practising as a barrister briefly. However, he had also attended art classes on the side, and soon decided to become an artist.
In 1891 he met Toulouse-Lautrec and began showing his work at the annual exhibition of the Société des Artistes Indépendants. His first show was at the Galerie Durand-Ruel in 1896. In his twenties he was a part of Les Nabis, a group of young artists committed to creating work of symbolic and spiritual nature. Other Nabis include Édouard Vuillard and Maurice Denis. He left Paris in 1910 for the south of France.
Bonnard is known for his intense use of color, especially via areas built with small brushmarks and close values. His often complex compositions—typically of sunlit interiors of rooms and gardens populated with friends and family members—are both narrative and autobiographical. His wife Marthe was an ever-present subject over the course of several decades. She is seen seated at the kitchen table, with the remnants of a meal; or nude, as in a series of paintings where she reclines in the bathtub. He also painted several self-portraits, landscapes, and many still lifes which usually depict flowers and fruit.
Bonnard did not paint from life but rather drew his subject—sometimes photographing it as well—and made notes on the colors. He then painted the canvas in his studio from his notes.
- Creator:Pierre Bonnard (1867-1947, French)
- Creation Year:1902
- Dimensions:Height: 17.375 in (44.14 cm)Width: 15 in (38.1 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1966
1stDibs seller since 2017
390 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Milwaukee, WI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "San Salvador: Station d'Hiver des Arthritiques" Original Color LithographBy Ernest-Louis LessieuxLocated in Milwaukee, WI"San Salvador (Mediterranean)" is an original color lithograph poster by Ernest Louis Lessieux. It depicts a woman and her son on the picturesque coast of...Category
Late 19th Century Landscape Prints
MaterialsColor, Lithograph
- "Font-Romeu, " Original Color Lithograph Poster by Vincent GuerraBy Vincent GuerraLocated in Milwaukee, WI"Font-Romeu (Tennis/Golfing Retreat)" is an original color lithograph poster by the designer Vincent Guerra. He signed the design in the lower left. This poster depicts a woman relaxing under a tree...Category
1920s Landscape Prints
MaterialsLithograph
- Original Lithograph Signed Art Nouveau 1800s Landscape Romantic Figure FloralBy Georges De FeureLocated in Milwaukee, WI"Retour (L'Estampe Moderne I)" is an original color lithograph by Georges de Feure. It features a woman with red hair in an environment of flora and fauna with muted colors and the A...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Family (suite of 2), " Two Color Lithographs by Harold Altman, sold as a pairBy Harold AltmanLocated in Milwaukee, WI"Family (suite of 2)" is a suite of two original color lithographs by Harold Altman. These pieces are to be sold as a pair only. They depict families interacting in lush green parks....Category
1990s Other Art Style Landscape Prints
MaterialsLithograph
- 'Victor's Camp - Hell Gate Ronde' original John Mix Stanley lithographBy John Mix StanleyLocated in Milwaukee, WIIn the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. Stanley shows here the stop the Stanley Party made at the junction of the Bitterroot and Hell Gate, in present day Montana. While there, the Party met with the Flathead Chief by the name Victor, as is shown in the image. The figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Victor's Camp - Hell Gate Ronde' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...Category
1850s Romantic Landscape Prints
MaterialsLithograph
- 'Distribution of Goods to the Assiniboines' original John Mix Stanley lithographBy John Mix StanleyLocated in Milwaukee, WIIn the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' When it came to depicting the Assiniboine people, as seen in the present print, Stanley chose to juxtapose their encampment, marked by tipis in the distance, with the encampment of the Isaac Stevens survey party. In the foreground, commemorating this moment, Isaac Stevens can be seen presenting trade goods, which are known to include thirty two dressed skins and two robes. The survey leader Isaac Stevens noted being grateful for the generosity of the Assiniboine, commenting: "I felt very grateful indeed to those Indians, for their kindness to my men, their proffer of kind feeling and hospitality to myself and the survey." This description and this image, however, are arguably depicted through rose-colored glasses: to the Assiniboine people, this meeting may well have included stressful diplomatic relationships and have indicated a threat to the sovereignty over the territories agreed to be theirs by the 1851 Treaty of Fort Laramie. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 19.75 inches, frame Artist 'Stanley Del.' lower left Entitled 'Distribution of Goods to the Assiniboines' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XIV' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; frame in excellent condition. John Mix Stanley...Category
1850s Romantic Landscape Prints
MaterialsLithograph
You May Also Like
- Prodigal SonBy Thomas Hart BentonLocated in London, GBA fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Down the RiverBy Thomas Hart BentonLocated in London, GBA fine impression of this popular Benton image with good margins.Category
1930s American Modern Figurative Prints
MaterialsLithograph
- Untitled (Airport Paris)By Peter Fischli & David WeissLocated in New York, NYPeter Fischli / David Weiss Untitled (Airport Paris) 2008 Offset lithograph on three sheets Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm Edition of 100 Signed and numbered in ink ...Category
Early 2000s Contemporary Landscape Prints
MaterialsLithograph
- The Departure of the Argonaut (book)By Francesco ClementeLocated in New York, NYThe Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...Category
1980s Abstract Figurative Prints
MaterialsLithograph
- The Departure of the Argonaut by Francesco Clemente Alberto Sauvinio (portfolio)By Francesco ClementeLocated in New York, NYThe Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...Category
1980s Abstract Figurative Prints
MaterialsLithograph
- Clemente Untitled B: surreal mythical landscape, voyage with ocean, Venus, snakeBy Francesco ClementeLocated in New York, NYA black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek ur...Category
1980s Contemporary Figurative Prints
MaterialsLithograph