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Rembrandt van Rijn
The Windmill

1641

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  • COTTAGE AND OBELISK ON THE SPAARNDAMMERDIJK
    By Rembrandt van Rijn
    Located in San Francisco, CA
    Original etching and drypoint printed in black ink on laid paper. A strong and dark 17th century/lifetime impression of Bartsch, Usticke and New Hollstein’s second and final stat...
    Category

    18th Century and Earlier Old Masters Landscape Prints

    Materials

    Drypoint, Etching

  • La PLage de Bordigherra
    By Hughes Claude Pissarro
    Located in San Francisco, CA
    Screenprint printed in colors on heavy wove paper. Hand signed in black crayon lower right H. Claude Pissarro. A superb impression of the definitive state, from the edition of...
    Category

    20th Century Impressionist Landscape Prints

    Materials

    Screen

  • Maruru
    By Paul Gauguin
    Located in San Francisco, CA
    Original woodcut printed in black ink on chine volant paper Titled and signed in the block with the artist’s monogram lower right MARURU  PGO. A superb impression of the definitive...
    Category

    1890s Post-Impressionist Landscape Prints

    Materials

    Woodcut

    Maruru
    Price Upon Request
  • The Artist’s Mother seated at a table, looking right: Three quarter length
    By Rembrandt van Rijn
    Located in San Francisco, CA
    Original etching printed in black ink on laid paper bearing a “Foolscap with Five-Pointed Collar” watermark (Ash/Fletcher 19.I.b; Hinterding 2006 I.a.a). Signed in the plate with ...
    Category

    18th Century and Earlier Old Masters Portrait Prints

    Materials

    Etching

  • The Raising of Lazarus, Small Plate
    By Rembrandt van Rijn
    Located in San Francisco, CA
    Original etching printed in black ink on laid paper. Signed and dated in the plate lower left Rembrandt f. 1642. A fine 18th century impression of Bartsch and New Hollstein’s secon...
    Category

    1640s Old Masters Prints and Multiples

    Materials

    Etching

  • The Virgin and Child in the Clouds
    By Rembrandt van Rijn
    Located in San Francisco, CA
    Original etching and drypoint printed in black ink on laid paper.  Signed and dated in the plate in the shadows lower center Rembrandt f. / 1641. An excellent, sharp and clear ...
    Category

    18th Century and Earlier Old Masters Figurative Prints

    Materials

    Etching

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  • Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The C...
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  • Piranesi Etching of Hadrian's Ancient Roman Aqueduct and Baths, "Aquae Virginis"
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...
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  • Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
    By Giovanni Battista Piranesi
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    This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
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  • Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
    By Daniel Marot
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    "Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
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  • VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
    By Giovanni Battista Piranesi
    Located in Santa Monica, CA
    GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
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  • "Mythological Scene-Satyr & GoatHerder"an Original Etching signed by Castiglione
    By Giovanni Benedetto Castiglione
    Located in Milwaukee, WI
    "Mythological Scene--Satyr & Goat Herder" is an original etching signed by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching g...
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