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Richard Bosman
Richard Bosman, "Night Sky, " Aquatint Etching, 1990

1990

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  • Midwest Airport, Monotype by Stephen Lack
    By Stephen Lack
    Located in Long Island City, NY
    A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 17 x 34 inches on a 25.5 x 40.5 inch sheet. The artwork is signed, dated, titled and numbered ...
    Category

    1990s Neo-Expressionist Landscape Prints

    Materials

    Monotype

  • Car Crash
    By Richard Bosman
    Located in Long Island City, NY
    Date: 1982 Woodcut on Japon Paper Unsigned proof aside from the edition of 60 and the fully colored edition Paper Size: 35 x 48 inches Publisher: Brooke Alexander Editions In this d...
    Category

    1980s Neo-Expressionist Landscape Prints

    Materials

    Woodcut

  • Pale Day, Monotype Print by Stephen Lack
    By Stephen Lack
    Located in Long Island City, NY
    A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 16 x 22 inches on a 22.5 x 27.5 inch sheet. The artwork is signed, dated, titled and numbered ...
    Category

    1990s Neo-Expressionist Landscape Prints

    Materials

    Monotype

  • Manhattan View from Governor's Island
    By Richard Haas
    Located in Long Island City, NY
    Artist: Richard Haas, American (1936 - ) Title: Manhattan View from Governor's Island (Color) Year: 1999 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 85 ...
    Category

    1990s American Realist Landscape Prints

    Materials

    Aquatint, Etching

  • Centre Noeuds, Suite of 10 Aquatint Etchings by Matta
    By Roberto Matta
    Located in Long Island City, NY
    Artist: Roberto Matta, Chilean (1911 - 2002) Portfolio: Centre Neouds Year: 1974 Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil Edition: 12...
    Category

    1970s Surrealist Landscape Prints

    Materials

    Etching, Aquatint

  • Quiet Marina, Aquatint Etching by Hans Behrens
    Located in Long Island City, NY
    Edition: 21/50 Image Size: 26.5 x 18.5 inches Frame Size: 34 x 26 inches Signed, numbered, dated, and titled in pencil Hans Behrens created this etchin...
    Category

    1960s Modern Landscape Prints

    Materials

    Etching, Aquatint

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  • Beach scene, Inner Tube: Eric Fischl Aquatint Etching of sunlit nude woman
    By Eric Fischl
    Located in New York, NY
    A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...
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    1980s Neo-Expressionist Landscape Prints

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    Etching, Aquatint

  • From Portfolio "Twilight" with Karin Szekessy
    By Paul Wunderlich
    Located in Kansas City, MO
    Paul Wunderlich From Portfolio "Twilight" with Karin Szekessy Year: 1971 Medium: Color Lithograph Edition: 125 Size: 33 x 25 in. Publisher: A.A.A., New ...
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    1970s Neo-Expressionist Prints and Multiples

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  • Otono Floral
    By Julian Schnabel
    Located in New York, NY
    OTONO FLORAL, 1995 Hand-painted, 15-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with...
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    1990s Neo-Expressionist Abstract Prints

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    Screen, Resin

  • Brooklyn Bridge
    By Richard Bosman
    Located in New York, NY
    An exquisitely printed image created by Richard Bosman in 1996, the artist’s iconic Brooklyn Bridge is a woodcut on Mulberry paper. Measuring 18 ¼ 24 ¼ in. (46.4 x 61.6 cm), unframed...
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    20th Century Neo-Expressionist Landscape Prints

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  • "Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
    By Thomas Rowlandson
    Located in Alamo, CA
    "Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
    Category

    Early 1800s Other Art Style Landscape Prints

    Materials

    Etching, Aquatint

  • My Pool and Terrace (from Eight by Eight to Celebrate the Temporary Contemporary
    By David Hockney
    Located in Bristol, GB
    Etching and aquatint in colours on wove paper Edition of 250 + 30 AP's 73.7 x 106 cm (29 x 41.7 in) Condition on request
    Category

    21st Century and Contemporary Contemporary Landscape Prints

    Materials

    Aquatint, Etching

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