Scott Kahn

Autumn Moon

2020

Title: Paysage avec Squelette (Landscape w/Skeleton) Year: 1975 Medium: Engraving with pochoir on Japon paper Edition: 300, plus proofs Size: 26.25 x 20 inches Condition: Excellent I...

Title: Picasso: Un Billet Pur la Glorie Year: 1974 Medium: Engraving on Arches paper Edition: 195, plus proofs Size: 25.75 x 19.75 inches Condition: Excellen...

Artist: After Joan Miro (1893-1983) Title: Lucifer Year: 1975 Medium: Lithograph exhibition poster on wove paper Size: 31.5 x 21 inches Condition: Excellent Notes: Published by Galer...

Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ in pencil Medium: Lithograph printed in colors on Rives wove paper with the Miró watermark Size: 16.125 x 22 inches Condition: Excellent Notes: Printed by Fernand Mourlot, Paris; published by Louis Broder, Paris. JOAN MIRO (1893-1983) was a Surrealist artist who created artwork of imaginative fantasy. Miro was very much against the established painting methods of the time, and is often credited with being the founder of automatic drawing...

Artist: Joan Miro (1893-1983) Title: Ubu Roi Year: 1965 Medium: Offset lithograph on wove paper Size: 20.5 x 13.25 inches Condition: Excellent JOAN MIRO (1893-1983) Joan Miro was a Surrealist Spanish painter who created artwork of imaginative fantasy. Miro was very much against the established painting methods of the time, and is often credited with being the founder of automatic drawing...

Artist: Salvador Dali (1904-1989) Title: Le Girafe en Feu Year: 1976 Medium: Lithograph on Arches paper Edition: 250 Arabic Numerals, 250 Roman Numerals, p...

"Knife & Fork", a whimsical surreal etching of cutlery hanging in the clouds by Elizabeth Quandt (American, 1922-1994). Titled lower left and signed lo...

Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage condition: minor surface marks; minor signs of handling. Signed and editioned in pencil along lower. Ed. LIII/CXXV (part of a full tirage of 276, variously editioned, aside from proofs). Published by Shorewood Publishers, NY. Literature/References: The Official Catalog of The Graphic Works of Salvador Dali by Albert Field, entry: 70-1, Q. Salvador Dalí was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret Life of Salvador Dalí. A mixture of self-aggrandizing confessions and sadistic fantasies about his childhood, the book further outlined the artist’s outlandish persona. However, his pronounced sense of ego was not always unfounded, as evinced in his works inclusion in Alfred Hitchcock’s famous dream sequence from the film Spellbound (1945). Dalí died on January 23, 1989 in his hometown of Figueres, Spain. Today, his works are held in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Reina Sofia National Museum in Madrid, and the Museum Ludwig in Cologne, among others. Related Categories: Surrealism. Surrealist. Pop Art. Alexander Calder. Spanish artists. Spain. Salvador Dali prints. Salvador Dalí Carmen. Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life. Salvador Dalí 1970...

This is a large Limited Edition, truly brings impact to your space! wowing the visitors and delight your daily life. A Limited Edition of only 10 is offered as an alternative to this...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...