Items Similar to Saybrook Light
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Scott KahnSaybrook Light2020
2020
About the Item
Artist: Scott Kahn (1946)
Title: Saybrook Light
Year: 2020
Medium: Pigment print on Hahnemühle paper
Edition: 200
Size: 18.13 x 20 inches
Condition: Excellent
Inscription: Hand signed and numbered by the artist
SCOTT KAHN (b. 1946) Having studied under Theodoros Stamos, Kahn ultimately graduated from University of Pennsylvania and Rutgers. Throughout the 1970s he entered the milieu of Mark Rothko, Lee Krasner, Stanley Kunitz, and Edward Albee. Kahn’s eclectic mentorship in arts and letters contributed to the development of his hallmark poetic style of painting. Citing influences as varied as Vincent Van Gogh, George Bellows, Max Beckmann, Andrew Wyeth, Otto Dix, Henri Matisse, Francis Bacon, Lucien Freud, Pierre Bonnard, and John Singer Sargent, Kahn’s work is an amalgamation of art history resulting in a distinctive technique and conceptualization wholly his own. Possessing the clarity of the technique of Rene Magritte and the psychological and emotional depth of Salvador Dali, there is a surrealistic tinge—but only a tinge—to Kahn’s fantastic style of painting.
Kahn has influenced three generations of seminal artists including Mathew Wong, who was a noted collector and muse of Kahn’s oeuvre. Although vastly different in genre from Kahn’s own work, contemporary master, KAWS is also a loyal collector and devotee of Kahn.
He was represented by the Katharina Rich Perlow Gallery of SoHo and 57th Street in New York for twenty five years where he was the subject of seven critically acclaimed solo exhibitions. Vivian Rainer wrote in the New York Times, “Mr. Kahn…warrants a brief digression [in this review] on the wisdom of mixing the trained with the untrained…combine to make it a very special show and Mr. Kahn its star.” In 2009 Kahn’s work was the subject of a major retrospective exhibition at the University of Pennsylvania, and more recently at the Nicelle Beauchene Gallery in New York City.
- Creator:Scott Kahn (1946, American)
- Creation Year:2020
- Dimensions:Height: 18.13 in (46.06 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU134217178622
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2002
1stDibs seller since 2020
790 sales on 1stDibs
Typical response time: <1 hour
More From This SellerView All
- Picasso: Un Billet Pur la Glorie, Salvador DaliBy Salvador DalíLocated in Fairfield, CTTitle: Picasso: Un Billet Pur la Glorie Year: 1974 Medium: Engraving on Arches paper Edition: 195, plus proofs Size: 25.75 x 19.75 inches Condition: Excellen...Category
1950s Surrealist Abstract Prints
MaterialsEngraving
- Miro, Lucifer, 1975By Joan MiróLocated in Fairfield, CTArtist: After Joan Miro (1893-1983) Title: Lucifer Year: 1975 Medium: Lithograph exhibition poster on wove paper Size: 31.5 x 21 inches Condition: Excellent Notes: Published by Galer...Category
1970s Surrealist Landscape Prints
MaterialsLithograph
- Miro, Pintura, 1978 Ministerio de Cultura of MadridBy Joan MiróLocated in Fairfield, CTArtist: After Joan Miro (1893-1983) Title: Miro Pintura Year: 1978 Medium: Lithograph exhibition poster on wove paper Size: 27.5 x 20 inches Condition: Excellent Notes: Published by ...Category
1970s Surrealist Landscape Prints
MaterialsLithograph
- Miro, Sculptures et Ceramics, 1973 Fondation MaeghtBy Joan MiróLocated in Fairfield, CTArtist: After Joan Miro (1893-1983) Title: Sculptures et Ceramics Year: 1973 Medium: Lithograph exhibition poster on wove paper Size: 32.5 x 22 inches Condition: Excellent Notes: Pub...Category
1970s Surrealist Landscape Prints
MaterialsLithograph
- Le Girafe en Feu, Salvador DaliBy Salvador DalíLocated in Fairfield, CTArtist: Salvador Dali (1904-1989) Title: Le Girafe en Feu Year: 1976 Medium: Lithograph on Arches paper Edition: 250 Arabic Numerals, 250 Roman Numerals, p...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- Miro, Guggenheim MuseumBy Joan MiróLocated in Fairfield, CTArtist: After Joan Miro (1893-1983) Title: Untitled (Guggenheim Museum) Year: 1966 Medium: Offset lithograph exhibition poster on premium paper Size: 33.75 x 24 inches Condition: Exc...Category
1960s Surrealist Landscape Prints
MaterialsLithograph, Offset
You May Also Like
- "Knife and Fork" - Surreal Landscape of Cutlery in the CloudsBy Elizabeth QuandtLocated in Soquel, CA"Knife & Fork", a whimsical surreal etching of cutlery hanging in the clouds by Elizabeth Quandt (American, 1922-1994). Titled lower left and signed lo...Category
1970s Surrealist Abstract Prints
MaterialsPaper, Ink, Etching
- Salvador Dalí Whoever Takes Carmen (Salvador Dalí prints Salvador Dalí Carmen)By Salvador DalíLocated in NEW YORK, NYSalvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage condition: minor surface marks; minor signs of handling. Signed and editioned in pencil along lower. Ed. LIII/CXXV (part of a full tirage of 276, variously editioned, aside from proofs). Published by Shorewood Publishers, NY. Literature/References: The Official Catalog of The Graphic Works of Salvador Dali by Albert Field, entry: 70-1, Q. Salvador Dalí was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret Life of Salvador Dalí. A mixture of self-aggrandizing confessions and sadistic fantasies about his childhood, the book further outlined the artist’s outlandish persona. However, his pronounced sense of ego was not always unfounded, as evinced in his works inclusion in Alfred Hitchcock’s famous dream sequence from the film Spellbound (1945). Dalí died on January 23, 1989 in his hometown of Figueres, Spain. Today, his works are held in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Reina Sofia National Museum in Madrid, and the Museum Ludwig in Cologne, among others. Related Categories: Surrealism. Surrealist. Pop Art. Alexander Calder. Spanish artists. Spain. Salvador Dali prints. Salvador Dalí Carmen. Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life. Salvador Dalí 1970...Category
1970s Surrealist Abstract Prints
MaterialsPaper, Lithograph
- Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange AustraliaBy Mukesh SharmaLocated in Norfolk, GBThere is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...Category
Early 2000s Abstract Abstract Prints
MaterialsArchival Ink, Archival Paper, Linocut, Archival Pigment
- Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green AustraliaBy Mukesh SharmaLocated in Norfolk, GBThere is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...Category
Early 2000s Abstract Abstract Prints
MaterialsArchival Ink, Archival Paper, Linocut, Archival Pigment
- East Hollowburn FieldsBy Ross RacineLocated in New York, NYarchival pigment print image size: 23.5"x 31.5" on 26.75"x 34.5" sheet edition of 10 available unframed This print is a surreal depiction of an aerial view of a ...Category
21st Century and Contemporary Contemporary Landscape Prints
MaterialsArchival Paper, Archival Pigment
- Abstract India Edition 3/5 Linocut Print Green Blue Turquoise ArchitecturalBy Mukesh SharmaLocated in Norfolk, GBThere is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...Category
Early 2000s Abstract Abstract Prints
MaterialsArchival Ink, Archival Paper, Linocut, Archival Pigment