1984 After Marc Chagall 'Chloe's Kiss' Modernism France Offset Lithograph

1984

Paper Size: 19 x 23 inches ( 48.26 x 58.42 cm ) Image Size: 16.5 x 23 inches ( 41.91 x 58.42 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additiona...

Paper Size: 28 x 22 inches ( 71.12 x 55.88 cm ) Image Size: 21.25 x 22 inches ( 53.975 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: Poster for John Waters...

Paper Size: 41 x 27 inches ( 104.14 x 68.58 cm ) Image Size: 39 x 25 inches ( 99.06 x 63.5 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Film poster for the 1996 American black comedy-romance film "A Thin Line Between Love and Hate", directed and co-written by Martin Lawrence. "Always and Forever Yours...

Paper Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Image Size: 38.5 x 29.5 inches ( 97.79 x 74.93 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additi...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 30 x 22 inches ( 76.2 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Poster printed in Tel Aviv

Jennifer Losch Bartlett Air: 24 Hours, 1994 Hardback monograph (book) bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Hand signed and inscribed by the artist on the half title page to Nadine (Witkin) 11 × 9 1/4 × 1 inches Unframed Hand signed and inscribed to Nadine on the title page Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Publisher's Blurb: In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish...

Josef Albers Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 183/200 in graphite pencil on the front 40 × 25 1/2 × 3/10 inches Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered from the limited edition of 200. By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...

William Eggleston 2 1/4 Eggleston (Hand signed by William Eggleston), 2011 Fifth Edition hardback monograph cloth-bounded with tipped-in image to ...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Alexander Calder - Poster Exhibition is a contemporary artwork realized in 1971 Mixed colored offset print This print was realized on the occasion of the exhibition dedicated to th...

Andy Warhol Andy Warhol at Pace/Columbus (Hand signed during official signing), 1978 Super rare Limited Edition Fold-out Offset lithograph invitation. Boldly signed and inscribed by...