Archival Pigment Prints and Multiples

Archival Pigment Print Insane Asylum on Roosevelt Island, NYC All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"-...

Archival Pigment Print Self-portrait in Istanbul All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5...

Archival Pigment Print Early morning view of Fish Market All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edit...

Archival Pigment Print Montage of church and factory All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition ...

Classic montage from mid-80s. Title from James Joyce All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition o...

Archival Pigment Print Dalat Vietnam All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 + 2 Artist ...

Archival Pigment Print Alonso Family home in El Vedado, Havana All available sizes & editions for each size of this photograph: 27" X 69"- Edition of 5 + 2 Artist Proofs 36" X 92"-...

A multidisciplinary artist, Kenny Scharf is as much a painter known for his murals as a sculptor and a master of installation. Populated by animals with anthropomorphic expressions and imaginary creatures, its universe is nourished by a fantastic dimension. Though powerfully colorful, Scharf's imagery is not free from the darker themes that crop up to the surface of his works. Kenny Scharf is affiliated, like Keith Haring (one of his closest friends) to the East Village Art...

One of America's most popular and successful artists with a take on the world's favorite city with "Cafe de la Paix." A prized serigraph of his, since not everyone loves sports art (...

Carolee Schneeman Infinity Kisses, 1988 Archival pigment print Signed and dated on the front This is a unique work of art Frame included Infinity Kisses for the artist's beloved cat. Artwork is framed with Optium Museum Acrylic...

"Joan Brossa Vintage Poster" by Joan Brossa Joan Brossa Original Vintage Poster 1989. Born in Barcelona in 1919, Joan Brossa was a Spanish artist...

Artist: Robert Kellerman Portfolio: Visual Chemistry Title: Two Bellhops Year: 1989 Medium: Digital Print, signed and numbered in pencil Edition: 1/10 Image Size: 16.5 x 26 inches Fr...

El Paso, Texas, August, 1980, signed, archival pigment ink photograph In American Motel Signs Steve Fitch crisscrossed the United States documenting t...

Fashion serigraph featuring the work of Patrick Nagel that was produced as a part of a commemoration series from 1984-1988 after the artist's untimely death in 1984. This image was number 8 out of 15. Currently hung in a navy frame with multiple light blue mattings. Signed within the print. Dimensions Without Frame: H 35.5 in. x W 23.5 in. From the Catalogue: Rendered with an economy of line and flat, cool planes of color, Patrick Nagel’s Kristen presents a piercing portrait that distills the artist’s iconic aesthetic with which he garnered widespread popularity in the 1980s. Nagel, who studied art at Chouinard Art Institute in the 1960s, emerged in the Pop era alongside contemporaries such as Tom Wesselmann and Andy Warhol. While similarly working with a Pop aesthetic, Nagel infused elements from Deco and Japanese Woodblock prints into his graphic works – echoing such artistic forebears as Henri de Toulouse-Lautrec. A skilled illustrator, Nagel first photographed models before using ink and acrylic to boldly emphasize features. In the present work, ghostly pale skin is set against jet black hair – her features evocative of Nagel’s portrait that featured on Duran Duran’s Rio album in 1982 and catapulted him to widespread acclaim. Kristen presents us with the “Nagel Women” par excellence, perfectly encapsulating his reductive aesthetic. As actress Joan Collins recalled, "I remember when he (Patrick Nagel) first photographed me he remarked that my lips were my most outstanding facial feature. He said they seemed to have an anatomy of their own. Never have lips felt so naked. He had a way of seeing every detail and revealing them all on canvas" (Joan Collins, quoted in Elena G. Millie, Nagel: The Art of Patrick Nagel, New York, 1985, p. 16). Though Nagel passed away prematurely in 1984, his works continue to resonate – with important examples held in the permanent collections of the Library of Congress, The Smithsonian Institution and the Musée des Arts Décoratifs in Paris. —Courtesy of Phillips Artist Biography: The Pop Art of Patrick Nagel needs little introduction. His minimalist style defined an era with cool, seductive women that became the most iconic of any single generation. His elegant graphic work and his portrayal of the contemporary woman made figurative design before him look instantly old. Today his unique sensibility and style continue to resonate with generations of young designers, illustrators and artists who have found inspiration from his trend-setting style. Nagel was in the forefront of a new wave of illustration in Los Angeles in the late 1970’s and early 80’s, re-imagining the graphic arts and in the process defining Los Angeles as the epicenter of award-winning visual arts. It was a reciprocal relationship; Los Angeles influenced his evolving style and in return he left his indelible mark on the city and far beyond. Through cultural cross-pollination, his work absorbed the moment – from the fashion photography of Guy Bourdin and Helmut Newton to influencing the look of music videos by David Bowie, Robert Palmer and George Michael, to creating the album cover art of Duran Duran. Patrick Nagel was born in Dayton, Ohio in 1945 and was raised in Orange County, California. After returning from his tour in Viet Nam, he studied fine art at Chouinard Art Institute and California State University, Fullerton where he received his BA in 1969 in painting and graphic design. He then taught at Art Center College of Design while simultaneously establishing himself as a free-lance designer and illustrator with memorable ads for Ballantine Scotch, IBM and covers for Harper’s magazine. In the mid-70’s he began illustrating stories for Playboy magazine, bringing instant exposure and a large appreciative audience to his work. His years working with Playboy established him as the heir apparent to 50’s pin-up artist Alberto Vargas and gave Nagel the subject matter that he would continue to use to illustrate the newly liberated woman. Over the last one hundred years, poster art has been one of the most humble, influential and pervasive of all the arts. But in the U.S in the 70’s, where poster art had not been used to its best effect, an opportunity arose to change the status quo. Nagel, in partnership with Mirage Editions and fine art printer Jeff Wasserman, sought to recapture the beauty and power that posters once held in popular culture by returning to a model created at the turn of the century with artists such as Toulouse Lautrec and A. M. Cassandre. They sought to produce the highest quality hand screened art prints that would also serve as collectible advertising...