Ed Ruscha

Sin With Olive

1970

Donald Sultan "Black and Blues", 2011 Silkscreen with hand applied Silica on Saunders Waterford paper 38 x 38 inches Edition of 75, signed Unframed The Silica comes "alive" when well...

Donald Sultan "Orange and Black" Silkscreen with hand applied Silica on Saunders Waterford paper 38 x 38 inches Edition of 75, signed Unframed Donald Sultan's artwork is simultaneous...

Keith Haring Untitled (Free South Africa #3) 1985 Lithograph 40 x 32 inches AP 11/15, apart from the edition of 60. Published by Edition Schellmann,...

Takashi Murakami Signal; 2015 Offset lithograph in colors on wove paper 27 x 20 3/4 inches Numbered from the edition of 300 in the lower right corner Signed by the artist in the lowe...

Donald Sultan "Silver Flowers, March 5, 2011" 2011; Silkscreen with hand applied Black Silica on Sauders Waterford paper 38 x 38 inches Edition of 75 Signed Unframed The Black Silica...

Mr. Brainwash Monumental Love - Red; 2021 Silkscreen edition print with diamond dust on paper 36 x 36 inches Signed in the lower right corner Numbered out of 25 in the lower left U...

Lithograph on Rives BFK paper, torn and deckle edges

DETAILS: 27 x 17 inches 2020 Offset lithograph 80# Classic Linen Solar White Cover

Bruce Nauman Untitled (2-color lithograph, published in conjunction with the exhibition "Bruce Nauman: Holograms, Videotapes, and Other Works"), Leo Castelli, 1969 Lithograph 24 x 20...

Öyvind Axel Christian Fahlström (1928–1976) was a Swedish Multimedia artist. Fahlström was born in Sao Paulo, Brazil, In July 1939 he was sent to Stockholm to visit some distant relatives and after World War II he started to study and later on to work as a writer, critic and journalist. From 1960 until 1976 he was married to the Swedish Pop Art painter Barbro Östlihn. In 1953 Fahlström had his first solo exhibition, showing the drawing Opera, a room-sized felt-pen drawing. Also in 1953 he wrote Hätila ragulpr på fåtskliaben, a manifesto for concrete poetry, published in Swedish the following year and in English translation (by Mary Ellen Solt, in her anthology "Concrete Poetry. A world view") in 1968. In 1956 Fahlström moved to Paris and lived there for three years before he moved to Front Street studio, New York City. In New York he worked with different artists and explored his role as an artist further. In 1962 he participated in the New Realists exhibition at the Sidney Janis Gallery, in New York City. His work was included in the 1964 Venice Biennale and he had a solo exhibition at Cordier & Ekstrom Inc., New York. In 1965 he joined the Sidney Janis Gallery. In 1966 his work Performance of Kisses Sweeter Than Wine was included in 9 Evenings: Theatre and Engineering, organized by Experiments in Art and Technology at the 26th Street Armory, New York. The same year his painting in oil on photo...

Roy Lichtenstein Reflections on Minerva 1990 Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper Signed, numbered, and dated in pen...

SALE ONE WEEK ONLY Claes’ first kinetic sculpture, 1970, was “Ice Bag” rising in height from 7 to 16 feet with a diameter of 18 feet. He was interested in ice bags as a sculptural subject because of their compelling form. The surface wavers between rippled and smooth, hard and soft. This lithograph with blue and red crayon is a sketch of the “Ice Bag” sculpture and was created by Claes as a thank you gift for certain individuals. Eric Saarinin & Associates had rented an art studio to film Oldenburg sketching on its walls the genesis of the ice bag and his thoughts about the Icebag. When the owner of the studio returned and found his pristine walls covered with scrawls, he had a fit…until he understood the present value of that heavily marked, white expanse. They thought about how to remove the drawings. Well, it couldn’t be done, but they are preserved in the film directed by Michael Hugo and produced by Eric Saarinen. The Lithograph is printed by Kenneth Tyler, carries the blind stamp and is marked (Gem.II), G.E.L. It is numbered 2 of 26, dated and signed by Oldenburg and owned by Eric Saarinen who received it as a gift from Claes. Unframed it measures 16 1/8 x 22 5/16. Claes Oldenburg was a Swedish-born American sculptor, best known for his public art installations typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Oldenburg was born in Stockholm, Sweden, but because of his father’s diplomatic career he lived most of his life in the states mainly New York and California. He attended Yale University and the School of the Art Institute of Chicago. Oldenburg became associated with the pop art movement and created many happenings, that were so popular in the late 1960s and thru the 1970s. They were performance art related productions. The name he gave to his own productions was "Ray Gun “Theater”. The cast of colleagues who appeared in his performances included artists: Lucas Samaras, Tom Wesselmann, Carolee Schneemann...