Futzie Nutzle

"Penergy" Signed and Numbered Show Poster

1980

Delicate embossed composition by Patricia A. Pearce (American, b. 1948). This piece has been painted in a bronze tone that shimmers and morphs depending on the light source and angle...

Delicate embossed composition by Patricia A. Pearce (American, b. 1948). This piece has been painted in a bronze tone that shimmers and morphs depending on the light source and angle...

"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper (#86/90) A stone arch bridge spans the Seine in this Paris landscape by French artist, Jacques Voyet...

Modern and bold abstract geometric composition of Mayan sculpture Chac Mool in sky blue by Marilyn Kruger (American, 20th Century). Numbered, titled, and signed ("1/5 Chac #2 Marilyn Kruger") along the lower edge. No frame. Chac Mool is sculpture of a reclining male figure holding a bowl on his torso. They were given the invented name Chac Mool by nineteenth-century explorers during an archaeological expedition to Chichen Itza...

Women Outside Breton Hotel - Chromolithograph on Paper In a pastel palette, Alson Skinner Clark (American, 1876-1949) captures the rustic beauty of a side street in a Breton village as two women converse outside of a hotel on a blue sky day. Signed “Alson Clark...

Map of south America, engraved by Franz Pluth (Czech, 1800-1871), from the book "Neueste Länder - und Völkerkunde, ein geographisches Lesebuch für alle Stände" by Linder, F. L. (Prag...

Sol Lewitt Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971 Lithograph on Wove Paper Edition AP (A rare Artists Proof, aside from the regular edition of 150) Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT Published by: Bank Street Shorewood Atelier Frame included: Held in original vintage metal frame Measurements: Framed: 25 inches x 28 inches Sheet: 17 inches x 23 ½ inches This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150. "Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...

AGNES MARTIN Praise, 1976 Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front Numbered 593 in pencil on the front, from the limited edition of 1000 Accompani...

Book with sketch 11 × 8 in 27.9 × 20.3 cm Edition 547/1000

Edition of 15

Edition of 15

Edition of 15