10 Inflammatory Essays 1979-1982 -- Lithograph, Small Set, Text Art by Holzer
View Similar Items
Jenny Holzer10 Inflammatory Essays 1979-1982 -- Lithograph, Small Set, Text Art by Holzer1993
1993
About the Item
- Creator:Jenny Holzer (1950, American)
- Creation Year:1993
- Dimensions:Height: 9.85 in (25 cm)Width: 9.85 in (25 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU80916318222
Jenny Holzer
Known for taking art out of the traditional “white cube” of galleries and museums and onto the streets, Jenny Holzer is one of the most potent feminist Neo-Conceptual artists of the 20th century. Her most iconic work critiques the information age and consumerism by reclaiming its primary media — conventional print billboards, storefront posters and LED signs.
“I used language because I wanted to offer content that people — not necessarily art people — could understand,” the Ohio-born Holzer told Interview magazine. She received her MFA in painting from Rhode Island School of Design, where her work was influenced by Abstract Expressionism. It was while in the Independent Study Program at the Whitney Museum of American Art that Holzer became inspired to work at the intersection of public art and language.
In the late 1970s, after becoming an active participant in the downtown Manhattan artist collective Colab, which included Tom Otterness and Christy Rupp, Holzer began to create her legendary “Truisms” series. Printing anonymous one-line aphorisms in bold and italicized text on broadsheets, she pasted them up in public spaces all over New York City. The “Truisms” are provocative in questioning how we receive and process information. The work elicits debate and represents a range of perspectives. In an era that saw the rise of street art and graffiti, Holzer’s pithy word art would also find viewers by way of T-shirts, stickers and park benches, into which her slogans were carved.
Holzer’s more combative “Inflammatory Essays” (1979–82) took the form of mass-produced posters on colored paper — each featuring paragraphs as compared to the punch-line structure of “Truisms.” These touched on subjects such as violence, misogyny, power structures and consumerism, all of which have continued to be central in her work.
Starting in 1982 as part of a Public Art Fund project, Holzer projected “Protect me from what I want” and other “Truisms” on the Spectacolor board, a large computerized light signboard in New York City’s Times Square. Her “Abuse of power comes as no surprise,” which has appeared on T-shirts as part of the series, has taken on new life in an increasingly politically divided America.
Just as it did in the 1970s, the forcefulness of her work continues to make both viewers and the art world stop and pay attention. She has had solo exhibitions at the Brooklyn Museum, the Solomon R. Guggenheim Museum, the Tate Modern in London and elsewhere. She has also created permanent installations including the New York City AIDS Memorial. A 2014 show at New York’s Cheim & Read featured oil-on-linen canvases based on declassified government files pertaining to detainees from the Iraq and Afghanistan wars.
Find Jenny Holzer prints and sculptures on 1stDibs.
- Untitled (Flag) -- Screen Print, Text Art by Barbara KrugerBy Barbara KrugerLocated in London, GBBARBARA KRUGER Untitled (Flag), 2020 Screenprint in colours, on cotton Published by Artists Band Together In the original black envelope Sheet: 56.0 x 53.5 cm (22.0 x 21.0 in)Category
2010s Feminist More Prints
MaterialsScreen
- Paris Review -- Hand-printed Lithograph, Text Art by RuschaBy Ed RuschaLocated in London, GBParis Review, 2021 Ed Ruscha Hand-printed lithograph with torn and deckle edges Signed, dated and numbered from the edition of 50 Sheet: 45.7 × 29.2 cm (18 × 11.5 in)Category
1970s Contemporary More Prints
MaterialsLithograph
- Throwing Three Balls -- Set of 12, Print, Lithograph by John BaldessariBy John BaldessariLocated in London, GBThrowing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973 John Baldessari Complete set of twelve offset lithogra...Category
1970s Conceptual More Prints
MaterialsLithograph
- Jane -- Lithograph, Human Figure, Jane Eyre, Contemporary Art by Paula RegoBy Paula RegoLocated in London, GBJane, 2002 Paula Rego Lithograph, on Somerset textured paper Signed and numbered from the edition of 75 From the deluxe edition of Jane Eyre Accompanied by ...Category
Early 2000s Contemporary More Prints
MaterialsLithograph
- Shakespeare's Room -- Triptych, Lithograph, Contemporary by Paula RegoBy Paula RegoLocated in London, GBShakespeare's Room, 2006 Paula Rego The set of three lithographs in colours, on three sheets of Somerset Velvet Signed, initialled and numbered from the edition of 35 Printed by T...Category
Early 2000s Contemporary More Prints
MaterialsLithograph
- Turbo Tears -- Print, Lithograph, Text Art by Ed RuschaBy Ed RuschaLocated in London, GBTurbo Tears, 2020 Ed Ruscha Lithograph in colours, on grey BFK Rives Signed, dated and numbered from the edition of 120 Printed by Hamilton Press, California Sheet: 60 × 76 cm (23.6...Category
2010s Pop Art More Prints
MaterialsLithograph
- I had a flashback of something that never existedBy Louise BourgeoisLocated in Washington , DC, DCLouise Bourgeois (After) I had a flashback of something that never existed, 2020 Fine bone china 10 1/2 in diameter | 26.7 cm diameter Edition of 175 Printed signature and edition d...Category
2010s Feminist More Prints
MaterialsCeramic
- Tyre, From the Isthmus: Roberts' 19th C. Hand-colored LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Tsur Ancient Tyre, From the Isthmus, April 27, 1839" by David Roberts from his Egypt and Nubia volumes of the large...Category
1840s Realist Interior Prints
MaterialsLithograph
- Kee-Shes-Wa, A Fox Chief: An Original Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kee-Shes-Wa, A Fox Chief", litho...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- Approach of the Simoon, Desert of Gizeh: 19th C. Hand-colored Roberts LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is the most famous and collectible of David Roberts' works, entitled "Approach of the Simoon, Desert of Gizeh". The scene captures the dramatic moment when a fierce sandstorm, known as a simoon, approaches a caravan traveling through the desert of Gizeh in Egypt. The scene is filled with swirling clouds of sand, which obscure the figures of the travelers and their camels. The sky is dark and ominous, with lightning bolts striking the ground in the distance. The figures in the foreground appear to be huddling together for protection, while one man in the center struggles to keep his turban from being blown away. Roberts' lithograph is particularly striking for its attention to detail and its use of light and shadow to create a sense of depth and atmosphere. The figures and camels in the foreground are rendered with great precision, while the distant landscape and stormy sky are suggested with broad, sweeping strokes. Overall, "Approach of the Simoon, Desert of Gizeh" is a powerful and evocative image of the harsh realities of life in the desert, and a testament to David Roberts' skill as an artist. This is the most well known and sought-after of all Roberts prints, as well as the most difficult to find and hence most expensive. This hand-colored lithograph is printed on wove paper with wide margins. The print is in excellent condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV conservation glass. All framing materials used are archival museum quality. The frame measures 23.75" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Petra and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211969422 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...Category
Mid-19th Century Realist Landscape Prints
MaterialsLithograph
- Tiberias from the Walls: David Roberts' 19th C. Hand-colored LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century. This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...Category
1840s Realist Interior Prints
MaterialsLithograph
- Pillar of Absalom near Jerusalem: David Roberts' 19th C. Hand-colored LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...Category
1840s Realist Interior Prints
MaterialsLithograph