Peter Paone

Bosch

c.1980

This artwork titled "Platform" 1963 is an original silkscreen by American artist Kenneth William Auvil, 1925-1999. It is signed, dated, titled and numbered 9/27 in pencil by the artist. The image size is 17 x 11.25 inches, framed size is 23.5 x 17.65 inches. Custom framed in a bronze color metal frame. It is in good condition, paper is slightly toned by age. About the artist: Educational Background University of Washington, 1953 MFA Art University of Washington, 1949 BA Art Teaching Experience San Jose State University, 1956 -1988 Selected Publications Serigraphy: Silk Screen Techniques for the Artist, Prentice‑Hall, 1965‑1996. Activities: Learning to Use the Macintosh Computer...

This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

This artwork titled "Popeye" c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and inscribed M.T in pencil by the artist. The image size is 23.5 x 17.5 inches, sheet size is 29.85 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

This artwork :La Seine a Paris" c.1990 is an original color serigraph on hand made paper by American artist Linea Pergola, b.1953. It is hand signed and numbered A.P. 25/50 in pencil...

This artwork titled "Concentration" c.1970 is an original color monotype on paper by American artist Georges Hugh De Groat, 1917-1995. It is hand signed and titled in pencil by the artist.. The image size is 17 x 9.5 inches, framed size is 26.25 x 19.5 inches. Custom framed in a wooden grey frame, with light grey matting. It is in excellent condition. About the artist: George De Groat...

This artwork titled "Seated Figure" c.1970 is an original color etching, aquatint and embossing on brown hand made paper by noted Spanish artist Jose Garcia...

An etching by Kiki Smith titled "Bat." Smith has used one of her animal/insect iconic figures for this etching on wove paper creating it close to life size and therefore causing the ...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

April Gornik (American, b. 1953) Cascading Waterfall, 1998, Soft ground etching and spit bite aquatint, hand signed, titled and dated '98 in pencil. Sheet dimensions: 22 x 30 in. Cascading Waterfall, is an etching and aquatint on copper plate, printed on Arches paper. Its image dimensions are 14 3/4 by 23 1/2 inches. It is included in the collection of the Museum of Art, MoMA NYC. Commissioned by the print club of Cleveland, Ohio. April Gornik (born 1953, Cleveland, Ohio) is an American artist who paints American landscapes. Her realist yet dreamlike paintings and drawings embody oppositions and speak to America's historically conflicted relationship with nature. While she doesn't categorize herself as an environmental artist, she is a passionate supporter of environmental causes and has said, "I have no problem with people reading an ecological message into my work." Biography Gornik received in 1976 her B.F.A. from the Nova Scotia College of Art and Design (now called NSCAD University), and while attending the school she met her future husband, painter Eric Fischl. Art dealer Ed Thorp hosted her first solo exhibition in 1981, after having caught sight of her paintings while viewing Fischl's work. She is influenced by the feminist consciousness-raising of the late 20th century and, in speaking about female artists who have worked in the shadows of better known male artists, including Elaine de Kooning and Lee Krasner, she has said, "It's a problem. Women artists still receive lower prices for their art and remain less shown than their male counterparts." In 2014, FigureGround Press published the monograph April Gornik: Drawings, an extensive look at charcoal drawings done since the mid 1980s. The book includes essays by Steve Martin and Archie Rand, an interview with Lawrence Weschler, and a digital download of a piano and cello composition by composer Bruce Wolosoff, played by Wolosoff and Sara Sant'Ambrogio of the Eroica Trio. Gornik has remained committed to helping her community and making a difference, Gornik and her husband invested in 26 acres of land in which they donated in 2017 to the town of North Haven to preserve land. She also adds her funds to the Southampton Animal Shelter as well as being involved with the Eastville Historical Society. Collections Various permanent art collections include Gornik's work, including: Smithsonian American Art Museum, Metropolitan Museum of Art (the Met), the Museum of Modern Art (MoMA), Hood Museum of Art, Whitney Museum of American Art, Nasher Museum of Art, The Museum of Fine Arts, and many others. Two of her paintings, Virga (1992) and Storm and Fires (1990) are held in the Smithsonian American Art Museum collection. In 2007, the Smithsonian Art Collectors Program commissioned Gornik to produce a print to benefit the educational and cultural programs of the Smithsonian Associates. The lithograph, entitled Blue Moonlight hangs in the ongoing exhibition Graphic Eloquence in the S. Dillon Ripley Center in the National Mall, Washington, D.C. Awards Gornik has received several awards: the Neuberger Museum of Art Annual Honoree (2004), the 18th annual Lifetime Achievement in the Arts Honoree (2003) by the Guild Hall of East Hampton, and the Award of Excellence for Artistic Contributions to the Fight Against AIDS from the American Foundation for AIDS Research (amfAR) Recent Group Exhibitions 2022 “Boil, Toil & Trouble” (curated by Zoe Lukov), Art in Common, Miami, FL (with Ana Mendieta, Bruce Nauman, Maya Lin, Marina Abramović, Nicole Eisenman, Niki De Saint Phalle etc.) “COMPETERE: An Exhibition of Artist Couples,” The Bo Bartlett Center, Columbus State University, GA 2019 “That 80s Show,” Nassau County Museum of Art, Roslyn Harbor, NY (The East Village scene; Keith Haring, Jean-Michel Basquiat, Julian Schnabel, Cindy Sherman, April Gornik, Kenny Scharf, Robert Mapplethorpe, and Robert Longo“ LandEscape,” Katonah Museum of Art, Katonah, NY 2017 “Black & White,” Tripoli Gallery, Southampton, NY “Photography of Place,” Palm Beach Photographic Center Museum, West Palm Beach, FL 2015 “Seeing Nature: Landscape Masterworks from the Paul Allen...

This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...