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Salvador Dalí­
Vision Planetaire et Scatologique - from La Conquête du Cosmos - S. Dalì - 1974

1974

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  • Dali Martien Muni d'un Double Microscope... - Etching attr. to S. Dalì - 1974
    By Salvador Dalí­
    Located in Roma, IT
    Dali Martien Muni d'un Double Microscope holo-électronique is an original contemporary artwork realized in 1974. Drypoint etching and colored lithograph on Arches wove paper. Numbe...
    Category

    1970s Surrealist More Prints

    Materials

    Drypoint, Etching, Lithograph

  • Le Demon Ailé - Etching and Drypoint - 1969
    By Salvador Dalí­
    Located in Roma, IT
    Le demon Ailé is a wonderful black and white drypoint realized in 1969. The artwork is from the portfolio "Vénus aux fourrures", edited by Pierre Argillet, Parigi, 1969. Hand signed in pencil by the artist on the lower margin. Dry stamp on the lower right margin Numbered on the lower left margin. Ed.21/75. Good conditions except for some light yellowing of paper along the margin. Ref: Michler Lopsinger, "Salvador Dali Catalogue Raisonne of Etchings and Mixed-Media Prints 1924-1980", Prestel 1994, n. 371. Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. Dalí epitomizes the idea that life is the greatest form of art; André Breton said about him: “It is with Dalí that, for the very first time, the windows of the mind are wide open”. He always pushed boundaries, and he did the same with conventional lithography. He experimented a lot, also with techniques that would not be allowed today. He was a prolific printmaker, using techniques as drypoint, etching, woodcut and lithography. His output is esteemed at 1700 prints...
    Category

    1960s Surrealist More Prints

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  • Composition - Etching and Drypoint by P. Guccione - 1964
    Located in Roma, IT
    Composition is an original Etching and Drypoint realized by Paul Petit in 1964. Hand-signed. Numbered, 41/50. The artwork is depicted through confident strokes in a well-balanced ...
    Category

    1960s Contemporary More Prints

    Materials

    Drypoint, Etching

  • The Pitfall - Original Etching by Walter PIacesi - 1965
    By Walter Piacesi
    Located in Roma, IT
    Hand Signed. Edition of 50 pieces. Original title: "L'insidia". Very good conditions.
    Category

    1960s More Prints

    Materials

    Etching, Drypoint

  • Chute d'un Ange - Original Etching by Félicien Rops - Late 19th Century
    By Félicien Rops
    Located in Roma, IT
    Chute d’un Ange is an original drypoint on laid paper realized by Félicien Rops, hand monogrammed and inscribed "Ah! N'insultez jambs une femme qui tombe!". In very good conditions....
    Category

    Late 19th Century Symbolist More Prints

    Materials

    Drypoint, Etching

  • Codex d'un Visage - Etching by Victor Brauner - 1962
    By Victor Brauner
    Located in Roma, IT
    Codex d'un visage is a b/w original etching realized by Romanian Surrealist artist Victor Brauner (1903-1966) in 1962. Signed, dated in pencil on lower margin. Numbered in Arabic nu...
    Category

    1960s Surrealist More Prints

    Materials

    Etching

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  • The Pass of Gadalore, from The Quest for the Grail
    By Salvador Dalí­
    Located in Washington, DC
    Artist: Salvador Dali Title: The Pass of Gadalore Portfolio: The Quest for the Grail Medium: Etching in color Year: 1975 Edition: 39/100 Frame Size: 27" x 22" Sheet Size: 17 3/4" x 1...
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  • "Space Oddity", Hand-Colored Etching, Decorative Motifs
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  • Untitled Dry Point Etching CR 314-PR
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    Dimensions : Image 9 7/8” x 7 7/8”, Paper 19” x 15” Printed at Alfred University Press, Alfred, NY Chop mark: Alfred University Press Signed: Pencil 11/20 Voulkos ‘98 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas...
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